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    <title>Theatre Geeks</title>
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      <title>Episode 158</title>
      <link>http://theatregeeks.com/uncategorized/episode-158/</link>
      <guid>http://theatregeeks.com/?p=9</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 12 Dec 2023 14:56:29 -0500</pubDate>
      <description><![CDATA[Happy New Year!  As we gear up for some new episodes in 2017, Dave is clearing out some of our backlog of episodes that have been left unedited and saved "for a rainy day."  So here's another one of these, on the pros and cons of adjudicators.]]></description>
      <content:encoded><![CDATA[Happy New Year!  As we gear up for some new episodes in 2017, Dave is clearing out some of our backlog of episodes that have been left unedited and saved "for a rainy day."  So here's another one of these, on the pros and cons of adjudicators.]]></content:encoded>
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      <itunes:duration>0:29:08</itunes:duration>
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      <itunes:subtitle>Happy New Year!  As we gear up for some new episodes in 2017, Dave is clearing out some of our backlog of episodes that have been left unedited and saved &quot;for a rainy day.&quot;  So here's another one of these, on the pros and cons of adjudicators.</itunes:subtitle>
      <itunes:summary>Happy New Year!  As we gear up for some new episodes in 2017, Dave is clearing out some of our backlog of episodes that have been left unedited and saved &quot;for a rainy day.&quot;  So here's another one of these, on the pros and cons of adjudicators.</itunes:summary>
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    <item>
      <title>Marcia Reminisces</title>
      <link>http://theatregeeks.com/uncategorized/marcia-reminisces/</link>
      <guid>http://theatregeeks.com/?p=6</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 22 Jan 2023 18:26:39 -0500</pubDate>
      <description><![CDATA[<p>Marcia’s final episode from March 2019, in which she talks about her years in theatre and the newspaper business.  Marcia passed away a few weeks after this was recorded. </p>]]></description>
      <content:encoded><![CDATA[<p>Marcia’s final episode from March 2019, in which she talks about her years in theatre and the newspaper business.  Marcia passed away a few weeks after this was recorded. </p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/140_Saving_your_theatre_mixdown.mp3" length="12167649" type="audio/mpeg" />
      <itunes:duration>0:16:39</itunes:duration>
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      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Marcia’s final episode from March 2019, in which she talks about her years in theatre and the newspaper business. Marcia passed away a few weeks after this was recorded.</itunes:subtitle>
      <itunes:summary>Marcia’s final episode from March 2019, in which she talks about her years in theatre and the newspaper business. Marcia passed away a few weeks after this was recorded.</itunes:summary>
    </item>
    <item>
      <title>159 Marcia Reminisces</title>
      <link>http://theatregeeks.com/podcast/159-marcia-reminisces/</link>
      <guid>http://theatregeeks.com/?p=10900</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 08 Mar 2019 19:54:01 -0500</pubDate>
      <description><![CDATA[In our first new episode in sometime, we get the three of us together along with actress and Theatre Geek Marcia Fulmer's daughter Deirdre Lovejoy to talk about Marcia's years in and around the theatre, newspapers and our shared experiences in communit...]]></description>
      <content:encoded><![CDATA[In our first new episode in sometime, we get the three of us together along with actress and Theatre Geek Marcia Fulmer's daughter Deirdre Lovejoy to talk about Marcia's years in and around the theatre, newspapers and our shared experiences in communit...]]></content:encoded>
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      <itunes:duration>0:45:42</itunes:duration>
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      <itunes:subtitle>In our first new episode in sometime, we get the three of us together along with actress and Theatre Geek Marcia Fulmer's daughter Deirdre Lovejoy to talk about Marcia's years in and around the theatre, newspapers and our shared experiences in communit...</itunes:subtitle>
      <itunes:summary>In our first new episode in sometime, we get the three of us together along with actress and Theatre Geek Marcia Fulmer's daughter Deirdre Lovejoy to talk about Marcia's years in and around the theatre, newspapers and our shared experiences in communit...</itunes:summary>
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    <item>
      <title>157: What do you do about those “problem” patrons?</title>
      <link>http://theatregeeks.com/podcast/157-what-do-you-do-about-those-problem-patrons/</link>
      <guid>http://theatregeeks.com/?p=9904</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 28 Dec 2017 12:11:23 -0500</pubDate>
      <description><![CDATA[Patrons who make noise, patrons who unwrap loud candy and even patrons who stink.  What to do?? ]]></description>
      <content:encoded><![CDATA[Patrons who make noise, patrons who unwrap loud candy and even patrons who stink.  What to do?? ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/157_mixdown.mp3" length="32968963" type="audio/mpeg" />
      <itunes:duration>0:22:46</itunes:duration>
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      <itunes:subtitle>Patrons who make noise, patrons who unwrap loud candy and even patrons who stink.  What to do?? </itunes:subtitle>
      <itunes:summary>Patrons who make noise, patrons who unwrap loud candy and even patrons who stink.  What to do?? </itunes:summary>
    </item>
    <item>
      <title>Episode 156 — Playwright Elaine Liner</title>
      <link>http://theatregeeks.com/podcast/episode-156-playwright-elaine-liner/</link>
      <guid>http://theatregeeks.com/?p=9890</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 11 Sep 2017 21:27:48 -0400</pubDate>
      <description><![CDATA[This episode, Texas playwright Elaine Liner joins us to talk about her latest work, Finishing School, which gets its world premiere September 8 at the Geeks home theatre, Elkhart Civic Theatre at the Bristol Opera House. -]]></description>
      <content:encoded><![CDATA[This episode, Texas playwright Elaine Liner joins us to talk about her latest work, Finishing School, which gets its world premiere September 8 at the Geeks home theatre, Elkhart Civic Theatre at the Bristol Opera House. -]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/156_Elaine_Liner_mixdown.mp3" length="48576093" type="audio/mpeg" />
      <itunes:duration>0:33:36</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>This episode, Texas playwright Elaine Liner joins us to talk about her latest work, Finishing School, which gets its world premiere September 8 at the Geeks home theatre, Elkhart Civic Theatre at the Bristol Opera House. -</itunes:subtitle>
      <itunes:summary>This episode, Texas playwright Elaine Liner joins us to talk about her latest work, Finishing School, which gets its world premiere September 8 at the Geeks home theatre, Elkhart Civic Theatre at the Bristol Opera House. -</itunes:summary>
    </item>
    <item>
      <title>155 – Speak up and don’t talk with your mouth full! Enunciation and diction on stage.</title>
      <link>http://theatregeeks.com/podcast/155-speak-dont-talk-mouth-full-enunciation-diction-stage/</link>
      <guid>http://theatregeeks.com/?p=9873</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 06 May 2017 19:06:17 -0400</pubDate>
      <description><![CDATA[The Geeks return to the issue of enunciation and diction in community theatre productions, how to deal with actors that just don't get it, and why it's so important.

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[The Geeks return to the issue of enunciation and diction in community theatre productions, how to deal with actors that just don't get it, and why it's so important.

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/155_diction_and_enunciation.mp3" length="53520738" type="audio/mpeg" />
      <itunes:duration>0:37:02</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks return to the issue of enunciation and diction in community theatre productions, how to deal with actors that just don't get it, and why it's so important.  Music provided by Music Alley.</itunes:subtitle>
      <itunes:summary>The Geeks return to the issue of enunciation and diction in community theatre productions, how to deal with actors that just don't get it, and why it's so important.

Music provided by Music Alley.</itunes:summary>
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    <item>
      <title>154 – Interview with a college intern for a community theatre</title>
      <link>http://theatregeeks.com/podcast/154-interview-with-a-college-intern-for-a-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=9842</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 30 Apr 2017 12:43:47 -0400</pubDate>
      <description><![CDATA[In this episode, the Geeks chat with Bronson Bontrager, Elkhart Civic Theatre's college intern for the spring 2017 semester.  We discuss the benefits of internships, for both the theatre and the student.

 ]]></description>
      <content:encoded><![CDATA[In this episode, the Geeks chat with Bronson Bontrager, Elkhart Civic Theatre's college intern for the spring 2017 semester.  We discuss the benefits of internships, for both the theatre and the student.

 ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/154_Interview_with_Bronson_the_Intern_mixdown.mp3" length="28941970" type="audio/mpeg" />
      <itunes:duration>0:19:58</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In this episode, the Geeks chat with Bronson Bontrager, Elkhart Civic Theatre's college intern for the spring 2017 semester.  We discuss the benefits of internships, for both the theatre and the student.   </itunes:subtitle>
      <itunes:summary>In this episode, the Geeks chat with Bronson Bontrager, Elkhart Civic Theatre's college intern for the spring 2017 semester.  We discuss the benefits of internships, for both the theatre and the student.

 </itunes:summary>
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    <item>
      <title>153 Return episode: Old or New? What sells best?</title>
      <link>http://theatregeeks.com/podcast/153-return-episode-old-or-new-what-sells-best/</link>
      <guid>http://theatregeeks.com/?p=9837</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 22 Apr 2017 23:46:28 -0400</pubDate>
      <description><![CDATA[We are  finally back on the pod.  After a lengthy absence John, Dave and Marcia are recording episodes again.  More will be coming your way, as there are several in the can and we have plans for more in the near future.

In this episode we discuss a problem that plagues most of our theatres: do we do the old familiar shows, or risk something new that audiences are less familiar with?  It's hard because many audience members don't like the idea of going to something that is outside their experience.  We all know people who love seeing a classic any number of times, but don't go for what's mainstream today.  But we also hear from people who DON'T want to see another production of Fiddler in the South Pacific near Oklahoma!  Decisions, decisions.  Maybe we can help, or at least add our insight to the perennial problem.]]></description>
      <content:encoded><![CDATA[We are  finally back on the pod.  After a lengthy absence John, Dave and Marcia are recording episodes again.  More will be coming your way, as there are several in the can and we have plans for more in the near future.

In this episode we discuss a problem that plagues most of our theatres: do we do the old familiar shows, or risk something new that audiences are less familiar with?  It's hard because many audience members don't like the idea of going to something that is outside their experience.  We all know people who love seeing a classic any number of times, but don't go for what's mainstream today.  But we also hear from people who DON'T want to see another production of Fiddler in the South Pacific near Oklahoma!  Decisions, decisions.  Maybe we can help, or at least add our insight to the perennial problem.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/153_Rejuvenated_Podcast_etc_mixdown.mp3" length="34183630" type="audio/mpeg" />
      <itunes:duration>0:23:37</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>We are  finally back on the pod.  After a lengthy absence John, Dave and Marcia are recording episodes again.  More will be coming your way, as there are several in the can and we have plans for more in the near future.  </itunes:subtitle>
      <itunes:summary>We are  finally back on the pod.  After a lengthy absence John, Dave and Marcia are recording episodes again.  More will be coming your way, as there are several in the can and we have plans for more in the near future.

In this episode we discuss a problem that plagues most of our theatres: do we do the old familiar shows, or risk something new that audiences are less familiar with?  It's hard because many audience members don't like the idea of going to something that is outside their experience.  We all know people who love seeing a classic any number of times, but don't go for what's mainstream today.  But we also hear from people who DON'T want to see another production of Fiddler in the South Pacific near Oklahoma!  Decisions, decisions.  Maybe we can help, or at least add our insight to the perennial problem.</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
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    </item>
    <item>
      <title>152 Audition: Great,  Performance:Not so much</title>
      <link>http://theatregeeks.com/podcast/152-audition-great-performancenot-so-much/</link>
      <guid>http://theatregeeks.com/?p=9323</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 28 Feb 2016 18:56:48 -0500</pubDate>
      <description><![CDATA[What do you do when you give a new actor a chance, based on a good or even great audition, but they never seem to rise to the same level in performance?  The Geeks discuss.

 

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[What do you do when you give a new actor a chance, based on a good or even great audition, but they never seem to rise to the same level in performance?  The Geeks discuss.

 

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/152_Actor_not_performing.mp3" length="17813293" type="audio/mpeg" />
      <itunes:duration>0:24:29</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What do you do when you give a new actor a chance, based on a good or even great audition, but they never seem to rise to the same level in performance?  The Geeks discuss.     Music provided by Music Alley.</itunes:subtitle>
      <itunes:summary>What do you do when you give a new actor a chance, based on a good or even great audition, but they never seem to rise to the same level in performance?  The Geeks discuss.

 

Music provided by Music Alley.</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
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    </item>
    <item>
      <title>151 Deirdre Lovejoy, Ang Lee and cell phones in theatres</title>
      <link>http://theatregeeks.com/podcast/151-deirdre-lovejoy-ang-lee-and-cell-phones-in-theatres/</link>
      <guid>http://theatregeeks.com/?p=8091</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 10 Aug 2015 07:54:07 -0400</pubDate>
      <description><![CDATA[Deirdre (Dede) Lovejoy joins the Geeks to talk about the recent Patti Lupone cell-phone snatch, working with Ang Lee in the upcoming "Billy Lynn's Long Halftime Walk," plus her own autobiographical play, "Bird Elephant China." Join us for great conversation.

 

Music provided by Music Alley]]></description>
      <content:encoded><![CDATA[Deirdre (Dede) Lovejoy joins the Geeks to talk about the recent Patti Lupone cell-phone snatch, working with Ang Lee in the upcoming "Billy Lynn's Long Halftime Walk," plus her own autobiographical play, "Bird Elephant China." Join us for great conversation.

 

Music provided by Music Alley]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/151_Deirdre_Lovejoy_CellPhones_Ang_Lee_mixdown.mp3" length="28628578" type="audio/mpeg" />
      <itunes:duration>0:39:30</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Deirdre (Dede) Lovejoy joins the Geeks to talk about the recent Patti Lupone cell-phone snatch, working with Ang Lee in the upcoming &quot;Billy Lynn's Long Halftime Walk,&quot; plus her own autobiographical play, &quot;Bird Elephant China.</itunes:subtitle>
      <itunes:summary>Deirdre (Dede) Lovejoy joins the Geeks to talk about the recent Patti Lupone cell-phone snatch, working with Ang Lee in the upcoming &quot;Billy Lynn's Long Halftime Walk,&quot; plus her own autobiographical play, &quot;Bird Elephant China.&quot; Join us for great conversation.

 

Music provided by Music Alley</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
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    <item>
      <title>150 — Interview: Jill Olson of Chicago’s StoryTown and Funny Bones Improv</title>
      <link>http://theatregeeks.com/podcast/150-interview-jill-olson-of-chicagos-storytown-and-funny-bones-improv/</link>
      <guid>http://theatregeeks.com/?p=7726</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 19 Jul 2015 22:08:30 -0400</pubDate>
      <description><![CDATA[Improv artist making a difference in Chicago
Jill is the founder of Storytown, a Chicago improv troupe that performs every Saturday morning in an interactive show for young people.  Through Storytown , she works to cultivate creativity and arts appreciation while introducing audiences to story structure and problem solving. Storytown uses the core improvisation fundamental of “yes, and” so every suggestion and idea is accepted, embraced and developed. Storytown is a interactive improvisational musical that gives children hands on ownership of the arts. Children are encouraged to take an active role in Storytown. They can chose the location, design the backdrop, give suggestions for characters and plot, become characters themselves, and aide our performers in any way they can imagine.  Storytown becomes the canvas for their imaginations.



Jill is also the current Chicago Director of Funny Bones Improv.  Through this organization, she is able to bring the magic of improv and laughter to children and their care givers in Chicago hospitals.  She is Improv Professor of Merriment with The Laughing Academy and Theater Teacher for Dream Big Performing Arts Workshop.  She has served as Program Coordinator for This Is ME and Child Whisperer for  The Chicago Sketch Comedy Festival.  Jill Olson is originally from Towson University where she graduated Cum Laude with a BA in Theater Arts.  She moved to Chicago and studied improvisation and is a graduate of the Second City and iO Training Programs.

The Geeks met Jill Olson when she came to our theatre as a judge for our Comedy Criminals Improv Festival and Competition, and it was a blast getting to know her.  So, we couldn't wait to have her as a Theatre Geeks guest.   In this episode she talks about the power of improv and theatre for kids (and adults).

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[Improv artist making a difference in Chicago
Jill is the founder of Storytown, a Chicago improv troupe that performs every Saturday morning in an interactive show for young people.  Through Storytown , she works to cultivate creativity and arts appreciation while introducing audiences to story structure and problem solving. Storytown uses the core improvisation fundamental of “yes, and” so every suggestion and idea is accepted, embraced and developed. Storytown is a interactive improvisational musical that gives children hands on ownership of the arts. Children are encouraged to take an active role in Storytown. They can chose the location, design the backdrop, give suggestions for characters and plot, become characters themselves, and aide our performers in any way they can imagine.  Storytown becomes the canvas for their imaginations.



Jill is also the current Chicago Director of Funny Bones Improv.  Through this organization, she is able to bring the magic of improv and laughter to children and their care givers in Chicago hospitals.  She is Improv Professor of Merriment with The Laughing Academy and Theater Teacher for Dream Big Performing Arts Workshop.  She has served as Program Coordinator for This Is ME and Child Whisperer for  The Chicago Sketch Comedy Festival.  Jill Olson is originally from Towson University where she graduated Cum Laude with a BA in Theater Arts.  She moved to Chicago and studied improvisation and is a graduate of the Second City and iO Training Programs.

The Geeks met Jill Olson when she came to our theatre as a judge for our Comedy Criminals Improv Festival and Competition, and it was a blast getting to know her.  So, we couldn't wait to have her as a Theatre Geeks guest.   In this episode she talks about the power of improv and theatre for kids (and adults).

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/150_Jill_Olson_mixdown.mp3" length="22506113" type="audio/mpeg" />
      <itunes:duration>0:31:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Improv artist making a difference in Chicago Jill is the founder of Storytown, a Chicago improv troupe that performs every Saturday morning in an interactive show for young people.  Through Storytown , she works to cultivate creativity and arts appreci...</itunes:subtitle>
      <itunes:summary>Improv artist making a difference in Chicago
Jill is the founder of Storytown, a Chicago improv troupe that performs every Saturday morning in an interactive show for young people.  Through Storytown , she works to cultivate creativity and arts appreciation while introducing audiences to story structure and problem solving. Storytown uses the core improvisation fundamental of “yes, and” so every suggestion and idea is accepted, embraced and developed. Storytown is a interactive improvisational musical that gives children hands on ownership of the arts. Children are encouraged to take an active role in Storytown. They can chose the location, design the backdrop, give suggestions for characters and plot, become characters themselves, and aide our performers in any way they can imagine.  Storytown becomes the canvas for their imaginations.



Jill is also the current Chicago Director of Funny Bones Improv.  Through this organization, she is able to bring the magic of improv and laughter to children and their care givers in Chicago hospitals.  She is Improv Professor of Merriment with The Laughing Academy and Theater Teacher for Dream Big Performing Arts Workshop.  She has served as Program Coordinator for This Is ME and Child Whisperer for  The Chicago Sketch Comedy Festival.  Jill Olson is originally from Towson University where she graduated Cum Laude with a BA in Theater Arts.  She moved to Chicago and studied improvisation and is a graduate of the Second City and iO Training Programs.

The Geeks met Jill Olson when she came to our theatre as a judge for our Comedy Criminals Improv Festival and Competition, and it was a blast getting to know her.  So, we couldn't wait to have her as a Theatre Geeks guest.   In this episode she talks about the power of improv and theatre for kids (and adults).

Music provided by Music Alley.</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
      <image>http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg</image>
    </item>
    <item>
      <title>149 Scenic Painter Jeff Barrick</title>
      <link>http://theatregeeks.com/podcast/149-scenic-painter-jeff-barrick/</link>
      <guid>http://theatregeeks.com/?p=7683</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 14 Jul 2015 11:04:00 -0400</pubDate>
      <description><![CDATA[Love of all art styles gives scenic painter Jeff Barrick a lot of inspiration to draw upon


Jeff Barrick is a scenic painter working at Indiana University South Bend, but who also creates wonderful backdrops for The Geeks' home theatre, Elkhart Civic Theatre in Northern Indiana.  He has created backdrops and scenic elements for such diverse shows as Count Dracula, Assassins, Company and many others.

Collaboration with the set designer, (in this case, Geek John Shoup) is critical to successful design, but so is research.  Barrick almost always uses reference material for inspiration and design concepts.  Anything, from comic books to film, to wallpaper patterns to other set designs, can qualify.  Barrick takes these elements and imaginatively works them into scenic elements that fit the specific needs of a particular show.

Most recently, Barrick borrowed a graphic look from the cover of an old romance comic book to create the creepy grand olio (listen to the episode to learn what this is) for a production of Zombie Prom.

Spend some time with the Geeks (including honorary Geek Deirdre Lovejoy) to hear more about Jeff's process for scenic painting.  And take a look at the following videos to see Jeff (and John) at work.

More of Jeff's work can be seen Jeff Barrick, Muralist.









 

Music provided by Music Alley]]></description>
      <content:encoded><![CDATA[Love of all art styles gives scenic painter Jeff Barrick a lot of inspiration to draw upon


Jeff Barrick is a scenic painter working at Indiana University South Bend, but who also creates wonderful backdrops for The Geeks' home theatre, Elkhart Civic Theatre in Northern Indiana.  He has created backdrops and scenic elements for such diverse shows as Count Dracula, Assassins, Company and many others.

Collaboration with the set designer, (in this case, Geek John Shoup) is critical to successful design, but so is research.  Barrick almost always uses reference material for inspiration and design concepts.  Anything, from comic books to film, to wallpaper patterns to other set designs, can qualify.  Barrick takes these elements and imaginatively works them into scenic elements that fit the specific needs of a particular show.

Most recently, Barrick borrowed a graphic look from the cover of an old romance comic book to create the creepy grand olio (listen to the episode to learn what this is) for a production of Zombie Prom.

Spend some time with the Geeks (including honorary Geek Deirdre Lovejoy) to hear more about Jeff's process for scenic painting.  And take a look at the following videos to see Jeff (and John) at work.

More of Jeff's work can be seen Jeff Barrick, Muralist.









 

Music provided by Music Alley]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/149_Jeff_Barrick_mixdown.mp3" length="21107310" type="audio/mpeg" />
      <itunes:duration>0:29:04</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Love of all art styles gives scenic painter Jeff Barrick a lot of inspiration to draw upon   Jeff Barrick is a scenic painter working at Indiana University South Bend, but who also creates wonderful backdrops for The Geeks' home theatre,</itunes:subtitle>
      <itunes:summary>Love of all art styles gives scenic painter Jeff Barrick a lot of inspiration to draw upon


Jeff Barrick is a scenic painter working at Indiana University South Bend, but who also creates wonderful backdrops for The Geeks' home theatre, Elkhart Civic Theatre in Northern Indiana.  He has created backdrops and scenic elements for such diverse shows as Count Dracula, Assassins, Company and many others.

Collaboration with the set designer, (in this case, Geek John Shoup) is critical to successful design, but so is research.  Barrick almost always uses reference material for inspiration and design concepts.  Anything, from comic books to film, to wallpaper patterns to other set designs, can qualify.  Barrick takes these elements and imaginatively works them into scenic elements that fit the specific needs of a particular show.

Most recently, Barrick borrowed a graphic look from the cover of an old romance comic book to create the creepy grand olio (listen to the episode to learn what this is) for a production of Zombie Prom.

Spend some time with the Geeks (including honorary Geek Deirdre Lovejoy) to hear more about Jeff's process for scenic painting.  And take a look at the following videos to see Jeff (and John) at work.

More of Jeff's work can be seen Jeff Barrick, Muralist.









 

Music provided by Music Alley</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
      <image>http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg</image>
    </item>
    <item>
      <title>148 Notre Dame Shakespeare Festival</title>
      <link>http://theatregeeks.com/podcast/148-notre-dame-shakespeare-festival/</link>
      <guid>http://theatregeeks.com/?p=5824</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 25 Apr 2015 11:31:30 -0400</pubDate>
      <description><![CDATA[Aaron Nichols, Director of Audience Development for the Notre Dame Shakespeare Festival and other events at ND, joins us to talk Shakespeare, festivals and other things theatre.  Great conversation with the Geeks.

 ]]></description>
      <content:encoded><![CDATA[Aaron Nichols, Director of Audience Development for the Notre Dame Shakespeare Festival and other events at ND, joins us to talk Shakespeare, festivals and other things theatre.  Great conversation with the Geeks.

 ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/148_aaron_nichols_shakespeare_festival_mixdown.mp3" length="17169621" type="audio/mpeg" />
      <itunes:duration>0:23:36</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Aaron Nichols, Director of Audience Development for the Notre Dame Shakespeare Festival and other events at ND, joins us to talk Shakespeare, festivals and other things theatre.  Great conversation with the Geeks.   </itunes:subtitle>
      <itunes:summary>Aaron Nichols, Director of Audience Development for the Notre Dame Shakespeare Festival and other events at ND, joins us to talk Shakespeare, festivals and other things theatre.  Great conversation with the Geeks.

 </itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
      <image>http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg</image>
    </item>
    <item>
      <title>147 Putting music on stage</title>
      <link>http://theatregeeks.com/podcast/147-putting-music-on-stage/</link>
      <guid>http://theatregeeks.com/?p=5325</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 05 Apr 2015 09:15:43 -0400</pubDate>
      <description><![CDATA[Live music, clicktracks and other music-making options
This time the Geeks discuss use of live vs recorded music for musicals.  Budget is always a concern when considering music on stage.  But what about quality? Some musicians are very good, but they may cost money.  You may be lucky enough to have volunteer musicians that are good -- or not.  Likewise, some recorded soundtracks sound good, others, are pretty chintzy.  The Geeks talk about various options and considerations that can make or break your next musical.]]></description>
      <content:encoded><![CDATA[Live music, clicktracks and other music-making options
This time the Geeks discuss use of live vs recorded music for musicals.  Budget is always a concern when considering music on stage.  But what about quality? Some musicians are very good, but they may cost money.  You may be lucky enough to have volunteer musicians that are good -- or not.  Likewise, some recorded soundtracks sound good, others, are pretty chintzy.  The Geeks talk about various options and considerations that can make or break your next musical.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/147_Clicktracks_and_Music_on_Stage.mp3" length="18587572" type="audio/mpeg" />
      <itunes:duration>0:25:34</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Live music, clicktracks and other music-making options This time the Geeks discuss use of live vs recorded music for musicals.  Budget is always a concern when considering music on stage.  But what about quality? Some musicians are very good,</itunes:subtitle>
      <itunes:summary>Live music, clicktracks and other music-making options
This time the Geeks discuss use of live vs recorded music for musicals.  Budget is always a concern when considering music on stage.  But what about quality? Some musicians are very good, but they may cost money.  You may be lucky enough to have volunteer musicians that are good -- or not.  Likewise, some recorded soundtracks sound good, others, are pretty chintzy.  The Geeks talk about various options and considerations that can make or break your next musical.</itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
      <image>http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg</image>
    </item>
    <item>
      <title>146 – Care and feeding of community theatre volunteers</title>
      <link>http://theatregeeks.com/podcast/146-care-and-feeding-of-community-theatre-volunteers/</link>
      <guid>http://theatregeeks.com/?p=4707</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 15 Mar 2015 21:41:54 -0400</pubDate>
      <description><![CDATA[Volunteers are the lifeblood of most community theatres.  Michael Beatty has worked with volunteers in all types of not-for-profit organizations (including theatres). Listen to the conversation and Michael's insights in this lively episode.

 

Music provided by Music Alley.

 ]]></description>
      <content:encoded><![CDATA[Volunteers are the lifeblood of most community theatres.  Michael Beatty has worked with volunteers in all types of not-for-profit organizations (including theatres). Listen to the conversation and Michael's insights in this lively episode.

 

Music provided by Music Alley.

 ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/146_Michael_Beatty_mixdown_Stereo.mp3" length="17747952" type="audio/mpeg" />
      <itunes:duration>0:24:24</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Volunteers are the lifeblood of most community theatres.  Michael Beatty has worked with volunteers in all types of not-for-profit organizations (including theatres). Listen to the conversation and Michael's insights in this lively episode.     </itunes:subtitle>
      <itunes:summary>Volunteers are the lifeblood of most community theatres.  Michael Beatty has worked with volunteers in all types of not-for-profit organizations (including theatres). Listen to the conversation and Michael's insights in this lively episode.

 

Music provided by Music Alley.

 </itunes:summary>
      <itunes:image href="http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg" />
      <image>http://theatregeeks.com/wp-content/uploads/2012/06/TheatreGeeksLogo1400-revised.jpg</image>
    </item>
    <item>
      <title>145 – Putting history on the stage — conversation with playwright Michael Beatty</title>
      <link>http://theatregeeks.com/podcast/145-putting-history-on-the-stage-conversation-with-playwright-michael-beatty/</link>
      <guid>http://theatregeeks.com/?p=4142</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 18 Feb 2015 21:33:58 -0500</pubDate>
      <description><![CDATA[Avery Brown, Drummer Boy of the Cumberland, Youngest Soldier of the Civil War Heartland: The Civil War comes to the stage in Northern Indiana later this year, and the Geeks asked Michael Beatty, the developer and playwright of this new original work, to tell us about it, and about the process of bringing history to life. Heartland is based on the experiences of Northern Indiana people, and is being produced as an artistic work with an educational component. It will be performed by South Bend, Indiana’s Acting Ensemble, as part of a five-month Northern Indiana arts & music commemoration  . . . → Read More: 145 – Putting history on the stage — conversation with playwright Michael Beatty]]></description>
      <content:encoded><![CDATA[Avery Brown, Drummer Boy of the Cumberland, Youngest Soldier of the Civil War Heartland: The Civil War comes to the stage in Northern Indiana later this year, and the Geeks asked Michael Beatty, the developer and playwright of this new original work, to tell us about it, and about the process of bringing history to life. Heartland is based on the experiences of Northern Indiana people, and is being produced as an artistic work with an educational component. It will be performed by South Bend, Indiana’s Acting Ensemble, as part of a five-month Northern Indiana arts & music commemoration  . . . → Read More: 145 – Putting history on the stage — conversation with playwright Michael Beatty]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/145_Michael_Beatty_mixdown.mp3" length="26970472" type="audio/mpeg" />
      <itunes:duration>0:37:12</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Avery Brown, Drummer Boy of the Cumberland, Youngest Soldier of the Civil War Heartland: The Civil War comes to the stage in Northern Indiana later this year, and the Geeks asked Michael Beatty, the developer and playwright of this new original work,</itunes:subtitle>
      <itunes:summary>Avery Brown, Drummer Boy of the Cumberland, Youngest Soldier of the Civil War Heartland: The Civil War comes to the stage in Northern Indiana later this year, and the Geeks asked Michael Beatty, the developer and playwright of this new original work, to tell us about it, and about the process of bringing history to life. Heartland is based on the experiences of Northern Indiana people, and is being produced as an artistic work with an educational component. It will be performed by South Bend, Indiana’s Acting Ensemble, as part of a five-month Northern Indiana arts &amp; music commemoration  . . . → Read More: 145 – Putting history on the stage — conversation with playwright Michael Beatty</itunes:summary>
    </item>
    <item>
      <title>144 Say What?  Theatre sound.</title>
      <link>http://theatregeeks.com/podcast/144-say-theatre-sound/</link>
      <guid>http://theatregeeks.com/?p=3593</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 14 Jan 2015 11:31:44 -0500</pubDate>
      <description><![CDATA[All of us have attended a play or musical where the sound is less than perfect. This can be because of the facility or the actors themselves, among other reasons. And bad sound can harm the theatre experience for the audience. The Geeks discuss various sound problems, and possible solutions. Use our contact form to send us YOUR thoughts on this issue.   Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[All of us have attended a play or musical where the sound is less than perfect. This can be because of the facility or the actors themselves, among other reasons. And bad sound can harm the theatre experience for the audience. The Geeks discuss various sound problems, and possible solutions. Use our contact form to send us YOUR thoughts on this issue.   Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/144_Audio_issues_mixdown.mp3" length="14627372" type="audio/mpeg" />
      <itunes:duration>0:20:04</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>All of us have attended a play or musical where the sound is less than perfect. This can be because of the facility or the actors themselves, among other reasons. And bad sound can harm the theatre experience for the audience.</itunes:subtitle>
      <itunes:summary>All of us have attended a play or musical where the sound is less than perfect. This can be because of the facility or the actors themselves, among other reasons. And bad sound can harm the theatre experience for the audience. The Geeks discuss various sound problems, and possible solutions. Use our contact form to send us YOUR thoughts on this issue.   Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>143 Putting on the California State AACT Festival</title>
      <link>http://theatregeeks.com/podcast/143-putting-california-state-aact-festival/</link>
      <guid>http://theatregeeks.com/?p=3590</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 13 Jan 2015 22:47:51 -0500</pubDate>
      <description><![CDATA[It's been a number of years since California has participated in the AACT Festival cycle with its own state festival, so resurrecting the tradition presents a number of challenges.  With the Geeks to talk about them are Andrew Vonderschmitt, Executive & Producing Artistic Director for the Long Beach Playhouse, and Gil Savage, AACT's Region 8 Representative and AACT Board Member.  Join us for some interesting conversation about the festival process.

LINKS:

	American Association of Community Theatres
	Long Beach Playhouse]]></description>
      <content:encoded><![CDATA[It's been a number of years since California has participated in the AACT Festival cycle with its own state festival, so resurrecting the tradition presents a number of challenges.  With the Geeks to talk about them are Andrew Vonderschmitt, Executive & Producing Artistic Director for the Long Beach Playhouse, and Gil Savage, AACT's Region 8 Representative and AACT Board Member.  Join us for some interesting conversation about the festival process.

LINKS:

	American Association of Community Theatres
	Long Beach Playhouse]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/143_Putting_on_a_Festival_for_the_first_time_mixdown.mp3" length="22026186" type="audio/mpeg" />
      <itunes:duration>0:30:20</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>It's been a number of years since California has participated in the AACT Festival cycle with its own state festival, so resurrecting the tradition presents a number of challenges.  With the Geeks to talk about them are Andrew Vonderschmitt,</itunes:subtitle>
      <itunes:summary>It's been a number of years since California has participated in the AACT Festival cycle with its own state festival, so resurrecting the tradition presents a number of challenges.  With the Geeks to talk about them are Andrew Vonderschmitt, Executive &amp; Producing Artistic Director for the Long Beach Playhouse, and Gil Savage, AACT's Region 8 Representative and AACT Board Member.  Join us for some interesting conversation about the festival process.

LINKS:

	American Association of Community Theatres
	Long Beach Playhouse</itunes:summary>
    </item>
    <item>
      <title>142 Festival tips from Ron Ziegler, AACT</title>
      <link>http://theatregeeks.com/podcast/142-festival-tips-ron-ziegler-aact/</link>
      <guid>http://theatregeeks.com/?p=3575</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 21 Dec 2014 10:03:16 -0500</pubDate>
      <description><![CDATA[We already into the 2015 festival cycle and the excitement is building.  Festivals are a great deal of fun, but also a lot of work for the planners. Ron Ziegler of the American Association of Community Theatre joins the Geeks with some great tips for states or regions mounting their first festivals, along with some interesting tidbits about the festival process, the reasons for some of the rules, and how some of theme have changed over the years.

NOTE: This episode was recorded in November. Dave has been slow in posting new episodes but we're trying to catch up.

More info on AACT is as AACT.org

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[We already into the 2015 festival cycle and the excitement is building.  Festivals are a great deal of fun, but also a lot of work for the planners. Ron Ziegler of the American Association of Community Theatre joins the Geeks with some great tips for states or regions mounting their first festivals, along with some interesting tidbits about the festival process, the reasons for some of the rules, and how some of theme have changed over the years.

NOTE: This episode was recorded in November. Dave has been slow in posting new episodes but we're trying to catch up.

More info on AACT is as AACT.org

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/142_Ron_Ziegler_mixdown.mp3" length="26390198" type="audio/mpeg" />
      <itunes:duration>0:36:24</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>We already into the 2015 festival cycle and the excitement is building.  Festivals are a great deal of fun, but also a lot of work for the planners. Ron Ziegler of the American Association of Community Theatre joins the Geeks with some great tips for s...</itunes:subtitle>
      <itunes:summary>We already into the 2015 festival cycle and the excitement is building.  Festivals are a great deal of fun, but also a lot of work for the planners. Ron Ziegler of the American Association of Community Theatre joins the Geeks with some great tips for states or regions mounting their first festivals, along with some interesting tidbits about the festival process, the reasons for some of the rules, and how some of theme have changed over the years.

NOTE: This episode was recorded in November. Dave has been slow in posting new episodes but we're trying to catch up.

More info on AACT is as AACT.org

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>How to save your theatre, part 2</title>
      <link>http://theatregeeks.com/podcast/save-theatre-part-2/</link>
      <guid>http://theatregeeks.com/?p=3567</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 12 Nov 2014 21:28:16 -0500</pubDate>
      <description><![CDATA[<p>Build more bars?
<p>This episode is part two of our discussion of Brendan Kiley&#8217;s, article in the Seattle-based The Stranger. &#8220;Ten Things Theaters Need to Do Right Now to Save Themselves.&#8221;</p>
<p>In this episode the Geeks talk about Kiley&#8217;s suggestion that a little alcohol makes for a happier audience. There are pros and cons, not the least of which are liability, audience composition and of course the legal and licensing issues. Also, can a theatre really make money offering alcohol to patrons? All this and more in this episode.</p>
<p>Music provided by Music Alley</p>
<p>Link to The Stranger</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/save-theatre-part-2/">How to save your theatre, part 2</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Build more bars?
<p>This episode is part two of our discussion of Brendan Kiley&#8217;s, article in the Seattle-based The Stranger. &#8220;Ten Things Theaters Need to Do Right Now to Save Themselves.&#8221;</p>
<p>In this episode the Geeks talk about Kiley&#8217;s suggestion that a little alcohol makes for a happier audience. There are pros and cons, not the least of which are liability, audience composition and of course the legal and licensing issues. Also, can a theatre really make money offering alcohol to patrons? All this and more in this episode.</p>
<p>Music provided by Music Alley</p>
<p>Link to The Stranger</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/save-theatre-part-2/">How to save your theatre, part 2</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/141_Saving_your_theatre_part_2_mixdown.mp3" length="12670233" type="audio/mpeg" />
      <itunes:duration>0:17:21</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Build more bars? This episode is part two of our discussion of Â Brendan Kiley's, articleÂ in the Seattle-based The Stranger. &quot;Ten Things Theaters Need to Do Right Now to Save Themselves.&quot;  In this episode the GeeksÂ talk about Kiley'sÂ suggestion that...</itunes:subtitle>
      <itunes:summary>Build more bars?
This episode is part two of our discussion of Â Brendan Kiley's, articleÂ in the Seattle-based The Stranger. &quot;Ten Things Theaters Need to Do Right Now to Save Themselves.&quot;

In this episode the GeeksÂ talk about Kiley'sÂ suggestion that a little alcohol makes for a happier audience. Â There are pros and cons, not the least of which are liability, audience composition and of course the legal and licensing issues. Â Also, can a theatre really make money offering alcohol to patrons? Â All this and more in this episode.

Music provided by Music Alley

Link toÂ The Stranger</itunes:summary>
    </item>
    <item>
      <title>How to save your theatre, Part 1</title>
      <link>http://theatregeeks.com/podcast/save-theatre-part-1/</link>
      <guid>http://theatregeeks.com/?p=3558</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 12 Nov 2014 21:17:30 -0500</pubDate>
      <description><![CDATA[<p>Enough with the Shakespeare already?
<p>A few months ago, the Geeks came across an article by Brendan Kiley, writing in the Seattle-based The Stranger. The post in question is titled &#8220;Ten Things Theaters Need to Do Right Now to Save Themselves,&#8221; and it&#8217;s a pretty good read, even though some of the content is more geared toward professional theatres rather than community theatres.</p>
<p>This is the first of two episodes in which the Geeks discuss a couple of Kiley&#8217;s assertions, and part two will post simultaneously with this one.</p>
<p>In this episode we talk about Kiley&#8217;s comment that maybe Shakespeare  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/save-theatre-part-1/">How to save your theatre, Part 1</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Enough with the Shakespeare already?
<p>A few months ago, the Geeks came across an article by Brendan Kiley, writing in the Seattle-based The Stranger. The post in question is titled &#8220;Ten Things Theaters Need to Do Right Now to Save Themselves,&#8221; and it&#8217;s a pretty good read, even though some of the content is more geared toward professional theatres rather than community theatres.</p>
<p>This is the first of two episodes in which the Geeks discuss a couple of Kiley&#8217;s assertions, and part two will post simultaneously with this one.</p>
<p>In this episode we talk about Kiley&#8217;s comment that maybe Shakespeare  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/save-theatre-part-1/">How to save your theatre, Part 1</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/140_Saving_your_theatre_mixdown.mp3" length="12167649" type="audio/mpeg" />
      <itunes:duration>0:16:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Enough with the Shakespeare already? A few months ago, the Geeks came across an article by Brendan Kiley, writing in the Seattle-based The Stranger. Â The post in question is titled &quot;Ten Things Theaters Need to Do Right Now to Save Themselves,</itunes:subtitle>
      <itunes:summary>Enough with the Shakespeare already?
A few months ago, the Geeks came across an article by Brendan Kiley, writing in the Seattle-based The Stranger. Â The post in question is titled &quot;Ten Things Theaters Need to Do Right Now to Save Themselves,&quot; and it's a pretty good read, even though some of the content is more geared toward professional theatres rather than community theatres.

This is the first of two episodes in which the Geeks discuss a couple of Kiley's assertions, and part two will post simultaneously with this one.

In this episode we talk about Kiley's comment that maybe Shakespeare is more liability than asset for many theatres. Â The Geeks' home theatre has never really done Shakespeare (unless you count the musicals &quot;Kiss me Kate&quot; and &quot;All Shook Up,&quot; but we think it's a point well taken. Â Or not, depending on the Geek in question.

Music provided by Music Alley

Link toÂ The Stranger</itunes:summary>
    </item>
    <item>
      <title>139: Some thoughts about theatre promotion</title>
      <link>http://theatregeeks.com/podcast/139-thoughts-theatre-promotion/</link>
      <guid>http://theatregeeks.com/?p=3538</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 06 Oct 2014 21:11:43 -0400</pubDate>
      <description><![CDATA[<p>Broadcast, print, direct mail and the web &#8212; sorting out theatre promotion
<p>The Geeks discuss some options, discuss what works and what doesn&#8217;t and a bit about how the landscape has changed.</p>
<p>&#160;</p>
<p>Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Broadcast, print, direct mail and the web &#8212; sorting out theatre promotion
<p>The Geeks discuss some options, discuss what works and what doesn&#8217;t and a bit about how the landscape has changed.</p>
<p>&#160;</p>
<p>Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/139_Promotion_thoughts_mixdown.mp3" length="16555454" type="audio/mpeg" />
      <itunes:duration>0:22:44</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Broadcast, print, direct mail and the web --Â sorting outÂ theatre promotion The Geeks discuss some options, discuss what works and what doesn't and a bit about how the landscape has changed.  Â   Music provided by Music Alley</itunes:subtitle>
      <itunes:summary>Broadcast, print, direct mail and the web --Â sorting outÂ theatre promotion
The Geeks discuss some options, discuss what works and what doesn't and a bit about how the landscape has changed.

Â 

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>138 Animals Onstage</title>
      <link>http://theatregeeks.com/podcast/138-animals-onstage/</link>
      <guid>http://theatregeeks.com/?p=3529</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 28 Sep 2014 09:45:22 -0400</pubDate>
      <description><![CDATA[<p>Or, how to keep your theatre from going to the dogs
<p>Sooner or later, your theatre will come upon a play that you want to produce, but it requires an animal, or even animals onstage for some scenes. Bell, Book and Candle&#8216;s Pyewacket, Annie&#8216;s Sandy and of course, The Wizard of Oz&#8216; Toto, are three that spring to mind. While these animals are essential, they also pose some special issues for actors and directors. While the goal is to get the best performance possible from an animal actor, the safety and well-being of the animal as well as cast members  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/138-animals-onstage/">138 Animals Onstage</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Or, how to keep your theatre from going to the dogs
<p>Sooner or later, your theatre will come upon a play that you want to produce, but it requires an animal, or even animals onstage for some scenes. Bell, Book and Candle&#8216;s Pyewacket, Annie&#8216;s Sandy and of course, The Wizard of Oz&#8216; Toto, are three that spring to mind. While these animals are essential, they also pose some special issues for actors and directors. While the goal is to get the best performance possible from an animal actor, the safety and well-being of the animal as well as cast members  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/138-animals-onstage/">138 Animals Onstage</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/138_Animals_on_Stage_mixdown.mp3" length="18128942" type="audio/mpeg" />
      <itunes:duration>0:24:55</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Or, how to keep your theatre from going to the dogs Sooner or later, your theatre will come upon a play that you want to produce, but it requires an animal, or even animals onstage for some scenes. Â Bell, Book and Candle's Pyewacket,</itunes:subtitle>
      <itunes:summary>Or, how to keep your theatre from going to the dogs
Sooner or later, your theatre will come upon a play that you want to produce, but it requires an animal, or even animals onstage for some scenes. Â Bell, Book and Candle's Pyewacket, Annie's Sandy and of course, The Wizard of Oz' Toto, are three that spring to mind. Â While these animals are essential, they also pose some special issues for actors and directors. Â While the goal is to get the best performance possible from an animal actor, Â the safety and well-being of the animal as well as cast members isÂ extremely important. Â A happy, un-fearful creature is almost always a better performer. Â But it takes time, planning and some basic rules to get the dog or cat (or other animal) to this point. Â The Geeks discuss their experiences and advice and invite you to send usÂ your own.</itunes:summary>
    </item>
    <item>
      <title>137 Richard Engling, Chicago Playwright</title>
      <link>http://theatregeeks.com/podcast/137-richard-engling-chicago-playwright/</link>
      <guid>http://theatregeeks.com/?p=3516</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 21 Sep 2014 18:14:40 -0400</pubDate>
      <description><![CDATA[<p>Chicago playwright Richard Engling remembers friend Fern Chertkow with the Afterlife Trilogy Playwright talks with the Geeks about his friend, his play and his process.
<p >Chicago Playwright Richard Engling</p>
<p> It has been almost 30 years since award-winning author Fern Chertkow ended her own life, but her legacy lives on through the Afterlife Trilogy, a unique undertaking that fuses her writing with the work of novelist, playwright Richard Engling and his creative team at Chicagoâ€™s Polarity Ensemble Theatre.</p>
<p>Paying tribute to the late author, the trilogy combines two novels â€“ â€œVisions of Annaâ€ by Engling and â€œShe Plays in  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/137-richard-engling-chicago-playwright/">137 Richard Engling, Chicago Playwright</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Chicago playwright Richard Engling remembers friend Fern Chertkow with the Afterlife Trilogy Playwright talks with the Geeks about his friend, his play and his process.
<p >Chicago Playwright Richard Engling</p>
<p> It has been almost 30 years since award-winning author Fern Chertkow ended her own life, but her legacy lives on through the Afterlife Trilogy, a unique undertaking that fuses her writing with the work of novelist, playwright Richard Engling and his creative team at Chicagoâ€™s Polarity Ensemble Theatre.</p>
<p>Paying tribute to the late author, the trilogy combines two novels â€“ â€œVisions of Annaâ€ by Engling and â€œShe Plays in  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/137-richard-engling-chicago-playwright/">137 Richard Engling, Chicago Playwright</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/137_Richard_Engling_mixdown.mp3" length="24330925" type="audio/mpeg" />
      <itunes:duration>0:33:32</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Chicago playwrightÂ Richard Engling remembers friend Fern Chertkow with the Afterlife Trilogy Playwright talks with the Geeks about his friend, his play and his process.    Â It has been almost 30 years since award-winning author Fern Chertkow ended he...</itunes:subtitle>
      <itunes:summary>Chicago playwrightÂ Richard Engling remembers friend Fern Chertkow with the Afterlife Trilogy
Playwright talks with the Geeks about his friend, his play and his process.


 Â It has been almost 30 years since award-winning author Fern Chertkow ended her own life, but her legacy lives on through the Afterlife Trilogy, a unique undertaking that fuses her writing with the work of novelist, playwright Richard Engling and his creative team at Chicagoâ€™s Polarity Ensemble Theatre.

Paying tribute to the late author, the trilogy combines two novels â€“ â€œVisions of Annaâ€ by Engling and â€œShe Plays in Darknessâ€ by Chertkow (October 7, 2014, Polarity Ensemble Theatre Books) â€“ with a powerful play written by Engling, â€œAnna in the Afterlife,â€ which will run April 23 to May 24, 2015. The three works span 35 years of creation, offering a multi-sensory experience when taken as a whole.

In addition to a book release event, Polarity will present a number of readings throughout October and November at bookstores, libraries and book groups.

â€œThe Afterlife Trilogy is about honoring our lives, our loved ones and our heroes even as they pass out of this world,â€ Engling says. â€œIt is about the sacred qualities of our memories. It is about the wounds that become the sources of our greatest gifts. It is about making sense of that which cannot be understood.â€

Engling and Chertkow became close friends in graduate school studying fiction writing. They had each come from other disciplines: music for Chertkow and theatre for Engling. The two spent a year in Europe after graduate school and experienced a particularly magical time living as novelists in Paris.

Deeply affected by Chertkowâ€™s death in 1988, Engling used his friend as inspiration to pen his novel â€œVisions of Annaâ€ and play â€œAnna in the Afterlife,â€ both touching on friendship, death and self-destruction. â€œAnna in the Afterlifeâ€ went through an in-depth development process with Polarity Ensemble since first appearing in the theatre companyâ€™s 2011 Dionysos Cup Festival of New Plays.

Disturbingly prophetic and brimming with lyrical prose, â€œShe Plays in Darknessâ€ is the earliest of the trilogyâ€™s works, written by Chertkow just a few years before her death. Chertkow infused much of herself in the lead characters, twins Cynthia and Rosemary, slowly revealing a self-destructiveness that echoes the mystery of her suicide explored in â€œVisions of Annaâ€ and â€œAnna in the Afterlife.â€

Engling is the co-founder and artistic director of Polarity Ensemble Theatre in the Windy City. He is an actor, director, playwright, novelist and musician.

Links:

JKSCommunications - Literary Publicity

Polarity Ensemble Theatre

Polarity on Facebook

Richard Engling's Personal Website</itunes:summary>
    </item>
    <item>
      <title>136 Kids in Hollywood: getting an agent and more</title>
      <link>http://theatregeeks.com/podcast/136-kids-hollywood-getting-agent/</link>
      <guid>http://theatregeeks.com/?p=3508</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 14 Sep 2014 11:05:43 -0400</pubDate>
      <description><![CDATA[<p>Susan Whitby joins us again to talk more about her adventure helping daughters Maddie and Audrey launch their careers on TV and radio in Hollywood.</p>
<p>Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Susan Whitby joins us again to talk more about her adventure helping daughters Maddie and Audrey launch their careers on TV and radio in Hollywood.</p>
<p>Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/136_Whitby_2_mixdown.mp3" length="29620106" type="audio/mpeg" />
      <itunes:duration>0:30:40</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Susan Whitby joins us again to talk more about her adventure helping daughters Maddie and Audrey launch their careers on TV and radio in Hollywood.  Music provided by Music Alley</itunes:subtitle>
      <itunes:summary>Susan Whitby joins us again to talk more about her adventure helping daughters Maddie and Audrey launch their careers on TV and radio in Hollywood.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>135 When your kids want to become professional actors</title>
      <link>http://theatregeeks.com/podcast/135-kids-want-become-professional-actors/</link>
      <guid>http://theatregeeks.com/?p=3470</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 23 Aug 2014 12:36:29 -0400</pubDate>
      <description><![CDATA[<p>Midwest mom Susan Whitby tells you what to expect when your children want to take the show business plunge
<p >Susan Whitby (center) with daughters Maddy Whitby (left) and Audrey Whitby.</p>
<p>Susan Whitby joined us for the first of two episodes to talk about her daughters, Audrey and Maddie, who, after starting out in community theatre in Indiana, have moved on, with her help and five years in Los Angeles, to become successful on the Disney Channel, Nickelodeon and more in Hollywood. But it wasn&#8217;t easy and there were no guarantees. Susan shares what she learned along the way and  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/135-kids-want-become-professional-actors/">135 When your kids want to become professional actors</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Midwest mom Susan Whitby tells you what to expect when your children want to take the show business plunge
<p >Susan Whitby (center) with daughters Maddy Whitby (left) and Audrey Whitby.</p>
<p>Susan Whitby joined us for the first of two episodes to talk about her daughters, Audrey and Maddie, who, after starting out in community theatre in Indiana, have moved on, with her help and five years in Los Angeles, to become successful on the Disney Channel, Nickelodeon and more in Hollywood. But it wasn&#8217;t easy and there were no guarantees. Susan shares what she learned along the way and  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/135-kids-want-become-professional-actors/">135 When your kids want to become professional actors</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/135_Whitby_1_mixdown.mp3" length="29507164" type="audio/mpeg" />
      <itunes:duration>0:29:51</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Midwest mom Susan Whitby tells youÂ what to expect when your children want to take the show business plunge   Susan Whitby joined us for the first of two episodes to talk about her daughters, Audrey and Maddie, who,</itunes:subtitle>
      <itunes:summary>Midwest mom Susan Whitby tells youÂ what to expect when your children want to take the show business plunge


Susan Whitby joined us for the first of two episodes to talk about her daughters, Audrey and Maddie, who, after starting out in community theatre in Indiana, have moved on, withÂ her help and five years in LosÂ Angeles, Â to become successful on the Disney Channel, Nickelodeon and more in Hollywood.Â  But it wasn't easy and there were no guarantees.Â  Susan shares what she learned along the way and gives some solid advice on what to do and what to expect when your kids decide to pursue a show business career.

Audrey Whitby has various television acting projects including a recurring role on Nickelodeon's The ThundermansÂ and Maddy Whitby is co-host of the morning Radio Disney show, Morgan and Maddy in the Morning.

Links to two of the teachers/workshops for young actors mentioned in the show:

	Cynthia Bain's Young Actor's Studio
	John D'Aquino</itunes:summary>
    </item>
    <item>
      <title>134 Getting your show shut down â€” how to avoid it</title>
      <link>http://theatregeeks.com/podcast/133-getting-show-shut-avoid/</link>
      <guid>http://theatregeeks.com/?p=3461</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 10 Aug 2014 20:59:57 -0400</pubDate>
      <description><![CDATA[<p>There are some rules about play production &#8212; breaking them can result in getting your show shut down.
<p>Our friend and entertainment lawyer Gordon Firemark recently published this blog post on how producers can make sure they don&#8217;t get their show shut down. Gordon&#8217;s insights sparked a conversation between the Geeks. Authors and play publishers set down a lot of rules about how you&#8217;re supposed to produce their plays. Rules can be both artistic and pertain to the marketing of your production, and you ignore them at your company&#8217;s peril. And while most requirements are pretty standard, there can be  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/133-getting-show-shut-avoid/">134 Getting your show shut down &#8212; how to avoid it</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>There are some rules about play production &#8212; breaking them can result in getting your show shut down.
<p>Our friend and entertainment lawyer Gordon Firemark recently published this blog post on how producers can make sure they don&#8217;t get their show shut down. Gordon&#8217;s insights sparked a conversation between the Geeks. Authors and play publishers set down a lot of rules about how you&#8217;re supposed to produce their plays. Rules can be both artistic and pertain to the marketing of your production, and you ignore them at your company&#8217;s peril. And while most requirements are pretty standard, there can be  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/133-getting-show-shut-avoid/">134 Getting your show shut down &#8212; how to avoid it</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/134_Getting_Shut_Down_mixdown.mp3" length="20025321" type="audio/mpeg" />
      <itunes:duration>0:20:40</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>There are some rules about play production -- breaking them can result in getting your show shut down. Our friend and entertainment lawyer Gordon Firemark recently published this blog post on how producers can make sure they don't get their show shut d...</itunes:subtitle>
      <itunes:summary>There are some rules about play production -- breaking them can result in getting your show shut down.
Our friend and entertainment lawyer Gordon Firemark recently published this blog post on how producers can make sure they don't get their show shut down. Â Gordon's insights sparked a conversation between the Geeks. Â Authors and play publishers set down a lot of rules about how you're supposed to produce their plays. Â Rules can be both artistic and pertain to the marketing of your production, and you ignore them at your company's peril. Â And while most requirements are pretty standard, there can be special cases and variations depending on the author and/or publisher.

Want to do a musical but you prefer the song from the movie that replaced the one in the original production? Â Careful! Â You're definitely not allowed to do this unless you make special arrangements, which may be difficult to get. Â So, what do to? Â Ok, maybe you just cut the song, right? Â WRONG. Â Mostly, theatre companies are obligated to produce plays and musicals as written. Â This is not just some temperamental author being a prima donna. Â Authors have a right NOT to have their work tampered with. Â If a theatre company does damage to a work it is still attributed to the author, most audience members may hate the play not realizing the author didn't write it that way. Â If you can't get permission for changes, you don't make them. Â Or you find another play that you like better. Â Simple as that.

The Geeks delve deeper into this issue, so listen in.

Â 



Article: How to make sure your production doesn't get shut down, by Gordon Firemark.

Â 

Music for Theatre Geeks provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>To your health: staying well on stage</title>
      <link>http://theatregeeks.com/podcast/health-staying-well-stage/</link>
      <guid>http://theatregeeks.com/?p=3454</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 29 Jul 2014 23:55:13 -0400</pubDate>
      <description><![CDATA[<p>The Geeks share a few tips and tricks for fighting colds and other ailments that can play havoc with your performance.</p>
<p>Music provided on this Bastille Day (as we&#8217;re recording this) by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>The Geeks share a few tips and tricks for fighting colds and other ailments that can play havoc with your performance.</p>
<p>Music provided on this Bastille Day (as we&#8217;re recording this) by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/133_take_care_of_yourself_processed.mp3" length="14913559" type="audio/mpeg" />
      <itunes:duration>0:15:21</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks share a few tips and tricks for fighting colds and other ailments that can play havoc with Â your performance.  Music provided on this Bastille Day (as we're recording this) by Music Alley.</itunes:subtitle>
      <itunes:summary>The Geeks share a few tips and tricks for fighting colds and other ailments that can play havoc with Â your performance.

Music provided on this Bastille Day (as we're recording this) by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>132 Up in Smoke: Smoking onstage in a non-smoking world</title>
      <link>http://theatregeeks.com/podcast/132-smoke-smoking-onstage-non-smoking-world/</link>
      <guid>http://theatregeeks.com/?p=3448</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 20 Jul 2014 21:21:10 -0400</pubDate>
      <description><![CDATA[<p>Smoking onstage and its alternatives
<p>Depending on your venue, audience and local laws, producing a script that requires that characters smoke can be problematic. Where smoking is prohibited in public places it is sometimes allowed in stage performances, but audiences may still not accept it or approve. Some audience members may be sensitive to smoke, and some venues, such as schools, may not allow smoking under any circumstances. What to do? The Geeks discuss the question of smoking onstage and some available alternatives.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Smoking onstage and its alternatives
<p>Depending on your venue, audience and local laws, producing a script that requires that characters smoke can be problematic. Where smoking is prohibited in public places it is sometimes allowed in stage performances, but audiences may still not accept it or approve. Some audience members may be sensitive to smoke, and some venues, such as schools, may not allow smoking under any circumstances. What to do? The Geeks discuss the question of smoking onstage and some available alternatives.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/132_Smoking_on_stage_mixdown.mp3" length="15738025" type="audio/mpeg" />
      <itunes:duration>0:16:12</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Smoking onstage and its alternatives Depending on your venue, audience and local laws, producing a script that requires that characters smoke can be problematic. Where smoking is prohibited in public places it is sometimes allowed in stage performances,</itunes:subtitle>
      <itunes:summary>Smoking onstage and its alternatives
Depending on your venue, audience and local laws, producing a script that requires that characters smoke can be problematic. Where smoking is prohibited in public places it is sometimes allowed in stage performances, but audiences may still not accept it or approve. Some audience members may be sensitive to smoke, and some venues, such as schools, may not allow smoking under any circumstances. Â What to do? The Geeks discuss the question of smoking onstage and some available alternatives.</itunes:summary>
    </item>
    <item>
      <title>131 Theatre a la carte: using food onstage</title>
      <link>http://theatregeeks.com/podcast/131-theatre-la-carte-using-food-onstage/</link>
      <guid>http://theatregeeks.com/?p=3433</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 30 Jun 2014 12:00:46 -0400</pubDate>
      <description><![CDATA[<p>Food onstage can sometimes be a challenge
<p>Whether it&#8217;s staging a family dinner or dealing with a variety of beverages, food onstage is a special class of props that has its own set of issues and potential pitfalls. The Geeks talk about their experiences (some good, some not-so-good) with food onstage and how to reduce the problems.</p>
<p>Music provided by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Food onstage can sometimes be a challenge
<p>Whether it&#8217;s staging a family dinner or dealing with a variety of beverages, food onstage is a special class of props that has its own set of issues and potential pitfalls. The Geeks talk about their experiences (some good, some not-so-good) with food onstage and how to reduce the problems.</p>
<p>Music provided by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/131_Food_on_stage_mixdown.mp3" length="23581933" type="audio/mpeg" />
      <itunes:duration>0:24:22</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Food onstage can sometimes be a challenge Whether it's staging a family dinner or dealing with a variety of beverages, food onstage is a special class of props that has its own set of issues and potential pitfalls.</itunes:subtitle>
      <itunes:summary>Food onstage can sometimes be a challenge
Whether it's staging a family dinner or dealing with a variety of beverages, food onstage is a special class of props that has its own set of issues and potential pitfalls. Â The Geeks talk about their experiences (some good, some not-so-good) with food onstage and how to reduce the problems.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>130 Backstage Etiquette</title>
      <link>http://theatregeeks.com/podcast/130-backstage-etiquette/</link>
      <guid>http://theatregeeks.com/?p=3429</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 24 Jun 2014 23:01:08 -0400</pubDate>
      <description><![CDATA[<p>Be respectful of both your audience and your fellow actors
<p>The Geeks have talked often about the annoying things that some audience members may do that hurt the theatregoing experience for everyone. This time, they delve into the topic of backstage etiquette for both cast and crew. Sometimes little things can cause large problems, even when we may not intend them to. Talking, whispering, being in the wrong position, not being in position at all, etc., are all matters of professionalism, etiquette and respect for each other.</p>
<p>Send us YOUR thoughts on this episode, and we may record a &#8220;part  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/130-backstage-etiquette/">130 Backstage Etiquette</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Be respectful of both your audience and your fellow actors
<p>The Geeks have talked often about the annoying things that some audience members may do that hurt the theatregoing experience for everyone. This time, they delve into the topic of backstage etiquette for both cast and crew. Sometimes little things can cause large problems, even when we may not intend them to. Talking, whispering, being in the wrong position, not being in position at all, etc., are all matters of professionalism, etiquette and respect for each other.</p>
<p>Send us YOUR thoughts on this episode, and we may record a &#8220;part  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/130-backstage-etiquette/">130 Backstage Etiquette</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/130_Backstage_Etiquette_mixdown.mp3" length="18616063" type="audio/mpeg" />
      <itunes:duration>0:19:12</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Be respectful of both your audience and your fellow actors The Geeks have talked often about the annoying things that some audience members may do that hurt the theatregoing experience for everyone. Â This time,</itunes:subtitle>
      <itunes:summary>Be respectful of both your audience and your fellow actors
The Geeks have talked often about the annoying things that some audience members may do that hurt the theatregoing experience for everyone. Â This time, they delve into the topic of backstage etiquette for both cast and crew. Â Sometimes little things can cause large problems, even when we may not intend them to. Â Talking, whispering, being in the wrong position, not being in position at all, etc., are all matters of professionalism, etiquette and respect Â for each other.

Send us YOUR thoughts on this episode, and we may record a &quot;part 2&quot; down the road.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>129 Directors â€” should they be smooth or sharp?</title>
      <link>http://theatregeeks.com/podcast/129-directors-smooth-sharp/</link>
      <guid>http://theatregeeks.com/?p=3424</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 17 Jun 2014 16:43:27 -0400</pubDate>
      <description><![CDATA[<p>What kind of director are you? What kind of director is best?
<p>Directors come in all styles &#8212; from overly easygoing (REAL smooth) or difficult bordering on abusive (REAL sharp). Where&#8217;s the sweet spot on the contiuum? The Geeks discuss.</p>
<p>&#160;</p>
<p>Music provide by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>What kind of director are you? What kind of director is best?
<p>Directors come in all styles &#8212; from overly easygoing (REAL smooth) or difficult bordering on abusive (REAL sharp). Where&#8217;s the sweet spot on the contiuum? The Geeks discuss.</p>
<p>&#160;</p>
<p>Music provide by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/129_Sharp_or_Smooth_Directors_mixdown.mp3" length="24083194" type="audio/mpeg" />
      <itunes:duration>0:24:54</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What kind of director are you? Â What kind of director is best? Directors come in all styles -- from overly easygoing (REAL smooth) or difficult bordering on abusive (REAL sharp). Â Where's the sweet spot on the contiuum? Â The Geeks discuss.  Â   </itunes:subtitle>
      <itunes:summary>What kind of director are you? Â What kind of director is best?
Directors come in all styles -- from overly easygoing (REAL smooth) or difficult bordering on abusive (REAL sharp). Â Where's the sweet spot on the contiuum? Â The Geeks discuss.

Â 

Music provide by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>128  Stratford Festival 2014 Preview</title>
      <link>http://theatregeeks.com/podcast/128-stratford-festival-2014-preview/</link>
      <guid>http://theatregeeks.com/?p=3416</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 07 Jun 2014 11:11:50 -0400</pubDate>
      <description><![CDATA[<p>Stratford Festival&#8217;s publicity director Ann Swerdfager joins the Geeks
<p >Stratford Festival&#8217;s production of Hay Fever is just one of the wonderful productions this year.</p>
<p>We&#8217;ve mentioned the Stratford Festival plenty of times on Theatre Geeks, but it certainly bears repeating that Ontario&#8217;s longtime Shakespeare (and a whole lotta other theatre) festival is one of the theatrical gems of North America. Just a hop and a skip from the USA midwest, and a pleasant drive from either Detroit/Windsor or Niagara Falls, it&#8217;s worth everyone&#8217;s time.</p>
<p>Ann Swerdfager grew up with the Stratford Festival, and after several years in the &#8220;outside&#8221;  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/128-stratford-festival-2014-preview/">128  Stratford Festival 2014 Preview</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Stratford Festival&#8217;s publicity director Ann Swerdfager joins the Geeks
<p >Stratford Festival&#8217;s production of Hay Fever is just one of the wonderful productions this year.</p>
<p>We&#8217;ve mentioned the Stratford Festival plenty of times on Theatre Geeks, but it certainly bears repeating that Ontario&#8217;s longtime Shakespeare (and a whole lotta other theatre) festival is one of the theatrical gems of North America. Just a hop and a skip from the USA midwest, and a pleasant drive from either Detroit/Windsor or Niagara Falls, it&#8217;s worth everyone&#8217;s time.</p>
<p>Ann Swerdfager grew up with the Stratford Festival, and after several years in the &#8220;outside&#8221;  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/128-stratford-festival-2014-preview/">128  Stratford Festival 2014 Preview</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/128_2014_Stratford_Preview_mixdown.mp3" length="25732534" type="audio/mpeg" />
      <itunes:duration>0:26:37</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Stratford Festival's publicity director Ann Swerdfager joins the Geeks   We've mentioned the Stratford Festival plenty of times on Theatre Geeks, but it certainly bears repeating that Ontario's longtime Shakespeare (and a whole lotta other theatre) fes...</itunes:subtitle>
      <itunes:summary>Stratford Festival's publicity director Ann Swerdfager joins the Geeks


We've mentioned the Stratford Festival plenty of times on Theatre Geeks, but it certainly bears repeating that Ontario's longtime Shakespeare (and a whole lotta other theatre) festival is one of the theatrical gems of North America. Â Just a hop and a skip from the USA midwest, and a pleasant drive from either Detroit/Windsor or Niagara Falls, it's worth everyone's time.

Ann Swerdfager grew up with the Stratford Festival, and after several years in the &quot;outside&quot; world, returned to her roots in this small town with a great idea that grew in the middle Ontario. Â She shares a bit of her story ofÂ growing up in this rarefied air, and gives us a preview of this year's Stratford Festival.

Â 

Stratford Festival is at : http://www.stratfordfestival.ca

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>127 Bad Theatre vs No Theatre at All: the great debate</title>
      <link>http://theatregeeks.com/podcast/127-bad-theatre-vs-theatre-great-debate/</link>
      <guid>http://theatregeeks.com/?p=3411</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 31 May 2014 12:27:21 -0400</pubDate>
      <description><![CDATA[<p>Which is better: bad theatre or no theatre?
<p>Actor Robert Miller joins the geeks for a second session and one of our most lively debates ever. Dave recently saw a quote that stated that we need more theatre over all, good and bad, and that the bad begets good over time. We&#8217;ve all seen bad shows. Is it better to see a poor production, or are we better off with no theatre at all? Very interesting discussion.</p>
<p>What do YOU think? Listen to this episode and then send us your opinion via our feedback form.</p>
<p>&#160;</p>
<p>Music provided by Music  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/127-bad-theatre-vs-theatre-great-debate/">127 Bad Theatre vs No Theatre at All: the great debate</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Which is better: bad theatre or no theatre?
<p>Actor Robert Miller joins the geeks for a second session and one of our most lively debates ever. Dave recently saw a quote that stated that we need more theatre over all, good and bad, and that the bad begets good over time. We&#8217;ve all seen bad shows. Is it better to see a poor production, or are we better off with no theatre at all? Very interesting discussion.</p>
<p>What do YOU think? Listen to this episode and then send us your opinion via our feedback form.</p>
<p>&#160;</p>
<p>Music provided by Music  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/127-bad-theatre-vs-theatre-great-debate/">127 Bad Theatre vs No Theatre at All: the great debate</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/127_Bad_Theatre_vs_No_Theatre_Bob_Miller_2.mp3" length="21712028" type="audio/mpeg" />
      <itunes:duration>0:22:26</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Which is better: bad theatre or no theatre? Actor Robert Miller joins the geeks for a second session and one of our most livelyÂ debates ever. Dave recently saw a quote that stated that we need more theatre over all, good and bad,</itunes:subtitle>
      <itunes:summary>Which is better: bad theatre or no theatre?
Actor Robert Miller joins the geeks for a second session and one of our most livelyÂ debates ever. Dave recently saw a quote that stated that we need more theatre over all, good and bad, and that the bad begets good over time. Â We've all seen bad shows. Â Is it better to see a poor production, or are we better off with no theatre at all? Â Very interesting discussion.

What do YOU think? Â Listen to this episode and then send us your opinion via our feedback form.

Â 

Music provided byÂ Music Alley.</itunes:summary>
    </item>
    <item>
      <title>126 Keeping a classic character fresh</title>
      <link>http://theatregeeks.com/podcast/126-keeping-classic-character-fresh/</link>
      <guid>http://theatregeeks.com/?p=3398</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 27 May 2014 11:17:00 -0400</pubDate>
      <description><![CDATA[<p>This week the Geeks are joined by Robert J. Miller, a former member of the local (Elkhart Civic Theatre) troupe and now a professional actor. Bob is about to play Tevye in a regional production ofÂ Fiddler on the RoofÂ at the Wagon Wheel Theatre in Warsaw, Indiana.Â Â We talk to him about the value of the community&#8230;</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>This week the Geeks are joined by Robert J. Miller, a former member of the local (Elkhart Civic Theatre) troupe and now a professional actor. Bob is about to play Tevye in a regional production ofÂ Fiddler on the RoofÂ at the Wagon Wheel Theatre in Warsaw, Indiana.Â Â We talk to him about the value of the community&#8230;</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/126_Bob_Miller_1.mp3" length="28672326" type="audio/mpeg" />
      <itunes:duration>0:29:41</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>This week the Geeks are joined by Robert J. Miller, a former member of the local (Elkhart Civic Theatre) troupe and now a professional actor. Bob is about to play Tevye in a regional production ofÂ Fiddler on the RoofÂ at the Wagon Wheel Theatre in War...</itunes:subtitle>
      <itunes:summary>This week the Geeks are joined by Robert J. Miller, a former member of the local (Elkhart Civic Theatre) troupe and now a professional actor. Bob is about to play Tevye in a regional production ofÂ Fiddler on the RoofÂ at the Wagon Wheel Theatre in Warsaw, Indiana.Â Â We talk to him about the value of the community theatre experience and how he approaches this iconic character.

Wagon Wheel Theatre is HERE.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>125 Making your opening night more exciting (and profitable)</title>
      <link>http://theatregeeks.com/podcast/125-making-opening-night-exciting-profitable/</link>
      <guid>http://theatregeeks.com/?p=3389</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 18 May 2014 11:41:55 -0400</pubDate>
      <description><![CDATA[<p> Sold Out Run&#8216;s Clay Mabbitt gives the Geeks, and YOU, some great tips for community theatre success.
<p >Clay Mabbitt of the Sold Out Run Podcast</p>
<p>It&#8217;s not often we get to speak with fellow podcasters, but here, for the second show in a row, we&#8217;re talking to someone who produces a podcast related to the performing arts. Clay Mabbitt, of nearby Indianapolis, produces the Sold Out Run podcast, which focuses primarily on the marketing of performing arts, including theatre and musical events.</p>
<p>In this episode, , he gives the Geeks his ideas on making that opening night a  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/125-making-opening-night-exciting-profitable/">125 Making your opening night more exciting (and profitable)</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> Sold Out Run&#8216;s Clay Mabbitt gives the Geeks, and YOU, some great tips for community theatre success.
<p >Clay Mabbitt of the Sold Out Run Podcast</p>
<p>It&#8217;s not often we get to speak with fellow podcasters, but here, for the second show in a row, we&#8217;re talking to someone who produces a podcast related to the performing arts. Clay Mabbitt, of nearby Indianapolis, produces the Sold Out Run podcast, which focuses primarily on the marketing of performing arts, including theatre and musical events.</p>
<p>In this episode, , he gives the Geeks his ideas on making that opening night a  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/125-making-opening-night-exciting-profitable/">125 Making your opening night more exciting (and profitable)</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/125_selling_opening_night.mp3" length="31109449" type="audio/mpeg" />
      <itunes:duration>0:32:13</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>SoldÂ Out Run's Clay Mabbitt gives the Geeks, and YOU, some great tips for community theatre success.   It's not often we get to speak with fellow podcasters, but here, for the second show in a row, we're talking to someone who produces a podcast relat...</itunes:subtitle>
      <itunes:summary>SoldÂ Out Run's Clay Mabbitt gives the Geeks, and YOU, some great tips for community theatre success.


It's not often we get to speak with fellow podcasters, but here, for the second show in a row, we're talking to someone who produces a podcast related to the performing arts. Â Clay Mabbitt, of nearby Indianapolis, produces theÂ Sold Out Run podcast, which focuses primarily on the marketing of performing arts, including theatre and musical events.

In this episode,Â , he gives the Geeks his ideas on making that opening night a sold-out event. Â In the Geeks' experience, the public often waits to read reviews and gauge the word-of-mouth on a particular production before actually plunking down the price of admission. Â Often this doesn't happen until the run is under way (for our theatre, it means the second weekend.) Â So the theatre loses revenue during the early performances.

Adding excitement to opening night is one way to boost attendance and get the word of mouth goingÂ before the first performance. Clay has some great &quot;road tested&quot; insights and great tips for promoting your opening. Â AND, he can sing the Theatre Geeks theme music!
Links:
Sold Out Run - http://www.soldoutrun.com

Â 

Music Provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>124 Stratford Festival Reviews creator Keith Tomasek</title>
      <link>http://theatregeeks.com/podcast/124-stratford-festival-reviews-creator-keith-tomasek/</link>
      <guid>http://theatregeeks.com/?p=3378</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 11 May 2014 12:09:13 -0400</pubDate>
      <description><![CDATA[<p> Keith Tomasek talks about stratfordfestivalreviews.com, the &#8220;Rotten Tomatoes&#8221; of the Stratford Festival
<p>Visitors to the Stratford Festival have a friend in Keith Tomasek. Keith is the creator, editor and curator of Stratford Festival Reviews (http://www.stratfordfestivalreviews.com), a website that aggregates reviews of all the productions at this outstanding institution in Stratford Ontario. Visitors to the website (who accumulate around 1300 page views per day) are able to see what critics across Canada and US have to say about the current season&#8217;s productions, get a better understanding of the plays themselves, enjoy professional theatre analyses (which don&#8217;t always agree with each  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/124-stratford-festival-reviews-creator-keith-tomasek/">124 Stratford Festival Reviews creator Keith Tomasek</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> Keith Tomasek talks about stratfordfestivalreviews.com, the &#8220;Rotten Tomatoes&#8221; of the Stratford Festival
<p>Visitors to the Stratford Festival have a friend in Keith Tomasek. Keith is the creator, editor and curator of Stratford Festival Reviews (http://www.stratfordfestivalreviews.com), a website that aggregates reviews of all the productions at this outstanding institution in Stratford Ontario. Visitors to the website (who accumulate around 1300 page views per day) are able to see what critics across Canada and US have to say about the current season&#8217;s productions, get a better understanding of the plays themselves, enjoy professional theatre analyses (which don&#8217;t always agree with each  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/124-stratford-festival-reviews-creator-keith-tomasek/">124 Stratford Festival Reviews creator Keith Tomasek</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/124_Keith_Tomasek_Stratford_Reviews.mp3" length="29659601" type="audio/mpeg" />
      <itunes:duration>0:30:42</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Keith Tomasek talks about stratfordfestivalreviews.com, the &quot;Rotten Tomatoes&quot; of the Stratford Festival Visitors to the Stratford Festival have a friend in Keith Tomasek. Â Keith is the creator, editor and curator of Stratford Festival Reviews (http://...</itunes:subtitle>
      <itunes:summary>Keith Tomasek talks about stratfordfestivalreviews.com,
the &quot;Rotten Tomatoes&quot; of the Stratford Festival
Visitors to the Stratford Festival have a friend in Keith Tomasek. Â Keith is the creator, editor and curator of Stratford Festival Reviews (http://www.stratfordfestivalreviews.com), a website that aggregates reviews of all the productions at this outstanding institution in Stratford Ontario. Â Visitors to the website (who accumulate around 1300 page views per day) are able to see what critics across Canada and US have to say about the current season's productions, get a better understanding of the plays themselves, enjoy professional theatre analyses (which don't always agree with each other), and make better informed decisions about which shows they'd like to see.
Keith TomasekÂ I grew up in MonÂ­treal where he studÂ­ied theÂ­atre, later moving toÂ WinÂ­nipeg and Toronto where he wrote and proÂ­duced award winÂ­ning films, teleÂ­viÂ­sion andÂ radio. Â In addition to managing his websites, he lecÂ­tures at the UniÂ­verÂ­sity of WestÂ­ern Ontario and recently modÂ­erÂ­ated an event on camÂ­pus with Jian GhomeÂ­shi from theÂ CBCÂ Radio proÂ­gram Q. Â He teaches courses and does research in the field of social media.
In addition to Stratford Festival Reviews, Keith also edits and curates Shaw Festival Reviews atÂ http://shawfestreviews.com/Â and producesÂ The Inadequate Life, (http://www.theinadequatelife.com), a podcast focusing on interesting people who make their livings in the arts.
Join the Geeks for a lively conversation with a fascinating guest.
Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>123 Summer Musicals</title>
      <link>http://theatregeeks.com/podcast/123-summer-musicals/</link>
      <guid>http://theatregeeks.com/?p=3367</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 04 May 2014 12:15:55 -0400</pubDate>
      <description><![CDATA[<p> Are summer musicals still important to community theatres?
<p> We hear reports that some community theatres go on a little hiatus in the summer. For others, the summer musical is still a main event. How does your community theatre come down? The geeks talk about the pros and cons of the big summer show. Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> Are summer musicals still important to community theatres?
<p> We hear reports that some community theatres go on a little hiatus in the summer. For others, the summer musical is still a main event. How does your community theatre come down? The geeks talk about the pros and cons of the big summer show. Music provided by Music Alley</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/123_Summer_Shows_mixdown.mp3" length="21848911" type="audio/mpeg" />
      <itunes:duration>0:22:34</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Are summer musicals still important to community theatres?  We hear reports that some community theatres go on a little hiatus in the summer. Â For others, the summer musical is still a main event. Â How does your community theatre come down?</itunes:subtitle>
      <itunes:summary>Are summer musicals still important to community theatres?
 We hear reports that some community theatres go on a little hiatus in the summer. Â For others, the summer musical is still a main event. Â How does your community theatre come down? Â The geeks talk about the pros and cons of the big summer show. Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>122 Fighting the community theatre budget battle</title>
      <link>http://theatregeeks.com/podcast/122-fighting-community-theatre-budget-battle/</link>
      <guid>http://theatregeeks.com/?p=3364</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 27 Apr 2014 20:33:39 -0400</pubDate>
      <description><![CDATA[<p>Many community theatres operate by the financial seat-of-the-pants. Does yours?   . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/122-fighting-community-theatre-budget-battle/">122 Fighting the community theatre budget battle</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Many community theatres operate by the financial seat-of-the-pants. Does yours?   . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/122-fighting-community-theatre-budget-battle/">122 Fighting the community theatre budget battle</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/122_Budgets.mp3" length="16191964" type="audio/mpeg" />
      <itunes:duration>0:16:41</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Many community theatres operate by the financial seat-of-the-pants.  Does yours?</itunes:subtitle>
      <itunes:summary>Many community theatres operate by the financial seat-of-the-pants.  Does yours?</itunes:summary>
    </item>
    <item>
      <title>121 Know what youâ€™re getting into or stay home</title>
      <link>http://theatregeeks.com/podcast/121-know-youre-getting-stay-home/</link>
      <guid>http://theatregeeks.com/?p=3356</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 22 Apr 2014 00:20:18 -0400</pubDate>
      <description><![CDATA[<p>In another audience etiquette episodes, the Geeks talk about audience members who don&#8217;t do their &#8220;homework&#8221; when it comes to knowing what kind of show they&#8217;re going to see, being prepared for possible &#8220;mature&#8221; content and not being taken by &#8220;surprise&#8221; that leads to indignation. We&#8217;ve been around long enough to know that there probably isn&#8217;t a show out there that won&#8217;t offend someone at some time, but often as not, the offended party has only himself to blame. Most theatres will note in their promotions if a particular show deals with adult themes, is inappropriate for children, or  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/121-know-youre-getting-stay-home/">121 Know what you&#8217;re getting into or stay home</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>In another audience etiquette episodes, the Geeks talk about audience members who don&#8217;t do their &#8220;homework&#8221; when it comes to knowing what kind of show they&#8217;re going to see, being prepared for possible &#8220;mature&#8221; content and not being taken by &#8220;surprise&#8221; that leads to indignation. We&#8217;ve been around long enough to know that there probably isn&#8217;t a show out there that won&#8217;t offend someone at some time, but often as not, the offended party has only himself to blame. Most theatres will note in their promotions if a particular show deals with adult themes, is inappropriate for children, or  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/121-know-youre-getting-stay-home/">121 Know what you&#8217;re getting into or stay home</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/121_Plan_ahead_or_stay_home.mp3" length="19902685" type="audio/mpeg" />
      <itunes:duration>0:20:32</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In another audience etiquette episodes, the Geeks talk about audience members who don't do their &quot;homework&quot; when it comes to knowing what kind of show they're going to see, being prepared for possible &quot;mature&quot; content and not being taken by &quot;surprise&quot; ...</itunes:subtitle>
      <itunes:summary>In another audience etiquette episodes, the Geeks talk about audience members who don't do their &quot;homework&quot; when it comes to knowing what kind of show they're going to see, being prepared for possible &quot;mature&quot; content and not being taken by &quot;surprise&quot; that leads to indignation. Â We've been around long enough to know that there probably isn't a show out there that won't offendÂ someone at some time, but often as not, the offended party has only himself to blame. Â Most theatres will note in their promotions if a particular show deals with adult themes, is inappropriate for children, or contains &quot;language&quot; (well, of course it contains language, but you know what we mean.)

Another issue is the audience member who comes to the theatre knowing he or she has a health issue or other problem that could crop up during the performance, and then is annoyed with the theatre for not dealing with it adequately, or feels the need to share the problem with the entire audience.

Both of these issues come under the heading of &quot;you should know what you're getting into and plan ahead.&quot; Â And if you can't, stay home.

Music Provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>120 Can there be too much theatre tech?</title>
      <link>http://theatregeeks.com/podcast/120-can-much-theatre-tech/</link>
      <guid>http://theatregeeks.com/?p=3299</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 08 Apr 2014 18:00:41 -0400</pubDate>
      <description><![CDATA[<p>The Geeks discuss the high- and ever higher-tech state of theatrical productions and wonder if &#8220;enough&#8221; is actually too much, and whether technology helps or hinders a community theatre&#8217;s creative approaches.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>The Geeks discuss the high- and ever higher-tech state of theatrical productions and wonder if &#8220;enough&#8221; is actually too much, and whether technology helps or hinders a community theatre&#8217;s creative approaches.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/119_Too_much_tech.mp3" length="18254909" type="audio/mpeg" />
      <itunes:duration>0:18:49</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks discuss the high- and ever higher-tech state of theatrical productions and wonder if &quot;enough&quot; is actually too much, and whether technology helps or hinders a community theatre's creative approaches.</itunes:subtitle>
      <itunes:summary>The Geeks discuss the high- and ever higher-tech state of theatrical productions and wonder if &quot;enough&quot; is actually too much, and whether technology helps or hinders a community theatre's creative approaches.</itunes:summary>
    </item>
    <item>
      <title>119 Leave that stuff at home! Dealing with bad behavior in the theatre.</title>
      <link>http://theatregeeks.com/podcast/119-leave-stuff-home-dealing-bad-behavior-theatre/</link>
      <guid>http://theatregeeks.com/?p=3241</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 28 Mar 2014 11:21:04 -0400</pubDate>
      <description><![CDATA[<p> What can you do to deal with backstage hanky panky and other disruptive &#8220;stuff&#8221; in community theatre?
<p>Community theatre is a great social activity, but problems do arise when behaviors that may (or may not) be ok away from the theatre become distractions or even liabilities within a cast. While we can&#8217;t regulate people&#8217;s feelings, we can set guidelines that make for a better experience for all. The Geeks discuss dealing with bad behavior, and more importantly, preventing it. Send us YOUR feedback.</p>
<p>Music provided by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> What can you do to deal with backstage hanky panky and other disruptive &#8220;stuff&#8221; in community theatre?
<p>Community theatre is a great social activity, but problems do arise when behaviors that may (or may not) be ok away from the theatre become distractions or even liabilities within a cast. While we can&#8217;t regulate people&#8217;s feelings, we can set guidelines that make for a better experience for all. The Geeks discuss dealing with bad behavior, and more importantly, preventing it. Send us YOUR feedback.</p>
<p>Music provided by Music Alley.</p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/119_Leave_it_at_home.mp3" length="21903914" type="audio/mpeg" />
      <itunes:duration>0:22:38</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What can you do to deal with backstage hanky panky and other disruptive &quot;stuff&quot; in community theatre? Community theatre is a great social activity, but problems do arise when behaviors that may (or may not) be ok away from the theatre become distractio...</itunes:subtitle>
      <itunes:summary>What can you do to deal with backstage hanky panky and other disruptive &quot;stuff&quot; in community theatre?
Community theatre is a great social activity, but problems do arise when behaviors that may (or may not) be ok away from the theatre become distractions or even liabilities within a cast.Â  While we can't regulate people's feelings, we can set guidelines that make for a better experience for all.Â  The Geeks discuss dealing with bad behavior, and more importantly, preventing it.Â  Send us YOUR feedback.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>118 Is it Actor or Actress?</title>
      <link>http://theatregeeks.com/podcast/118-actor-actress/</link>
      <guid>http://theatregeeks.com/?p=3066</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 18 Mar 2014 08:46:11 -0400</pubDate>
      <description><![CDATA[<p> Is the term &#8220;actress&#8221; outmoded?
<p>The Geeks have been accused of being a little &#8220;old school&#8221; at times (whatever that means), and all three of us remember when the term &#8220;actress&#8221; was the standard way of referring to a female on stage. In this abbreviated episode, the Geeks discuss why and when the terminology appeared to change, and whether or not it&#8217;s ok to still use the older term.</p>
<p>What do YOU think? Is this even a debate worth having? Should those who say &#8220;actress&#8221; be subject to a social smackdown? Let us know via our contact form (below)  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/118-actor-actress/">118 Is it Actor or Actress?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> Is the term &#8220;actress&#8221; outmoded?
<p>The Geeks have been accused of being a little &#8220;old school&#8221; at times (whatever that means), and all three of us remember when the term &#8220;actress&#8221; was the standard way of referring to a female on stage. In this abbreviated episode, the Geeks discuss why and when the terminology appeared to change, and whether or not it&#8217;s ok to still use the older term.</p>
<p>What do YOU think? Is this even a debate worth having? Should those who say &#8220;actress&#8221; be subject to a social smackdown? Let us know via our contact form (below)  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/118-actor-actress/">118 Is it Actor or Actress?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/118_Actor_or_Actress.mp3" length="11602712" type="audio/mpeg" />
      <itunes:duration>0:11:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Is the term &quot;actress&quot; outmoded? The Geeks have been accused of being a little &quot;old school&quot; at times (whatever that means), and all three of us remember when the term &quot;actress&quot; was the standard way of referring to a female on stage.</itunes:subtitle>
      <itunes:summary>Is the term &quot;actress&quot; outmoded?
The Geeks have been accused of being a little &quot;old school&quot; at times (whatever that means), and all three of us remember when the term &quot;actress&quot; was the standard way of referring to a female on stage. Â In this abbreviated episode, the Geeks discuss why and when the terminology appeared to change, and whether or not it's ok to still use the older term.

What do YOU think? Â Is this even a debate worth having? Â Should those who say &quot;actress&quot; be subject to a social smackdown? Â Let us know via our contact form (below) or send a note to Dave, John or Marcia @ theatregeeks.com.

Music provided by Music Alley.
Links on this subject:

	Playbill Magazine
	College Confidential
	The Guardian
	LA Times</itunes:summary>
    </item>
    <item>
      <title>117 Awards Nights for Community Theatre: the pros and cons</title>
      <link>http://theatregeeks.com/podcast/117-awards-nights-community-theatre-pros-cons/</link>
      <guid>http://theatregeeks.com/?p=3010</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 12 Mar 2014 23:59:04 -0400</pubDate>
      <description><![CDATA[<p> Are awards nights at a community theatre a good thing or a bad thing?
<p>After a peculiarly breathy beginning, the Geeks get down to the business of awards. Some community theatres have an annual in-company awards ceremony honoring best actors/actresses, directors, etc. Some may feel that this only breeds internal jealousies and bad feelings. Others may feel it provides an incentive for quality in all aspects of production. The Geeks tell you what they think. Now, what do YOU think. Let us know via our contact page.</p>
<p>Music provided by Music Alley.</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/117-awards-nights-community-theatre-pros-cons/">117 Awards Nights for Community Theatre: the pros and cons</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p> Are awards nights at a community theatre a good thing or a bad thing?
<p>After a peculiarly breathy beginning, the Geeks get down to the business of awards. Some community theatres have an annual in-company awards ceremony honoring best actors/actresses, directors, etc. Some may feel that this only breeds internal jealousies and bad feelings. Others may feel it provides an incentive for quality in all aspects of production. The Geeks tell you what they think. Now, what do YOU think. Let us know via our contact page.</p>
<p>Music provided by Music Alley.</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/117-awards-nights-community-theatre-pros-cons/">117 Awards Nights for Community Theatre: the pros and cons</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/117_Awards_nights.mp3" length="17186929" type="audio/mpeg" />
      <itunes:duration>0:17:43</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Are awards nights at a community theatre a good thing or a bad thing? After a peculiarly breathy beginning, the Geeks get down to the business of awards. Â Some community theatres have an annual in-company awards ceremony honoring best actors/actresses,</itunes:subtitle>
      <itunes:summary>Are awards nights at a community theatre a good thing or a bad thing?
After a peculiarly breathy beginning, the Geeks get down to the business of awards. Â Some community theatres have an annual in-company awards ceremony honoring best actors/actresses, directors, etc. Â Some may feel that this only breeds internal jealousies and bad feelings. Â Others may feel it provides an incentive for quality in all aspects of production. Â The Geeks tell you what they think. Â Now, what do YOU think. Â Let us know via our contact page.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Colleen Williamson talks about her life entertaining on cruise ships</title>
      <link>http://theatregeeks.com/podcast/colleen-williamson-talk-life-entertaining-cruise-ships/</link>
      <guid>http://theatregeeks.com/?p=2877</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 02 Mar 2014 18:18:20 -0500</pubDate>
      <description><![CDATA[<p>Community theatre was Colleen Williamson&#8217;s springboard to an exciting life performing on cruise ships.
<p >Colleen Williamson</p>
<p>Colleen Williamson joins us for a fascinating talk about her life as a cruise ship actress, singer and entertainer, that started over 20 years ago. Possessed of a great singing voice and natural acting ability, Colleen was urged by a friend to audition with a cruise ship line&#8217;s entertainment arm. Today, she travels much of the year, to places most of us only dream about, and performs on the water in everything from musical comedies to her own cabaret act.</p>
<p>All three Geeks  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/colleen-williamson-talk-life-entertaining-cruise-ships/">Colleen Williamson talks about her life entertaining on cruise ships</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Community theatre was Colleen Williamson&#8217;s springboard to an exciting life performing on cruise ships.
<p >Colleen Williamson</p>
<p>Colleen Williamson joins us for a fascinating talk about her life as a cruise ship actress, singer and entertainer, that started over 20 years ago. Possessed of a great singing voice and natural acting ability, Colleen was urged by a friend to audition with a cruise ship line&#8217;s entertainment arm. Today, she travels much of the year, to places most of us only dream about, and performs on the water in everything from musical comedies to her own cabaret act.</p>
<p>All three Geeks  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/colleen-williamson-talk-life-entertaining-cruise-ships/">Colleen Williamson talks about her life entertaining on cruise ships</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/116_Colleen_Williamson1.mp3" length="23843445" type="audio/mpeg" />
      <itunes:duration>0:24:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Community theatre was Colleen Williamson's springboard to an exciting life performing on cruise ships.   Colleen Williamson joins us for a fascinating talk about her life as a cruise ship actress, singer and entertainer, that started over 20 years ago.</itunes:subtitle>
      <itunes:summary>Community theatre was Colleen Williamson's springboard to an exciting life performing on cruise ships.


Colleen Williamson joins us for a fascinating talk about her life as a cruise ship actress, singer and entertainer, that started over 20 years ago. Â Possessed of a great singing voice and natural acting ability, Colleen was urged by a friend to audition with a cruise ship line's entertainment arm. Â Today, she travels much of the year, to places most of us only dream about, and performs on the water in everything from musical comedies to her own cabaret act.

All three Geeks are old friends of Colleen, so the conversation is friendly, fun and we get up close and personal, finding out what life is like for an entertainer on the ocean.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>115 Theatre under the influence</title>
      <link>http://theatregeeks.com/podcast/115-theatre-influence/</link>
      <guid>http://theatregeeks.com/?p=2805</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 23 Feb 2014 12:58:35 -0500</pubDate>
      <description><![CDATA[<p>Theatre Geeks talk about their theatrical influences in this episode of the long-running theatre podcast.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/115-theatre-influence/">115 Theatre under the influence</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Theatre Geeks talk about their theatrical influences in this episode of the long-running theatre podcast.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/115-theatre-influence/">115 Theatre under the influence</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/115_Influences_mixdown.mp3" length="43349802" type="audio/mpeg" />
      <itunes:duration>0:29:59</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre Geeks talk about their theatrical influences in this episode of the long-running theatre podcast.</itunes:subtitle>
      <itunes:summary>Theatre Geeks talk about their theatrical influences in this episode of the long-running theatre podcast.</itunes:summary>
    </item>
    <item>
      <title>114 Does the weather put your community theatre in the deep freeze?</title>
      <link>http://theatregeeks.com/podcast/114-weather-put-community-theatre-deep-freeze/</link>
      <guid>http://theatregeeks.com/?p=2617</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 01 Feb 2014 12:41:28 -0500</pubDate>
      <description><![CDATA[<p>Snowed in? Snowed out? How does your community theatre deal with serious winter weather?
<p >Dave in front of our theatre earlier this winter, when snow threatened our production of Almost, Maine.</p>
<p>The Geeks know first-hand about how winter can disrupt rehearals and even keep patrons away. Recorded live at Evan&#8217;s Sidewalk Cafe, we offer a few things to think about when weather gets in your theatre&#8217;s way.</p>
<p> First of all, follow the law. When law enforcement says stay off the roads, don&#8217;t schedule rehearsals that put your cast and crew in danger. Get serious with your cast &#8212; let  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/114-weather-put-community-theatre-deep-freeze/">114 Does the weather put your community theatre in the deep freeze?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Snowed in? Snowed out? How does your community theatre deal with serious winter weather?
<p >Dave in front of our theatre earlier this winter, when snow threatened our production of Almost, Maine.</p>
<p>The Geeks know first-hand about how winter can disrupt rehearals and even keep patrons away. Recorded live at Evan&#8217;s Sidewalk Cafe, we offer a few things to think about when weather gets in your theatre&#8217;s way.</p>
<p> First of all, follow the law. When law enforcement says stay off the roads, don&#8217;t schedule rehearsals that put your cast and crew in danger. Get serious with your cast &#8212; let  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/114-weather-put-community-theatre-deep-freeze/">114 Does the weather put your community theatre in the deep freeze?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/114_Baby_its_cold_outside.mp3" length="18007301" type="audio/mpeg" />
      <itunes:duration>0:18:34</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Snowed in? Snowed out? Â How does your community theatre deal with serious winter weather?   The Geeks know first-hand about how winter can disrupt rehearals and even keep patrons away. Â Recorded live at Evan's Sidewalk Cafe,</itunes:subtitle>
      <itunes:summary>Snowed in? Snowed out? Â How does your community theatre deal with serious winter weather?


The Geeks know first-hand about how winter can disrupt rehearals and even keep patrons away. Â Recorded live at Evan's Sidewalk Cafe, we offer a few things to think about when weather gets in your theatre's way.

	First of all, follow the law. When law enforcement says stay off the roads, don't schedule rehearsals that put your cast and crew in danger.
	Get serious with your cast -- let them know that if you've already missed rehearsals, it's important to get back on track.
	Carpool so those with less than ideal vehicles can get to rehearsals safely.
	Consider adding rehearsals to make up for lost time heading up to dress rehearsals
	Consider extending rehearsals -- starting early, going longer, etc.

Mother Nature doesn't really care about your show or rehearsal schedule -- how do YOU deal with her? Let us know your tips via our contact form!

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Choreography in community theatre: how is it different?</title>
      <link>http://theatregeeks.com/podcast/choreography-community-theatre-different/</link>
      <guid>http://theatregeeks.com/?p=2513</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 26 Jan 2014 12:06:04 -0500</pubDate>
      <description><![CDATA[<p>Tom Myers talks choreography with the Geeks
<p >Choreographer Tom Myers</p>
<p>How is choreography for community theatre different from what you might see professionally? Recognizing that not everyone in community theatre is a trained dancer while still challenging performers is a balancing act Tom Myers is very familiar with. The veteran choreographer for community and high school theatres talks about the issues that he faces in putting a great dance number on the stage with non-professional talent.</p>
<p>Tom has choreographed dozens of shows, not only at the Geeks&#8217; home theatre, Elkhart Civic Theatre, but across Northern Indiana. He has won  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/choreography-community-theatre-different/">Choreography in community theatre: how is it different?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Tom Myers talks choreography with the Geeks
<p >Choreographer Tom Myers</p>
<p>How is choreography for community theatre different from what you might see professionally? Recognizing that not everyone in community theatre is a trained dancer while still challenging performers is a balancing act Tom Myers is very familiar with. The veteran choreographer for community and high school theatres talks about the issues that he faces in putting a great dance number on the stage with non-professional talent.</p>
<p>Tom has choreographed dozens of shows, not only at the Geeks&#8217; home theatre, Elkhart Civic Theatre, but across Northern Indiana. He has won  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/choreography-community-theatre-different/">Choreography in community theatre: how is it different?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/113_Tom_Myers_on_Choreography.mp3" length="20757778" type="audio/mpeg" />
      <itunes:duration>0:24:30</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Tom Myers talks choreography with the Geeks   How is choreography for community theatre different from what you might see professionally?Â Recognizing that not everyone in community theatre is a trained dancer while still challenging performers is a ba...</itunes:subtitle>
      <itunes:summary>Tom Myers talks choreography with the Geeks


How is choreography for community theatre different from what you might see professionally?Â Recognizing that not everyone in community theatre is a trained dancer while still challenging performers is a balancing act Tom Myers is very familiar with. The veteran choreographer for community and high school theatres talks about the issues that he faces in putting a great dance number on the stage with non-professional talent.

Tom has choreographed dozens of shows, not only at the Geeks' home theatre, Elkhart Civic Theatre, but across Northern Indiana. Â He has won awards for choreography at the state and regional level, and directed numerous musicals, including Sweet Charity, Chicago, and an award-winning production of the musical farce,Â Lucky Stiff.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Everything old is new again: whatâ€™s wrong with â€œrecycledâ€ theatre?</title>
      <link>http://theatregeeks.com/podcast/everything-old-new-whats-wrong-recycled-theatre/</link>
      <guid>http://theatregeeks.com/?p=2499</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 17 Jan 2014 10:13:51 -0500</pubDate>
      <description><![CDATA[<p >Marcia takes a look at theatre&#8217;s past</p>
<p> First show of 2014! Does your theatre recycle?
<p>A lot of shows seem to be recycled from earlier works these days: musicals based on movies, plays based on novels, musicals based on movies based on even older movies. Is all this recycling good or bad? Is it even a new phenomenon. The Geeks discuss how it seems everything old is new again &#8212; and whether it&#8217;s always been that way.</p>
<p>Music provided by Music Alley.</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/everything-old-new-whats-wrong-recycled-theatre/">Everything old is new again: what&#8217;s wrong with &#8220;recycled&#8221; theatre?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p >Marcia takes a look at theatre&#8217;s past</p>
<p> First show of 2014! Does your theatre recycle?
<p>A lot of shows seem to be recycled from earlier works these days: musicals based on movies, plays based on novels, musicals based on movies based on even older movies. Is all this recycling good or bad? Is it even a new phenomenon. The Geeks discuss how it seems everything old is new again &#8212; and whether it&#8217;s always been that way.</p>
<p>Music provided by Music Alley.</p>
<p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/everything-old-new-whats-wrong-recycled-theatre/">Everything old is new again: what&#8217;s wrong with &#8220;recycled&#8221; theatre?</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_112_Everything_old_is_new_again.mp3" length="20793618" type="audio/mpeg" />
      <itunes:duration>0:24:32</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>First show of 2014! Does your theatre recycle? A lot of shows seem to be recycled from earlier works these days: musicals based on movies, plays based on novels, musicals based on movies based on even older movies.Â  Is all this recycling good or bad?</itunes:subtitle>
      <itunes:summary>First show of 2014!
Does your theatre recycle?
A lot of shows seem to be recycled from earlier works these days: musicals based on movies, plays based on novels, musicals based on movies based on even older movies.Â  Is all this recycling good or bad?Â  Is it even a new phenomenon.Â  The Geeks discuss how it seems everything old is new again -- and whether it's always been that way.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Bonus Year-end episode: Theatre Quality vs Theatre Quantity</title>
      <link>http://theatregeeks.com/podcast/bonus-year-end-episode-theatre-quality-vs-theatre-quantity/</link>
      <guid>http://theatregeeks.com/?p=2469</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 23 Dec 2013 12:56:27 -0500</pubDate>
      <description><![CDATA[<p>Should you trade theatre quality for theatre quantity (i.e., bums in the seats)?
<p>All community theatres crave the full house, but is it worth bending the standards occasionally to get it? Do you do a less than par holiday show because you know you can get an audience? Or the umpteenth revival of Fiddler because there are always those audience members who will dutifully show up for a classic, no matter how well it&#8217;s done?</p>
<p>The Geeks take on this dilemma, and although we probably don&#8217;t solve it, we have fun trying!</p>
<p>This is our last episode of 2013. We&#8217;re  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/bonus-year-end-episode-theatre-quality-vs-theatre-quantity/">Bonus Year-end episode: Theatre Quality vs Theatre Quantity</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Should you trade theatre quality for theatre quantity (i.e., bums in the seats)?
<p>All community theatres crave the full house, but is it worth bending the standards occasionally to get it? Do you do a less than par holiday show because you know you can get an audience? Or the umpteenth revival of Fiddler because there are always those audience members who will dutifully show up for a classic, no matter how well it&#8217;s done?</p>
<p>The Geeks take on this dilemma, and although we probably don&#8217;t solve it, we have fun trying!</p>
<p>This is our last episode of 2013. We&#8217;re  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/bonus-year-end-episode-theatre-quality-vs-theatre-quantity/">Bonus Year-end episode: Theatre Quality vs Theatre Quantity</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_111_Quality_vs_Quantity_mixdown.mp3" length="15403355" type="audio/mpeg" />
      <itunes:duration>0:18:07</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Should Â you trade theatre quality for theatre quantity (i.e., bums in the seats)? All community theatres crave the full house, but is it worth bending the standards occasionally to get it? Â Do you do a less than par holiday show because you know you ...</itunes:subtitle>
      <itunes:summary>Should Â you trade theatre quality for theatre quantity (i.e., bums in the seats)?
All community theatres crave the full house, but is it worth bending the standards occasionally to get it? Â Do you do a less than par holiday show because you know you can get an audience? Â Or the umpteenth revival ofÂ Fiddler because there are always those audience members who will dutifully show up for a classic, no matter how well it's done?

The Geeks take on this dilemma, and although we probably don't solve it, we have fun trying!

This is our last episode of 2013. Â We're taking some time off to regroup and refresh before picking it up again around January 5. Â Why don't Â you do the same? Â Have a very happy holiday season. Â Thanks for listening!</itunes:summary>
    </item>
    <item>
      <title>Shirley Mitchell and Heywood Banks talk about their musical Swamp Opera</title>
      <link>http://theatregeeks.com/podcast/shirley-mitchell-heywood-banks-talk-musical-swamp-opera/</link>
      <guid>http://theatregeeks.com/?p=2452</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 21 Dec 2013 21:06:48 -0500</pubDate>
      <description><![CDATA[<p>Wife-Husband Team Shirley Mitchell and Heywood Banks translate classic story into musical Swamp Opera.
</p>
<p>When Shirley Mitchell wrote the script and lyrics for a musical version of the folk tale &#8220;Froggy Went A-Courtin&#8217;,&#8221; she asked the man she calls &#8220;the King of Melody&#8221; to turn her words into the songs in &#8220;Swamp Opera.&#8221;</p>
<p>No, it wasn&#8217;t Barry Manilow. It was her husband Stuart, best known as Heywood Banks, who has been delighting, inspiring, amusing and sometimes even mildly grossing out audiences for years with such songs as &#8220;If Pigs Had Wings,&#8221; &#8220;The Weasel&#8221; and the Christmas classic &#8220;You Ain&#8217;t  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/shirley-mitchell-heywood-banks-talk-musical-swamp-opera/">Shirley Mitchell and Heywood Banks talk about their musical <i>Swamp Opera</i></a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Wife-Husband Team Shirley Mitchell and Heywood Banks translate classic story into musical Swamp Opera.
</p>
<p>When Shirley Mitchell wrote the script and lyrics for a musical version of the folk tale &#8220;Froggy Went A-Courtin&#8217;,&#8221; she asked the man she calls &#8220;the King of Melody&#8221; to turn her words into the songs in &#8220;Swamp Opera.&#8221;</p>
<p>No, it wasn&#8217;t Barry Manilow. It was her husband Stuart, best known as Heywood Banks, who has been delighting, inspiring, amusing and sometimes even mildly grossing out audiences for years with such songs as &#8220;If Pigs Had Wings,&#8221; &#8220;The Weasel&#8221; and the Christmas classic &#8220;You Ain&#8217;t  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/shirley-mitchell-heywood-banks-talk-musical-swamp-opera/">Shirley Mitchell and Heywood Banks talk about their musical <i>Swamp Opera</i></a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_110_Heywood_Banks_mixdown.mp3" length="22910007" type="audio/mpeg" />
      <itunes:duration>0:27:03</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Wife-Husband Team Shirley Mitchell and Heywood Banks translate classic story into musicalÂ Swamp Opera.   When Shirley Mitchell wrote the script and lyrics for a musical version of the Â folk tale &quot;Froggy Went A-Courtin',</itunes:subtitle>
      <itunes:summary>Wife-Husband Team Shirley Mitchell and Heywood Banks translate classic story into musicalÂ Swamp Opera.


When Shirley Mitchell wrote the script and lyrics for a musical version of the Â folk tale &quot;Froggy Went A-Courtin',&quot; she asked the man she calls &quot;the King of Melody&quot; to turn her words into the songs in &quot;Swamp Opera.&quot;

No, it wasn't Barry Manilow. Â It was her husband Stuart, best known as Heywood Banks, who has been delighting, inspiring, amusing and sometimes even mildly grossing outÂ audiences for years with such songs as &quot;If Pigs Had Wings,&quot; &quot;The Weasel&quot; Â and the Christmas classic &quot;You Ain't Gettin' Diddly Squat,&quot; among many others. Â Shirley and Heywood's collaboration has yielded a creative retelling of the animal tale embellished with songs that range from country and bluegrass to blues and rock. Â The songs are markedly different than the more novelty-type songs Heywood fans are familiar with (to a great degree because the lyrics are Shirley's), but to this listener (Dave) they still have subtle Banks wry touch (you can hear them allÂ here).

Writing the script based on the FroggyÂ folk tale was a natural for Shirley, who has always been a writer, as she explains on the Swamp Opera website.
Writing has always been a love of mine. Iâ€™ve not been passionately devoted to it, but I have written consistently throughout my life. I wrote lyrics forÂ country songs for a year with my folk singing husband, later turned comedian. Iâ€™ve written childrenâ€™s stories, articles, kept journals, then one day after my second child left home, I got this idea to write a musical play. I donâ€™t know why I thought I could do it. Mainly, not asking anyone if they thought I could, was key to jumping in and doing it. I spent a year writing twenty songs-there are seventeen in the play-and beating my husband with a big stick to come up with the music. {He will freely admit to this.} He is an incredible musician and I am lucky to have his music.
The play is pure fantasy based in real life situations. The characters have taken on their own personalities and speak their own minds. Most of the time, I just went along for the ride. Now, in a few months I will be able to see what it all looks like. That will be a thrill.
I have been surrounded by wonderfully talented people throughout this project. This play canâ€™t help but be successful because of it. I believe it will enchant, delight and entertain people for many years to come. I am grateful for everyoneâ€™s help and now may it be released to the universe.



The musical has been produced in Shirley and Heywood's home town of Howell, Michigan, and other productions are in the offing. Â  They joined the Geeks for a fun half-hour or so talking about how the play came about, how it became a musical, and what it's like collaborating as husband and wife.

For information, production arrangements and more check out the Swamp Opera website.

Of course, Heywood continues to perform and appear on radio shows, such as Indianapolis' Bob and Tom Show. Â His upcoming gigs, recordings and more can be found on his website at http://www.heywoodbanks.com.Â  From the website:
Heywood has been featured in &quot;Rolling Stone Magazine&quot; and &quot;People Magazine.&quot; He won First Place in the Johnnie Walker Comedy Search Contest.

Heywood Banks has appeared on A&amp;E's &quot;Evening at the Improv,&quot; MTV's &quot;1/2 Hour Comedy Hour,&quot; CNN's &quot;Hollywood Minute,&quot; &quot;Caroline's Comedy Hour,&quot; &quot;Entertainment Tonight,&quot; &quot;Showtime Comedy Club Network,&quot; &quot;Dr. Demento Show,&quot; &quot;12th Annual HBO Young Comedians Special with Paul Rodriguez&quot; and is a frequent guest on the national Bob and Tom radio show.
Bonus! Heywood's Christmas Playlist on YouTube compiles the entire Heywood Banks Xmas Oeuvre.
https://www.youtube.com/playlist?list=PL9jRPbPkY55AOjCw8qNoRqE5LOayd3BA0

Â 

Â 

Â 

Â </itunes:summary>
    </item>
    <item>
      <title>Theatre Christmas Gifts for Theatre Geeks</title>
      <link>http://theatregeeks.com/podcast/theatre-christmas-gifts-theatre-geeks/</link>
      <guid>http://theatregeeks.com/?p=2425</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 02 Dec 2013 23:36:13 -0500</pubDate>
      <description><![CDATA[<p>The Geeks&#8217; theatre Christmas gift recommendations &#8211; there&#8217;s more out there than you realize!
</p>
<p>What do you get a theatre geek for Christmas? We&#8217;re glad you asked!</p>
<p>In this episode, the Geeks discuss the myriad possibilities for theatre Christmas Gifts, starting with a couple of books, some apps, some musical cast albums and even some ideas from the world of antiques. Listen in then check out some of the links to theatre Christmas gifts here in the show notes. Any of these will make your favorite theatre geek smile.</p>
<p>In addition to the selections below, don&#8217;t forget the Geek  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/theatre-christmas-gifts-theatre-geeks/">Theatre Christmas Gifts for Theatre Geeks</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>The Geeks&#8217; theatre Christmas gift recommendations &#8211; there&#8217;s more out there than you realize!
</p>
<p>What do you get a theatre geek for Christmas? We&#8217;re glad you asked!</p>
<p>In this episode, the Geeks discuss the myriad possibilities for theatre Christmas Gifts, starting with a couple of books, some apps, some musical cast albums and even some ideas from the world of antiques. Listen in then check out some of the links to theatre Christmas gifts here in the show notes. Any of these will make your favorite theatre geek smile.</p>
<p>In addition to the selections below, don&#8217;t forget the Geek  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/theatre-christmas-gifts-theatre-geeks/">Theatre Christmas Gifts for Theatre Geeks</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_109_Christmas_Gift_ideas_mixdown.mp3" length="28541275" type="audio/mpeg" />
      <itunes:duration>0:33:46</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks' theatre Christmas gift recommendations Â -- there's more out there than you realize!   What do you get a theatre geek for Christmas? Â We're glad you asked!  In this episode, the Geeks discuss the myriad possibilities for theatre Christmas G...</itunes:subtitle>
      <itunes:summary>The Geeks' theatre Christmas gift recommendations Â -- there's more out there than you realize!


What do you get a theatre geek for Christmas? Â We're glad you asked!

In this episode, the Geeks discuss the myriad possibilities for theatre Christmas Gifts, starting with a couple of books, some apps, some musical cast albums and even some ideas from the world of antiques. Â Listen in then check out some of the links to theatre Christmas gifts here in the show notes. Â Any of these will make Â your favorite theatre geek smile.

In addition to the selections below, don't forget the Geek Gear at the Theatre Geeks Store!
Original Cast Albums:

	Dogfight
	Pippin
	Kinky Boots
	Matilda
	The Music Man
	Hello Dolly!

John's Multi-Tool

Â Books


Â 

Â 

Â 

Â 

Â 

Â 

Other outlets

Playbill.com

Allposters.com via Theatre Geeks

Â 

Theatre Geeks Theme provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>Second City Conservatory: A studentâ€™s view</title>
      <link>http://theatregeeks.com/podcast/second-city-conservatory/</link>
      <guid>http://theatregeeks.com/?p=2402</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 26 Nov 2013 22:10:42 -0500</pubDate>
      <description><![CDATA[<p>Second City Conservatory student Carlie Barr talks about her work and study at the Chicago improv landmark
<p >Carlie Barr</p>
<p>Second City is well-known as the launching pad for such talents as John Belushi, Joan Rivers, George Wendt, Tina Fey and many others. But did you know there&#8217;s actually a school for improv there, where aspiring actors can learn the craft and hopefully, make it to the theatre&#8217;s Main Stage?</p>
<p>In this, the third of our 2013 live episodes at the Bristol Opera House, Second City Conservatory Student Carlie Barr gives us an inside look at the famous Chicago improv  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/second-city-conservatory/">Second City Conservatory: A student&#8217;s view</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></description>
      <content:encoded><![CDATA[<p>Second City Conservatory student Carlie Barr talks about her work and study at the Chicago improv landmark
<p >Carlie Barr</p>
<p>Second City is well-known as the launching pad for such talents as John Belushi, Joan Rivers, George Wendt, Tina Fey and many others. But did you know there&#8217;s actually a school for improv there, where aspiring actors can learn the craft and hopefully, make it to the theatre&#8217;s Main Stage?</p>
<p>In this, the third of our 2013 live episodes at the Bristol Opera House, Second City Conservatory Student Carlie Barr gives us an inside look at the famous Chicago improv  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/second-city-conservatory/">Second City Conservatory: A student&#8217;s view</a></p>
<p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>
]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_108_Carlie_Barr_mixdown.mp3" length="21760109" type="audio/mpeg" />
      <itunes:duration>0:25:41</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Second City Conservatory student Carlie Barr talks about her work and study at the Chicago improv landmark   Second City is well-known as the launching pad for such talents as John Belushi, Joan Rivers, George Wendt, Tina Fey and many others.</itunes:subtitle>
      <itunes:summary>Second City Conservatory student Carlie Barr talks about her work and study at the Chicago improv landmark


Second City is well-known as the launching pad for such talents as John Belushi, Joan Rivers, George Wendt, Tina Fey and many others. Â But did you know there's actually a school for improv there, where aspiring actors can learn the craft and hopefully, make it to the theatre's Main Stage?

In this, the third of our 2013 live episodes at the Bristol Opera House, Second City Conservatory Student Carlie Barr gives us an inside look at the famous Chicago improv landmark, and what it's like to study there. Â She also pulls in a couple of our audience members to demonstrate &quot;The Alphabet Game,&quot; Â oneÂ ofÂ the improv games Second City Conservatory students use to sharpen their acting and comedic skills.

This episode also includes our game show &quot;I Know, I Know!&quot; in which audience members (and the Geeks) test their theatrical trivia knowledge.

Thanks to Rick Ellis, our Quizmaster, and Kevin Egelsky, our emcee, as well as the enthusiastic audience that joined us for these episodes.

Also , thanks to Mel Moore for his photography, and Joe Pawlosky of Band Wagon Video for videotaping all three episodes (these will be online as soon as Dave can make that happen.)

Music provided my Music Alley.

Â 

All photos by Mel Moore.</itunes:summary>
    </item>
    <item>
      <title>Stand-up comedy and community theatre</title>
      <link>http://theatregeeks.com/podcast/stand-up-comedy-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=2378</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 17 Nov 2013 17:31:22 -0500</pubDate>
      <description><![CDATA[<p>Comic Dave Kempher shares his humor and his observations on stand-up comedy, improv and theatre <p >Dave Kempher</p> <p>Dave Kempher is a long-time member of the Geeks&#8217; home theatre group, but has also been honing his chops in stand-up comedy and improv for the the last decade. Currently, Dave appears at open mike and other improv and standup events around the midwest region, and has appeared in New York and other cities as well. Stand-up is a relatively new passion for him, however,</p> <p>In 2010, Dave was recruited by a local stand up comedy group named The political Stag Party  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/stand-up-comedy-community-theatre/">Stand-up comedy and community theatre</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Comic Dave Kempher shares his humor and his observations on stand-up comedy, improv and theatre <p >Dave Kempher</p> <p>Dave Kempher is a long-time member of the Geeks&#8217; home theatre group, but has also been honing his chops in stand-up comedy and improv for the the last decade. Currently, Dave appears at open mike and other improv and standup events around the midwest region, and has appeared in New York and other cities as well. Stand-up is a relatively new passion for him, however,</p> <p>In 2010, Dave was recruited by a local stand up comedy group named The political Stag Party  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/stand-up-comedy-community-theatre/">Stand-up comedy and community theatre</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_107_Dave_Kempher.mp3" length="22210761" type="audio/mpeg" />
      <itunes:duration>0:26:13</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Comic Dave Kempher shares his humor and his observations on stand-up comedy, improv and theatre   Dave Kempher is a long-time member of the Geeks' home theatre group, but has also been honing his chops in stand-up comedy and improv for the the last dec...</itunes:subtitle>
      <itunes:summary>Comic Dave Kempher shares his humor and his observations on stand-up comedy, improv and theatre


Dave Kempher is a long-time member of the Geeks' home theatre group, but has also been honing his chops in stand-up comedy and improv for the the last decade. Â Currently, Dave appears at open mike and other improv and standup events around the midwest region, and has appeared in New York and other cities as well. Â Stand-up is a relatively new passion for him, however,

In 2010, Dave was recruited by a local stand up comedy group named The political Stag Party to help them with the improv portion of their show and while working with them was talked into doing actual stand-up. So in February of 2011 he did his first 3 minute set.

Since then Dave has done stand-up in Michiana (Northern Indiana/Southern Michigan), Chicago, New York City, Lima, and even did a set for Laughfest in Grand Rapids as well as Sunday Night Funnies, a weekly stand up show, held at the Riverfront Hotel.

Dave will also be appearing in Chicago during the Christmas season at an event where he will do a stand-up set and then get interviewed Johnny Carson style.

Dave is currently appearing in multiple roles in Elkhart Civic Theatre's production ofÂ Spamalot.

Dave also appears on the Broken News Podcast, available on iTunes.

Music provided by Music Alley

Thanks toÂ Band Wagon Video and Joe PawloskyÂ for video recording. (Videos will be up soon.)

Photos below by Mel Moore.



Â </itunes:summary>
    </item>
    <item>
      <title>Stevens Puppets â€” â€œTheatre in the Littleâ€</title>
      <link>http://theatregeeks.com/blog/stevens-puppets-theatre-little/</link>
      <guid>http://theatregeeks.com/?p=2358</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 11 Nov 2013 11:02:04 -0500</pubDate>
      <description><![CDATA[<p>The legacy of puppetry innovator Martin Stevens lives on in Northern Indiana (and around the world) <p></p> <p >Bob Walls, Dave, and Martin Stevens&#8217; Cowardly Lion, built in 1966 and still performing.</p> <p>To the Geeks and many others in Northern Indiana who knew him, Martin Stevens was something of a one-man phenomenon. He was a brilliant artist, performer, storyteller and teacher, but it is his puppets for which he is best known. His company of wooden actors, known collectively as Stevens Puppets, began in 1933 and has now outlived him by over 30 years continuing to amaze audiences all over  . . . &#8594; Read More: <a href="http://theatregeeks.com/blog/stevens-puppets-theatre-little/">Stevens Puppets &#8212; &#8220;Theatre in the Little&#8221;</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>The legacy of puppetry innovator Martin Stevens lives on in Northern Indiana (and around the world) <p></p> <p >Bob Walls, Dave, and Martin Stevens&#8217; Cowardly Lion, built in 1966 and still performing.</p> <p>To the Geeks and many others in Northern Indiana who knew him, Martin Stevens was something of a one-man phenomenon. He was a brilliant artist, performer, storyteller and teacher, but it is his puppets for which he is best known. His company of wooden actors, known collectively as Stevens Puppets, began in 1933 and has now outlived him by over 30 years continuing to amaze audiences all over  . . . &#8594; Read More: <a href="http://theatregeeks.com/blog/stevens-puppets-theatre-little/">Stevens Puppets &#8212; &#8220;Theatre in the Little&#8221;</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_106_Stevens_Puppets.mp3" length="24779538" type="audio/mpeg" />
      <itunes:duration>0:29:17</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The legacy of puppetry innovator Martin Stevens lives on in Northern Indiana (and around the world)     To the Geeks and many others in Northern Indiana who knew him, Martin Stevens was something of a one-man phenomenon. Â He was a brilliant artist,</itunes:subtitle>
      <itunes:summary>The legacy of puppetry innovator Martin Stevens lives on in Northern Indiana (and around the world)




To the Geeks and many others in Northern Indiana who knew him, Martin Stevens was something of a one-man phenomenon. Â He was a brilliant artist, performer, storyteller and teacher, but it is his puppets for which he is best known. Â His company of wooden actors, known collectively as Stevens Puppets, began in 1933 and has now outlived him by over 30 years continuing to amaze audiences all over the US and Canada, as well as internationally. Stevens Puppets is now owned by Dan Raynor, and is located in Bristol, Indiana, not far from our home theatre, the Bristol Opera House. Â Currently the company tours six of Martin's original shows (with the original puppets.)



Bob Walls, a fellow community theatre actor who has taken up the strings professionally with Stevens Puppets, joins us this episode, telling us a bit about the art and craft of puppetry, what it's like as an actor who performs &quot;in the little,&quot; and more about the Stevens Puppets legacy. Join us in a fascinating conversation about puppets and puppetry.

Photos and further information about Stevens Puppets is at http://www.stevenspuppets.com,

Music provided by Music Alley.
Thanks to Mel Moore for his great photos of the event.
Additional thanks to Band Wagon Video and Joe PawloskyÂ for video recording.



Â </itunes:summary>
    </item>
    <item>
      <title>Scientific Theatre Analysis (Sort Of)</title>
      <link>http://theatregeeks.com/podcast/scientific-theatre-analysis-sort/</link>
      <guid>http://theatregeeks.com/?p=2322</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 04 Nov 2013 23:07:21 -0500</pubDate>
      <description><![CDATA[<p>What&#8217;s your theatre meter? <p>We Geeks got to talking about plays we&#8217;ve seen and NOT enjoyed, and realized that sometimes we don&#8217;t actually know we&#8217;re viewing a turkey until we start receiving certain signals. Basically, these are physical symptoms that, once we become attuned to them, reliably reflect the quality of plays we attend. Find out more as we discuss our play-rating secrets! You&#8217;ll know how bad the play is before the reviews come out!</p> Vote for us in the Podcast Awards <p>With your help, we made it onto the Podcast Awards ballot for the third year in a row!  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/scientific-theatre-analysis-sort/">Scientific Theatre Analysis (Sort Of)</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>What&#8217;s your theatre meter? <p>We Geeks got to talking about plays we&#8217;ve seen and NOT enjoyed, and realized that sometimes we don&#8217;t actually know we&#8217;re viewing a turkey until we start receiving certain signals. Basically, these are physical symptoms that, once we become attuned to them, reliably reflect the quality of plays we attend. Find out more as we discuss our play-rating secrets! You&#8217;ll know how bad the play is before the reviews come out!</p> Vote for us in the Podcast Awards <p>With your help, we made it onto the Podcast Awards ballot for the third year in a row!  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/scientific-theatre-analysis-sort/">Scientific Theatre Analysis (Sort Of)</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_105_BumOmeter.mp3" length="12582101" type="audio/mpeg" />
      <itunes:duration>0:14:45</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What's your theatre meter? We Geeks got to talking about plays we've seen and NOT enjoyed, and realized that sometimes we don't actually know we're viewing a turkey until we start receiving certain signals. Â Basically, these are physical symptoms that,</itunes:subtitle>
      <itunes:summary>What's your theatre meter?
We Geeks got to talking about plays we've seen and NOT enjoyed, and realized that sometimes we don't actually know we're viewing a turkey until we start receiving certain signals. Â Basically, these are physical symptoms that, once we become attuned to them, reliably reflect the quality of plays we attend. Â Find out more as we discuss our play-rating secrets! You'll know how bad the play is before the reviews come out!
Vote for us in the Podcast Awards
With your help, we made it onto the Podcast Awards ballot for the third year in a row! Â Now it's time to vote. Â Please vote for us every day in the Cultural/Arts category between now and November 15. Â The more votes you give us, the better. Â We are very grateful you've put us on the ballot -- now please help us win it this year!

Â 

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>Using Social Media to Promote Theatre</title>
      <link>http://theatregeeks.com/podcast/using-social-media-promote-theatre/</link>
      <guid>http://theatregeeks.com/?p=2278</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 29 Oct 2013 00:06:25 -0400</pubDate>
      <description><![CDATA[<p>Social media tips from our first international guest ! <p>Facebook, Twitter, Google + and the whole panoply of social media can be important tools for community theatre promotion, but using them effectively can be confusing.</p> <p>Our new best friend, Bettina Horvath of Capetown, South Africa, dropped in via Skype to share some thoughts for making these powerful social media work for community theatre. Bettina is a social media consultant for small to medium sized businesses and is also an honest-to-God theatre geek herself, so she knows what she&#8217;s talking about ln both counts.</p> <p >Bettina Horvath, Social Media Consultant</p> <p>One  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/using-social-media-promote-theatre/">Using Social Media to Promote Theatre</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Social media tips from our first international guest ! <p>Facebook, Twitter, Google + and the whole panoply of social media can be important tools for community theatre promotion, but using them effectively can be confusing.</p> <p>Our new best friend, Bettina Horvath of Capetown, South Africa, dropped in via Skype to share some thoughts for making these powerful social media work for community theatre. Bettina is a social media consultant for small to medium sized businesses and is also an honest-to-God theatre geek herself, so she knows what she&#8217;s talking about ln both counts.</p> <p >Bettina Horvath, Social Media Consultant</p> <p>One  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/using-social-media-promote-theatre/">Using Social Media to Promote Theatre</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_104_Bettina_Horvath.mp3" length="26443904" type="audio/mpeg" />
      <itunes:duration>0:31:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:subtitle>Social media tips from our first international guest !  Facebook, Twitter, Google + and the whole panoply of social media can be important tools for community theatre promotion, but using them effectively can be confusing.  Our new best friend,</itunes:subtitle>
      <itunes:summary>Social media tips from our first international guest !

Facebook, Twitter, Google + and the whole panoply of social media can be important tools for community theatre promotion, but using them effectively can be confusing.

Our new best friend, Bettina Horvath of Capetown, South Africa, dropped in via Skype to share some thoughts for making these powerful social media work for community theatre. Bettina is a social media consultant for small to medium sized businesses and is also an honest-to-God theatre geek herself, so she knows what she's talking about ln both counts.



One major aspect of social media that many people don't understand is that organizations can't expect instant results. Social media are generally about building community and that takes time. Â But each medium, be it Facebook, Twitter or Instagram, has its own particular strengths and understanding these is critical for success.

ListenÂ as the Geeks talk with Bettina Horvath about how techniques for social media in business have just as much validity for the performing arts. Â And when Â you're done listening, download a copy of her free e-book for more tips and information.Â It contains a lot more great tips your community theatre can start putting to use right away.

PS: Bettina's home theatre is the Playhouse at Somerset West, where she's currently appearing as the lead in the South African Premier of the comedy: &quot;Who did you say you were?&quot; written &amp; directed by Giles Scott.

	The Playhouse at Somerset West
	Bettina Horvath's Free e-Book --Â How to Generate More Leads with Social Media
	BettinaHorvath.com
	Music provided by Music Alley

Pictures from The Playhouse at Somerset West, Capetown, South Africa



Â 

Â 

Â 

Â </itunes:summary>
    </item>
    <item>
      <title>Early theatre experiences</title>
      <link>http://theatregeeks.com/podcast/early-theatre-experiences/</link>
      <guid>http://theatregeeks.com/?p=2207</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 20 Oct 2013 19:41:44 -0400</pubDate>
      <description><![CDATA[<p>A stroll down theatre memory lane with the Geeks <p >Class play circa 1956</p> <p>What is your earliest theatre experience? Dave teaches an intro to theatre class at Indiana University South Bend, and one of the class assignments is to write a short essay about a first theatre experience, either as a performer or audience member. Such experiencesare very meaningful and make a difference in how one views the theatre later.</p> <p>Each of us has a unique experience that means something to us. Some will remember being in a kindergarten play. For others, it&#8217;s a church pageant or a boy  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/early-theatre-experiences/">Early theatre experiences</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>A stroll down theatre memory lane with the Geeks <p >Class play circa 1956</p> <p>What is your earliest theatre experience? Dave teaches an intro to theatre class at Indiana University South Bend, and one of the class assignments is to write a short essay about a first theatre experience, either as a performer or audience member. Such experiencesare very meaningful and make a difference in how one views the theatre later.</p> <p>Each of us has a unique experience that means something to us. Some will remember being in a kindergarten play. For others, it&#8217;s a church pageant or a boy  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/early-theatre-experiences/">Early theatre experiences</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
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      <itunes:duration>0:23:59</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>A stroll down theatre memory lane with the Geeks   What is your earliest theatre experience? Â Dave teaches an intro to theatre class at Indiana University South Bend, and one of the class assignments is to write a short essay about a first theatre exp...</itunes:subtitle>
      <itunes:summary>A stroll down theatre memory lane with the Geeks


What is your earliest theatre experience? Â Dave teaches an intro to theatre class at Indiana University South Bend, and one of the class assignments is to write a short essay about a first theatre experience, either as a performer or audience member. Such experiencesareÂ very meaningful and make a differenceÂ in how one views the theatre later.

Each of us has a unique experience that means something to us. Some will remember being in a kindergarten play. Â For others, it's a church pageant or a boy scout skit. Â There are all knds of memories out there. Â What's yours? Â Drop us a note here at the website and tell us about it.

Music provided by Music Alley.

Send us your first theatre memory here:</itunes:summary>
    </item>
    <item>
      <title>Microphones on stage:To Mike or Not to Mike</title>
      <link>http://theatregeeks.com/podcast/microphones-stageto-mike-mike/</link>
      <guid>http://theatregeeks.com/?p=2201</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 13 Oct 2013 05:00:58 -0400</pubDate>
      <description><![CDATA[<p>When do microphones on stage hurt more than they help a performance? Microphones on stage can be a boon or a bane, depending on the production, the house, the point of view of the director and the skill of the performer(s) involved.  They can be a technical nightmare as well, and quite often they affect the level of performance.  The Geeks get into all of this in this great episode.</p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>When do microphones on stage hurt more than they help a performance? Microphones on stage can be a boon or a bane, depending on the production, the house, the point of view of the director and the skill of the performer(s) involved.  They can be a technical nightmare as well, and quite often they affect the level of performance.  The Geeks get into all of this in this great episode.</p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_102_mixdown.mp3" length="22471319" type="audio/mpeg" />
      <itunes:duration>0:26:32</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:subtitle>When do microphones on stage hurt more than they help a performance? Microphones on stage can be a boon or a bane, depending on the production, the house, the point of view of the director and the skill of the performer(s) involved.</itunes:subtitle>
      <itunes:summary>When do microphones on stage hurt more than they help a performance? Microphones on stage can be a boon or a bane, depending on the production, the house, the point of view of the director and the skill of the performer(s) involved.  They can be a technical nightmare as well, and quite often they affect the level of performance.  The Geeks get into all of this in this great episode.</itunes:summary>
    </item>
    <item>
      <title>Get the picture! The importance of good stage photography.</title>
      <link>http://theatregeeks.com/podcast/get-picture-stage-photography/</link>
      <guid>http://theatregeeks.com/?p=2167</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 06 Oct 2013 23:24:15 -0400</pubDate>
      <description><![CDATA[<p>Make your stage photography tell the story and promote your show <p>The Geeks discuss what&#8217;s needed in good, promotional stage photography. Whether it&#8217;s to record the show&#8217;s progress, preserve a record of the set, costumes etc., or for publicity purposes, your photos need to work for you and tell a good story.</p> <p>Midway through the show, &#8220;surprise&#8221; guest Deirdre Lovejoy pops in to talk about digital outlets, and in particular, the importance of social media in the distribution of stage photography to build pre-show interest and excitement.</p> <p>By the way, you can follow Theatre Geeks on Instagram (@theatregeeks) and Twitter  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/get-picture-stage-photography/">Get the picture! The importance of good stage photography.</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Make your stage photography tell the story and promote your show <p>The Geeks discuss what&#8217;s needed in good, promotional stage photography. Whether it&#8217;s to record the show&#8217;s progress, preserve a record of the set, costumes etc., or for publicity purposes, your photos need to work for you and tell a good story.</p> <p>Midway through the show, &#8220;surprise&#8221; guest Deirdre Lovejoy pops in to talk about digital outlets, and in particular, the importance of social media in the distribution of stage photography to build pre-show interest and excitement.</p> <p>By the way, you can follow Theatre Geeks on Instagram (@theatregeeks) and Twitter  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/get-picture-stage-photography/">Get the picture! The importance of good stage photography.</a></p><p><a rel="nofollow" href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/www.podtrac.com/pts/redirect.mp3/media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/Episode_101_photography_plus_Deirdre_Lovejoy_mixdown.mp3" length="23786258" type="audio/mpeg" />
      <itunes:duration>0:28:06</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Make your stage photography tell the story and promote your show The Geeks discuss what's needed in good, promotional stage photography. Â Whether it's to record the show's progress, preserve a record of the set, costumes etc., or for publicity purposes,</itunes:subtitle>
      <itunes:summary>Make your stage photography tell the story and promote your show
The Geeks discuss what's needed in good, promotional stage photography. Â Whether it's to record the show's progress, preserve a record of the set, costumes etc., or for publicity purposes, your photos need to work for you and tell a good story.

Midway through the show, &quot;surprise&quot; guest Deirdre Lovejoy pops in to talk about digital outlets, and in particular, the importance of social media in the distribution of stage photography to build pre-show interest and excitement.

By the way, you can follow Theatre Geeks on Instagram (@theatregeeks) and Twitter (@theatregeeks), as well as on our Facebook page!

This episode was prompted by this article in the Guardian by Lynn Gardner.

Here's a blog post by Gavin Hoey at Gavtrain

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>100 Deirdre Lovejoy talks about Lucky Guy, Tom Hanks, her new one-woman play and more!</title>
      <link>http://theatregeeks.com/podcast/100-deirdre-lovejoy-talks-tom-hanks-lucky-guy-new-one-woman-play/</link>
      <guid>http://theatregeeks.com/?p=2146</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 29 Sep 2013 18:39:03 -0400</pubDate>
      <description><![CDATA[<p>It&#8217;s our 100th episode and Lucky Us! Deirdre Lovejoy joins the Geeks! <p>Deirdre Lovejoy joins Theatre Geeks&#8217; 100th episode to talk about her&#160;Lucky Guy experience, her new one-woman show, Broadway and more. &#160;Dede (as we know her) was in the cast of Lucky Guy with: Tom Hanks, Courtney B. Vance, Peter Scolari, Maura Tierney et al. &#160;Deirdre, who was once a player at the Geeks&#8217; home theatre, certainly considers&#160;Lucky Guy&#160;&#160;a career high point, one which she chronicled in her&#160;Lucky Girl blog. &#160;Over the course of the run, she posted lots of pictures, many of which, including the one at right,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/100-deirdre-lovejoy-talks-tom-hanks-lucky-guy-new-one-woman-play/">100 Deirdre Lovejoy talks about <i>Lucky Guy</i>, Tom Hanks, her new one-woman play and more!</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>It&#8217;s our 100th episode and Lucky Us! Deirdre Lovejoy joins the Geeks! <p>Deirdre Lovejoy joins Theatre Geeks&#8217; 100th episode to talk about her&#160;Lucky Guy experience, her new one-woman show, Broadway and more. &#160;Dede (as we know her) was in the cast of Lucky Guy with: Tom Hanks, Courtney B. Vance, Peter Scolari, Maura Tierney et al. &#160;Deirdre, who was once a player at the Geeks&#8217; home theatre, certainly considers&#160;Lucky Guy&#160;&#160;a career high point, one which she chronicled in her&#160;Lucky Girl blog. &#160;Over the course of the run, she posted lots of pictures, many of which, including the one at right,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/100-deirdre-lovejoy-talks-tom-hanks-lucky-guy-new-one-woman-play/">100 Deirdre Lovejoy talks about <i>Lucky Guy</i>, Tom Hanks, her new one-woman play and more!</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
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      <itunes:duration>0:27:20</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>It's our 100th episode and Lucky Us! Deirdre Lovejoy joins the Geeks! Deirdre Lovejoy joins Theatre Geeks' 100th episode to talk about herÂ Lucky Guy experience, her new one-woman show, Broadway and more. Â Dede (as we know her) was in the cast of Luck...</itunes:subtitle>
      <itunes:summary>It's our 100th episode and Lucky Us! Deirdre Lovejoy joins the Geeks!
Deirdre Lovejoy joins Theatre Geeks' 100th episode to talk about herÂ Lucky Guy experience, her new one-woman show, Broadway and more. Â Dede (as we know her) was in the cast of Lucky Guy with: Tom Hanks, Courtney B. Vance, Peter Scolari, Maura Tierney et al. Â Deirdre, who was once a player at the Geeks' home theatre, certainly considersÂ Lucky GuyÂ Â a career high point, one which she chronicled in herÂ Lucky Girl blog. Â Over the course of the run, she posted lots of pictures, many of which, including the one at right, were pretty amusing. Â They also documented an astonishing parade of top-names in show business who came to seeÂ Lucky Guy during its limited run.

Check outÂ Lucky Guy'sÂ Instagram photos here.



Deirdre has also written a one-woman show,Â Bird Elephant China: Things I remembered when I forgot myself.Â  Â The show recounts her experiences during a period when she couldn't work due to some severe seizures she was experiencing (now cleared up). Â Recently, Deirdre presented the show at the Bratton Theatre for the Chautauqua Theater Company. Â W'll be hearing more about her travels with this very personal work in the future.
Thanks to all of our listeners on our 100th episode
This episode of Theatre Geeks is our 100th. Â When we started this enterprise in the fall of 2009, we weren't sure how long it would last. Â Now, heading into our fifth year as a weekly podcast, we're grateful to those of you who listen to our conversation and commentary on the wonderful world of community theatre. Â Keep listening, and send us YOUR thoughts about possible future topics, questions for the Geeks, criticisms and/or kudos. Â We love to hear from you!

Theme music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>99: Casting decisions: Experience vs talented new face</title>
      <link>http://theatregeeks.com/podcast/casting-decisions-experience-vs-talented-new-face/</link>
      <guid>http://theatregeeks.com/?p=2135</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 22 Sep 2013 22:36:30 -0400</pubDate>
      <description><![CDATA[<p>Taking a chance on new talent when casting a play <p>Most directors have faced this casting problem: the known quantity, an actor you know gives a good audition. You&#8217;ve worked with him before and you trust him. But a new face, someoone you don&#8217;t know, gives a better audition. Who (and how) do you choose. The Geeks talk about this common issue and explain how new actors can overcome being less-known during the audition.</p> <p>Music provided by Music Alley.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Taking a chance on new talent when casting a play <p>Most directors have faced this casting problem: the known quantity, an actor you know gives a good audition. You&#8217;ve worked with him before and you trust him. But a new face, someoone you don&#8217;t know, gives a better audition. Who (and how) do you choose. The Geeks talk about this common issue and explain how new actors can overcome being less-known during the audition.</p> <p>Music provided by Music Alley.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
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      <itunes:duration>0:26:23</itunes:duration>
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      <itunes:subtitle>Taking a chance on new talent when casting a play Most directors have faced this casting problem: the known quantity, an actor you know gives a good audition. Â You've worked with him before and you trust him. Â But a new face, someoone you don't know,</itunes:subtitle>
      <itunes:summary>Taking a chance on new talent when casting a play
Most directors have faced this casting problem: the known quantity, an actor you know gives a good audition. Â You've worked with him before and you trust him. Â But a new face, someoone you don't know,Â gives a better audition. Â Who (and how) do you choose. Â The Geeks talk about this common issue and explain how new actors can overcome being less-known during the audition.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Audience etiquette: another smackdown</title>
      <link>http://theatregeeks.com/podcast/audience-etiquette-another-smackdown/</link>
      <guid>http://theatregeeks.com/?p=2126</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 15 Sep 2013 19:43:59 -0400</pubDate>
      <description><![CDATA[<p>The Geeks air some pet peeves about audience etiquette <p>Every once in a while we just have to have another audience smackdown. Whether we&#8217;re creating or attending theatre, we are very aware of those audience members who are rude, crude, illegal, out-of-order, loud, boorish and just plain annoying. In this episode we talk about some of our most recent audience etiquette observations.</p> Some other audience etiquette references <p>Audience etiquette is not a new subject. Even Emily Post has a column about it, And while adults ought to know how to act, many need a refresher. In this age of TV-you-can-talk-over  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/audience-etiquette-another-smackdown/">Audience etiquette: another smackdown</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>The Geeks air some pet peeves about audience etiquette <p>Every once in a while we just have to have another audience smackdown. Whether we&#8217;re creating or attending theatre, we are very aware of those audience members who are rude, crude, illegal, out-of-order, loud, boorish and just plain annoying. In this episode we talk about some of our most recent audience etiquette observations.</p> Some other audience etiquette references <p>Audience etiquette is not a new subject. Even Emily Post has a column about it, And while adults ought to know how to act, many need a refresher. In this age of TV-you-can-talk-over  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/audience-etiquette-another-smackdown/">Audience etiquette: another smackdown</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
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      <itunes:duration>0:24:43</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:subtitle>The Geeks air some pet peeves about audience etiquette Every once in a while we just have to have another audience smackdown. Â Whether we're creating or attending theatre, we are very aware of those audience members who are rude, crude, illegal,</itunes:subtitle>
      <itunes:summary>The Geeks air some pet peeves about audience etiquette
Every once in a while we just have to have another audience smackdown. Â Whether we're creating or attending theatre, we are very aware of those audience members who are rude, crude, illegal, out-of-order, loud, boorish and just plain annoying. Â  In this episode we talk about some of our most recent audience etiquette observations.
Some other audience etiquette references
Audience etiquette is not a new subject. Even Emily Post has a column about it, Â And while adults ought to know how to act, many need a refresher. In this age of TV-you-can-talk-over we also think kids should be taught how to be a good audience member from an early age -- but if the parents don't know the rules, how can the kids?Â Â  TheÂ Contra Costa Children's Chorus publishes this guideÂ that appears to be aimed at parents who've never learned what it means to be an audience member. (Hint: the audience etiquette is different at a concert than it is at a Little League Game). Â  For the kids themselves, there's this, but parents have to set the example (as always).

There's even this little video from Ferris State University on the subject:



So, know the etiquette and avoid the smackdown!

Music provided by Music Alley

Â </itunes:summary>
    </item>
    <item>
      <title>In theatre production, itâ€™s the little things that matter</title>
      <link>http://theatregeeks.com/podcast/theatre-production-little-things-matter/</link>
      <guid>http://theatregeeks.com/?p=2109</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 08 Sep 2013 08:04:35 -0400</pubDate>
      <description><![CDATA[<p>Good theatre productions require an eye (or several) watching the &#8220;little stuff&#8221;. <p>You&#8217;re attending a theatre production of Annie Get Your Gun (stay with us here), and you&#8217;re enjoying the production numbers but suddenly realize that one of the women is wearing shoes from today. Or that a character&#8217;s dress really doesn&#8217;t fit very well. or that the set has an unpainted detail that, once you notice it, pulls focus and takes us out of the moment. Or an onstage gun looks too much like plastic. making us start thinking about Super-Soakers and Mattel Toys.</p> <p>These are the kinds of  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/theatre-production-little-things-matter/">In theatre production, it&#8217;s the little things that matter</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Good theatre productions require an eye (or several) watching the &#8220;little stuff&#8221;. <p>You&#8217;re attending a theatre production of Annie Get Your Gun (stay with us here), and you&#8217;re enjoying the production numbers but suddenly realize that one of the women is wearing shoes from today. Or that a character&#8217;s dress really doesn&#8217;t fit very well. or that the set has an unpainted detail that, once you notice it, pulls focus and takes us out of the moment. Or an onstage gun looks too much like plastic. making us start thinking about Super-Soakers and Mattel Toys.</p> <p>These are the kinds of  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/theatre-production-little-things-matter/">In theatre production, it&#8217;s the little things that matter</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
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      <itunes:duration>0:20:45</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Good theatre productions require an eye (or several) watching the &quot;little stuff&quot;. You're attending a theatre production of Annie Get Your Gun (stay with us here), and you're enjoying the production numbers but suddenly realize that one of the women is ...</itunes:subtitle>
      <itunes:summary>Good theatre productions require an eye (or several) watching the &quot;little stuff&quot;.
You're attending a theatre production of Annie Get Your Gun (stay with us here), and you're enjoying the production numbers but suddenly realize that one of the women is wearing shoes from today. Â Or that a character's dress really doesn't fit very well. Â or that the set has an unpainted detail that, once you notice it, pulls focus and takes us out of the moment. Or an onstage gun looks too much like plastic. making us start thinking about Super-Soakers and Mattel Toys.

These are the kinds of details that make the difference between a great show and one that's not as effective or enjoyable for the audience. Â unfortunately, they're the kinds of things community theatre productions often miss (or worse) consciously ignore. We see them all the time.

Watching for details in a theatre production is generally the director's job, but there's always room for constructive help. Â Directors have lots of things to think about and more eyes on the stage are always better. Â But directors sometimes become so used to the little detail errors that they don't think of them as problems, even when they're pointed out. Â Depending on the audience not to notice is usually a bad idea in these cases as well.

In this episode, the Geeks talk about details, why they matter, and how not to miss them (until you suddenly notice them on opening night.).

Â 

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>All or nothing at all? Honesty at the audition</title>
      <link>http://theatregeeks.com/podcast/honesty-at-the-audition/</link>
      <guid>http://theatregeeks.com/?p=2096</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 02 Sep 2013 12:00:45 -0400</pubDate>
      <description><![CDATA[<p><p>At an audition, we&#8217;re often asked what role(s) we&#8217;re interested in, and sometimes, if we&#8217;re willing to take another role if offered. What to do? Many actors say they&#8217;ll only accept a particular role, but when there are many parts to fill, a director may offer a different part anyway. At times, a director will feel that an actor is better for a role he didn&#8217;t request at the beginning of the audition.</p> <p>Geeks advice: be flexible, consider other roles. BUT, if you really don&#8217;t want a role, be honest about it. And if you DO take an alternate role,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/honesty-at-the-audition/">All or nothing at all? Honesty at the audition</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p><p>At an audition, we&#8217;re often asked what role(s) we&#8217;re interested in, and sometimes, if we&#8217;re willing to take another role if offered. What to do? Many actors say they&#8217;ll only accept a particular role, but when there are many parts to fill, a director may offer a different part anyway. At times, a director will feel that an actor is better for a role he didn&#8217;t request at the beginning of the audition.</p> <p>Geeks advice: be flexible, consider other roles. BUT, if you really don&#8217;t want a role, be honest about it. And if you DO take an alternate role,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/honesty-at-the-audition/">All or nothing at all? Honesty at the audition</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/wWzB_STJObM/Episode_96_all_or_nothing_mixdown.mp3" length="16018089" type="audio/mpeg" />
      <itunes:duration>0:18:51</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>At an audition, we're often asked what role(s) we're interested in, and sometimes, if we're willing to take another role if offered. Â What to do? Â Many actors say they'll only accept a particular role, but when there are many parts to fill,</itunes:subtitle>
      <itunes:summary>At an audition, we're often asked what role(s) we're interested in, and sometimes, if we're willing to take another role if offered. Â What to do? Â Many actors say they'll only accept a particular role, but when there are many parts to fill, a director may offer a different part anyway. Â At times, a director will feel that an actor is better for a role he didn't request at the beginning of the audition.

Geeks advice: be flexible, consider other roles. Â BUT, if you really don't want a role, be honest about it. Â And if you DO take an alternate role, even if it's a minor one, do the best job possible and focus on making the play, and your part in it, the best itÂ can be. Â The Geeks explore all this and more.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Wigs and beards: the pleasures (and horrors) of hair on stage</title>
      <link>http://theatregeeks.com/podcast/wigs-beards-pleasures-horrors-hair-stage/</link>
      <guid>http://theatregeeks.com/?p=2092</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 28 Aug 2013 23:50:39 -0400</pubDate>
      <description><![CDATA[<p>When it comes to wigs and beards, one-size doesn&#8217;t fit all <p>Wigs and beards (and other hairy add-ons) require a lot of care in their selection, use, styling, and maintenance, and this week, the Geeks explore their use on stage.</p> <p>Most community theatres have had the experience of an actor or actress who needs a wig for a particular role, but plainly doesn&#8217;t look good in it. There are several possible reasons for this:</p> Fit (we&#8217;ve all seen the poor actor with a wig that looks more like a wild animal crawling on his/her head than a well trained hairpiece).  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/wigs-beards-pleasures-horrors-hair-stage/">Wigs and beards: the pleasures (and horrors) of hair on stage</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>When it comes to wigs and beards, one-size doesn&#8217;t fit all <p>Wigs and beards (and other hairy add-ons) require a lot of care in their selection, use, styling, and maintenance, and this week, the Geeks explore their use on stage.</p> <p>Most community theatres have had the experience of an actor or actress who needs a wig for a particular role, but plainly doesn&#8217;t look good in it. There are several possible reasons for this:</p> Fit (we&#8217;ve all seen the poor actor with a wig that looks more like a wild animal crawling on his/her head than a well trained hairpiece).  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/wigs-beards-pleasures-horrors-hair-stage/">Wigs and beards: the pleasures (and horrors) of hair on stage</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Imd6TCe9874/Episode_95_Wigs_Beards.mp3" length="24180752" type="audio/mpeg" />
      <itunes:duration>0:25:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>When it comes to wigs and beards, one-size doesn't fit all Wigs and beards (and other hairy add-ons) require a lot of care in their selection, use, styling, and maintenance, and this week, the Geeks explore their use on stage.  </itunes:subtitle>
      <itunes:summary>When it comes to wigs and beards, one-size doesn't fit all
Wigs and beards (and other hairy add-ons) require a lot of care in their selection, use, styling, and maintenance, and this week, the Geeks explore their use on stage.

Most community theatres have had the experience of an actor or actress who needs a wig for a particular role, but plainly doesn't look good in it. Â There are several possible reasons for this:

	Fit (we've all seen the poor actor with a wig that looks more like a wild animal crawling on his/her head than a well trained hairpiece).
	Color -- either the color doesn't appear natural, or clashes with the actor's makeup or natural skin coloring
	Style -- sometimes a wig is styled badly, or has been restyled and doesn't quite conform to the new look. Â The style may simply be wrong for the play, too.

The Geeks also talk about he use of beards (always tricky, it seems), and moustaches. Â It's all HAIR in this episode of Theatre Geeks.

Music was provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>When theatre critics attack, should a theatre fight back?</title>
      <link>http://theatregeeks.com/podcast/when-theatre-critics-attack-should-the-theatre-fight-back/</link>
      <guid>http://theatregeeks.com/?p=2082</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 21 Aug 2013 12:14:16 -0400</pubDate>
      <description><![CDATA[<p>Theatre critics aren&#8217;t always nice, or fair. Is there anything we can do about reviews we don&#8217;t like? Episode 94 <p>Lashing back at theatre critics makes for some interesting news stories, and there isn&#8217;t a community theatre actor or director who hasn&#8217;t wanted to give a theatre critic a piece of their mind. But is it really a good idea?</p> <p>Inspired by this Playbill.com article by Robert Simonson, the Geeks explore this issue as it relates to community theatre. Marcia, a theatre critic herself, has some special insights into what reviewers, editors and theatres deal with. When reviewing community theatre,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/when-theatre-critics-attack-should-the-theatre-fight-back/">When theatre critics attack, should a theatre fight back?</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Theatre critics aren&#8217;t always nice, or fair. Is there anything we can do about reviews we don&#8217;t like? Episode 94 <p>Lashing back at theatre critics makes for some interesting news stories, and there isn&#8217;t a community theatre actor or director who hasn&#8217;t wanted to give a theatre critic a piece of their mind. But is it really a good idea?</p> <p>Inspired by this Playbill.com article by Robert Simonson, the Geeks explore this issue as it relates to community theatre. Marcia, a theatre critic herself, has some special insights into what reviewers, editors and theatres deal with. When reviewing community theatre,  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/when-theatre-critics-attack-should-the-theatre-fight-back/">When theatre critics attack, should a theatre fight back?</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/LkvrCFUMII4/Episode_94_Fighting_the_Critic.mp3" length="22512682" type="audio/mpeg" />
      <itunes:duration>0:23:15</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre critics aren't always nice, or fair. Â Is there anything we can do about reviews we don't like? Episode 94 Lashing back at theatre critics makes for some interesting news stories, and there isn't a community theatre actor or director who hasn't...</itunes:subtitle>
      <itunes:summary>Theatre critics aren't always nice, or fair. Â Is there anything we can do about reviews we don't like?
Episode 94
Lashing back at theatre critics makes for some interesting news stories, and there isn't a community theatre actor or director who hasn't wanted to give a theatre critic a piece of their mind. Â But is it really aÂ good idea?

Inspired by this Playbill.comÂ article by Robert Simonson, the Geeks explore this issue as it relates to community theatre. Â Marcia, a theatre critic herself, has some special insights into what reviewers, editors and theatres deal with. Â When reviewing community theatre, a reviewer has to be honest with the reader, but still be supportive of the performing arts, especially in smaller communities. Â It's not always easy.

But sometimes, a theatre critic has an axe to grind that has nothing to do with the show, or, in some cases, is plainly ignorant of the material he or she is viewing. Â What can (or should) a theatre do?

The Geeks also discuss the impact of social media vs traditional media in the lives of theatre critics, theatres and audiences alike.

Here's a link to the Playbill.com article, &quot;When Artists Attack: Does Criticizing the Critic Ever Work?&quot; Â It's a fun, interesting look at the history (and advisability) of artist backlash against critics.

All this, plus a special &quot;rant&quot; from Marcia!

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Latino Theatre in Chicago</title>
      <link>http://theatregeeks.com/podcast/latino-theatre-in-chicago/</link>
      <guid>http://theatregeeks.com/?p=2066</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 13 Aug 2013 13:39:24 -0400</pubDate>
      <description><![CDATA[<p>Miguel Nunez talks about his journey from community theatre to Chicago&#8217;s Theatre Scene <p >Miguel Nunez</p> <p>The Geeks got to know Miguel as Michael Natoli a decade ago when he arrived at our home theatre (Elkhart Civic Theatre) with a thick Venezuelan accent but loads of enthusiasm. It turned out community theatre was just one step along the way to a professional acting career. Today, Miguel is a working actor in Chicago, performing in both traditional and Latino theatre productions around the Windy City. In this conversation, Miguel tells us about his progression from our beloved Bristol Opera House to  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/latino-theatre-in-chicago/">Latino Theatre in Chicago</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Miguel Nunez talks about his journey from community theatre to Chicago&#8217;s Theatre Scene <p >Miguel Nunez</p> <p>The Geeks got to know Miguel as Michael Natoli a decade ago when he arrived at our home theatre (Elkhart Civic Theatre) with a thick Venezuelan accent but loads of enthusiasm. It turned out community theatre was just one step along the way to a professional acting career. Today, Miguel is a working actor in Chicago, performing in both traditional and Latino theatre productions around the Windy City. In this conversation, Miguel tells us about his progression from our beloved Bristol Opera House to  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/latino-theatre-in-chicago/">Latino Theatre in Chicago</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/tpVg1fwB4QE/Episode_93_Miguel_Nunez.mp3" length="24678731" type="audio/mpeg" />
      <itunes:duration>0:23:53</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Miguel Nunez talks about Â his journey from community theatre to Chicago's Theatre Scene   The Geeks got to know Miguel as Michael Natoli a decadeÂ ago when he arrived at our home theatre (Elkhart Civic Theatre) with a thick Venezuelan accent but loads...</itunes:subtitle>
      <itunes:summary>Miguel Nunez talks about Â his journey from community theatre to Chicago's Theatre Scene


The Geeks got to know Miguel as Michael Natoli a decadeÂ ago when he arrived at our home theatre (Elkhart Civic Theatre) with a thick Venezuelan accent but loads of enthusiasm. Â It turned out community theatre was just one step along the way to a professional acting career. Â Today, Miguel is a working actor in Chicago, performing in both traditional and Latino theatre productions around the Windy City. Â In this conversation, Miguel tells us about his progression from our beloved Bristol Opera House to the Chicago stage and independent films. We also discuss the impact Latino theatre with regard to social issues, diversity, audience acceptance and growth.
Show links related to Latino theatre and Miguel Nunez:

	16th Street Theater, Berwyn, IllinoisÂ (where Miguel will be appearing in 2014)
	Teatro Vista (premiere Latino Theatre in Chicago)
	Lifeline Theatre, Chicago
	Victory Gardens Theater, Chicago
	Porkin' Across AmericaÂ Episode 3 featuring MiguelÂ (web series from The Onion)
	Critic Chris Jones on Latino Theatre in Chicago
	Another interview with Miguel
	Crosby's Kitchen (Miguel's day job -- stop in and say hi sometime!)
	Interesting blog post about Latino theatre inÂ Culturebodega 
	Theater Loop -- the Chicago Tribune's Theatre Blog
	Stage -- Chicago Sun-Times' Theatre Page

More about Miguel
MiguelÂ Nunez majored in acting at the National Theater University (IUDET) in Caracas, and his work in Venezuela includesÂ The Bourgeois Gentleman,Â BufoneriasÂ (Teatro Septimo Piso), andÂ Apocalipse 1,11Â with Brazilian company Teatro da Vertigem (2001 Caracas International Theater Festival). In Chicago he has performed inÂ The Three Musketeers,Â The Blue Shadow Â (Lifeline Theatre),Â Augusta and NobleÂ (Adventure Stage Chicago);Â I Put the Fear of Mexico In 'emÂ (Teatro Vista);Â Oedipus El ReyÂ (u/s Victory Gardens);Â AfterÂ (u/s Profiles Theatre);Â The JammerÂ (Pine Box Theatre);The Ghost is HereÂ (Vitalist Theatre);Â Seven SnakesÂ (The Mammals);Â Lorca In a Green Dress,Â HeadsÂ (Halcyon Theatre); and has work as an actor with The Gift Theatre, Redmoon, Teatro Luna, Salsation!, Wildclaw Theatre, Chicago Fusion Theatre, and Bailiwick Chicago.Â He can also be seen in the web-seriesÂ Porkin' Across AmericaÂ by The Onion, and several regional and national commercials, and different independent films. He started his theatrical experience inÂ EnglishÂ with the Elkhart Civic Theater, where he performed inÂ Chicago, State Fair, Black Coffee, Little Shop of Horrors, Pippin, Joseph and the Amazing Technicolor Dreamcoat and more.Â While in Indiana he was a company member with New World Players where he acted and directed several plays.
Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Saving the play when the script is a dud</title>
      <link>http://theatregeeks.com/podcast/saving-the-play-when-the-script-is-a-dud/</link>
      <guid>http://theatregeeks.com/?p=2050</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 04 Aug 2013 18:00:23 -0400</pubDate>
      <description><![CDATA[<p>Some scripts read well, but don&#8217;t play well <p>How do you save the show when the script that seemed great when you picked it, starts looking like a disaster once rehearsals are underway? Community theatre play selection is usually a careful process. Selection committees read dozens of scripts, consider their potential casting, and create a season the theatre&#8217;s patrons will like. But once in a while, there&#8217;s a play script that makes for a great read but somehow falls flat when the actors get hold of it. And the problem is, the director may not realize it until it&#8217;s too  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/saving-the-play-when-the-script-is-a-dud/">Saving the play when the script is a dud</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Some scripts read well, but don&#8217;t play well <p>How do you save the show when the script that seemed great when you picked it, starts looking like a disaster once rehearsals are underway? Community theatre play selection is usually a careful process. Selection committees read dozens of scripts, consider their potential casting, and create a season the theatre&#8217;s patrons will like. But once in a while, there&#8217;s a play script that makes for a great read but somehow falls flat when the actors get hold of it. And the problem is, the director may not realize it until it&#8217;s too  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/saving-the-play-when-the-script-is-a-dud/">Saving the play when the script is a dud</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/oFZLNEkx4S0/Episode_92_Sparkling_Script.mp3" length="18184441" type="audio/mpeg" />
      <itunes:duration>0:18:44</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Some scripts read well, but don't play well How do Â you save the show when the script that seemedÂ great when you picked it, starts looking like a disaster once rehearsals are underway? Â Community theatre play selection is usually a careful process.</itunes:subtitle>
      <itunes:summary>Some scripts read well, but don't play well
How do Â you save the show when the script that seemedÂ great when you picked it, starts looking like a disaster once rehearsals are underway? Â Community theatre play selection is usually a careful process. Selection committees read dozens of scripts, consider their potential casting, and create a season the theatre's patrons will like. But once in a while, there's a play script that makes for a great read but somehow falls flat when the actors get hold of it. And the problem is, the director may not realize it until it's too late to start over.

So the director is stuck. He or she can't revise the script (legally), or make changes that violate the author's intent. Â Most community theatres can't or won't replace actors except under extreme circumstance, either, even if a fresh approach might make a difference.

So what is a director to do when the script is letting him (and the cast) down? Â The Geeks (who have all been there as directors) talk about some possible approaches rescuing the sinking script, and save the show that's already in rehearsals and maybe even prevent the issue from coming up in the first place.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>Building Community Support for Community Theatre</title>
      <link>http://theatregeeks.com/podcast/building-community-support-for-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=2025</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 28 Jul 2013 18:00:47 -0400</pubDate>
      <description><![CDATA[<p>Community support isn&#8217;t always about the dollars &#8212; ideas from an expert <p>Community theatres are nothing without community support, but getting it can be difficult. Keith Martin, John M. Blackburn Distinguished Professor of Theatre at Appalachia State University has been helping performing arts organizations get community support of all kinds for more than 35 years. He joins the Geeks to talk about cultivating corporations and individuals for stronger monetary and in-kind support for community theatre, regardless of community size. Great ideas and examples of where, with a little imagination, he&#8217;s been able to get high-value support from donors who weren&#8217;t  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/building-community-support-for-community-theatre/">Building Community Support for Community Theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Community support isn&#8217;t always about the dollars &#8212; ideas from an expert <p>Community theatres are nothing without community support, but getting it can be difficult. Keith Martin, John M. Blackburn Distinguished Professor of Theatre at Appalachia State University has been helping performing arts organizations get community support of all kinds for more than 35 years. He joins the Geeks to talk about cultivating corporations and individuals for stronger monetary and in-kind support for community theatre, regardless of community size. Great ideas and examples of where, with a little imagination, he&#8217;s been able to get high-value support from donors who weren&#8217;t  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/building-community-support-for-community-theatre/">Building Community Support for Community Theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/mpRz6-lEgj0/Episode_91_Keith_Martin.mp3" length="23920304" type="audio/mpeg" />
      <itunes:duration>0:32:57</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Community support isn't always about the dollars -- ideas from an expert Community theatres are nothing without community support, but getting it can be difficult. Â Keith Martin,Â John M. Blackburn Distinguished Professor of Theatre at Appalachia Stat...</itunes:subtitle>
      <itunes:summary>Community support isn't always about the dollars -- ideas from an expert
Community theatres are nothing without community support, but getting it can be difficult. Â Keith Martin,Â John M. Blackburn Distinguished Professor of Theatre at Appalachia State University has been helping performing arts organizations get community support of all kinds for more than 35 years. Â He joins the Geeks to talk about cultivating corporations and individuals for stronger monetary and in-kind support for community theatre, regardless of Â community size. Â Great ideas and examples of where, with a little imagination, he's been able to get high-value support from donors who weren't sure they even had anything to give. Â A must listen for all community theatre people.

John, Dave and Marcia have gotten to know Keith via the AACT Festival events, and we're glad to have him join us on Theatre Geeks for the first time. Â Join us for some fascinating conversation and ideas you can put to use to build support for your community theatre.




Keith Martin is the John M. Blackburn Distinguished Professor of Theatre. Martin's career in the not-for-profit sector spans over 35 years and includes producing, artistic direction, choreography, and management in professional theatre, dance, opera, symphony, film and television, for which he received an EmmyÂ® award in 2010.

Martin's 400-plus stage credits include direct work with such renowned artists as Academy award winner Olympia Dukakis; Pulitzer Prize recipients Beth Henley and Tony Kushner; producer Joseph Papp and performers Dixie Carter, Faith Ford, Sharon Lawrence, Telly Savalas, Burt Reynolds, Tony Award-winners Bonnie Franklin and Beth Leavel, and Emmy Award-winner Doris Roberts.

A lifelong activist and arts advocate, Martin served with distinction on the state boards of the Volunteer Lawyers for the Arts and the American Civil Liberties Union. He is Past President of the North Carolina Theatre Conference, receiving three awards for service to the field, and twice was elected to the Board of the Southeastern Theatre Conference, first as NC state representative and then as Professional Theatre Division Chair.

Nationally, he was elected to the Executive Committee of the League of Resident Theatres (LORT), participating in collective bargaining negotiations with both Actors' Equity Association (AEA) and the Stage Directors and Choreographers Society (SDC). Martin completed two terms as an Endowment Fund Trustee for the American Association of Community Theatres (AACT), for whom he co-chaired their record breaking national conference, AACTFest '07 Charlotte.

Keith is a teacher of arts management, consultant and theatre festival adjudicator, among the many other roles he plays in the national arts community.
Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>AACTFest 2013 Showcased Excellence in Community Theatre</title>
      <link>http://theatregeeks.com/podcast/aactfest-showcased-excellence-in-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=1977</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 21 Jul 2013 20:00:36 -0400</pubDate>
      <description><![CDATA[<p>Twelve top rated play excerpts competed June 17-22 in Carmel, Indiana <p >Carl Wiesinger and Brent Graber in Dr. Jekyll and Mr. Hyde</p> <p>AACTFest 2013 showed the world that community theatre may be, technically speaking, amateur theatre, but it&#8217;s often far above &#8220;amateur quality.&#8221; Twelve community theatres competed at Carmel, Indiana for the American Association of Community Theatre&#8217;s AACTFest, including the Geeks&#8217; home theatre, Elkhart Civic Theatre, with a production of Dr. Jekyll and Mr. Hyde.</p> <p>AACTFest is the culmination of a state-to-regional-to national competition season that brings some of the best amateur talent together for a week of excerpt  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/aactfest-showcased-excellence-in-community-theatre/">AACTFest 2013 Showcased Excellence in Community Theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Twelve top rated play excerpts competed June 17-22 in Carmel, Indiana <p >Carl Wiesinger and Brent Graber in Dr. Jekyll and Mr. Hyde</p> <p>AACTFest 2013 showed the world that community theatre may be, technically speaking, amateur theatre, but it&#8217;s often far above &#8220;amateur quality.&#8221; Twelve community theatres competed at Carmel, Indiana for the American Association of Community Theatre&#8217;s AACTFest, including the Geeks&#8217; home theatre, Elkhart Civic Theatre, with a production of Dr. Jekyll and Mr. Hyde.</p> <p>AACTFest is the culmination of a state-to-regional-to national competition season that brings some of the best amateur talent together for a week of excerpt  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/aactfest-showcased-excellence-in-community-theatre/">AACTFest 2013 Showcased Excellence in Community Theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/bblxgZE1GHk/Episode_90_Festival_Wrap.mp3" length="30278299" type="audio/mpeg" />
      <itunes:duration>0:49:27</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Twelve top rated play excerpts competed June 17-22 in Carmel, Indiana   AACTFest 2013 showed the world that community theatre may be, technically speaking, amateur theatre, but it's often far above &quot;amateur quality.</itunes:subtitle>
      <itunes:summary>Twelve top rated play excerpts competed June 17-22 in Carmel, Indiana


AACTFest 2013 showed the world that community theatre may be, technically speaking, amateur theatre, but it's often far above &quot;amateur quality.&quot; Â Twelve community theatres competed at Carmel, Indiana for the American Association of Community Theatre's AACTFest, including the Geeks' home theatre, Elkhart Civic Theatre, with a production of Dr. Jekyll and Mr. Hyde.

AACTFest is the culmination of a state-to-regional-to national competition season that brings some of the best amateur talent together for a week of excerpt competition, education and networking.

In this extended episode, the Geeks talk about the festival and our own experiences, and include interviews with the director and cast of Wisconsin Rapids Community Theatre's production of Cradle and All. Â Wisconsin Rapids was Elkhart Civic Theatre's co-winner at the AACT Midwest Regional competition, and our two troupes became friends as a result. Â Steve Martin, one half of the cast, won the Best Actor Award, and the production took Best Sound Design and Third Place overall. Steve and his co-star, Karly Telleksen, will join us on this episode, along with director Susan Edgren in a separate interview.



For full information about AACT (American Association of Community Theatre) and AACTFest, check their website.Â  The full list of competition winners and nominees is here.

As for Elkhart Civic Theatre andÂ Dr. Jekyll and Mr. Hyde, our production received 7 nominations, of which we're very proud, and we won two of the awards. Â Here's our list of nominations and wins forÂ Jekyll and Hyde.

	Nominated for Best Set Design and Dressing: John Shoup
	Nominated for Best Sound Design: Dave Dufour and Garry Cobbum
	WON Best Lighting Design: Randy Zonker
	WON Best Costume Design: Linda Wiesinger
	Nominated for Best Ensemble
	Nominated for Best Actress in a Featured Role:Â Kaitrin Higbee, Elizabeth inÂ Dr. Jekyll and Mr. Hyde
	Nominated for Best Actor in a Featured Role:Â Tony Venable, Hyde 3 inÂ Dr. Jekyll and Mr. Hyde

All Photos in this post generously provided by Stephen Bird, photographer, Carmel, Indiana.
Music provided by Music Alley.

Gallery of ECT's Dr. Jekyll and Mr. Hyde (adapted by Jeffery Hatcher from the Robert Louis Stevenson novella) and WRCT's Cradle and All.</itunes:summary>
    </item>
    <item>
      <title>Samuel French Off Off Broadway Short Play Festival</title>
      <link>http://theatregeeks.com/podcast/samuel-french-off-off-broadway-short-play-festival/</link>
      <guid>http://theatregeeks.com/?p=1969</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 16 Jul 2013 00:47:23 -0400</pubDate>
      <description><![CDATA[<p>Emerging playwrights and unique plays gain exposure and a shot at publication <p >Casey McLain (left) and Amy Marsh of Samuel French, Inc.</p> <p>The Geeks are joined by Amy Marsh and Casey McLain of Samuel French, Inc., in New York, to talk about the Samuel French Off Off Broadway Short Play Festival, a competitive play writing festival now in its 38th year.</p> <p>Samuel French, Inc, is the largest of the theatrical publishing and licensing companies, and has been around since the early 1800s. The company has offices in London and Los Angeles as well as in New York.</p> <p>The festival  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/samuel-french-off-off-broadway-short-play-festival/">Samuel French Off Off Broadway Short Play Festival</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Emerging playwrights and unique plays gain exposure and a shot at publication <p >Casey McLain (left) and Amy Marsh of Samuel French, Inc.</p> <p>The Geeks are joined by Amy Marsh and Casey McLain of Samuel French, Inc., in New York, to talk about the Samuel French Off Off Broadway Short Play Festival, a competitive play writing festival now in its 38th year.</p> <p>Samuel French, Inc, is the largest of the theatrical publishing and licensing companies, and has been around since the early 1800s. The company has offices in London and Los Angeles as well as in New York.</p> <p>The festival  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/samuel-french-off-off-broadway-short-play-festival/">Samuel French Off Off Broadway Short Play Festival</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/-TJJ3Uv6pHM/Episode_89_Samuel_French_OOB.mp3" length="13798444" type="audio/mpeg" />
      <itunes:duration>0:22:42</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Emerging playwrights and unique plays gain exposure and a shot at publication   The Geeks are joined by Amy Marsh and Casey McLain of Samuel French, Inc., in New York, to talk about the Samuel French Off Off Broadway Short Play Festival,</itunes:subtitle>
      <itunes:summary>Emerging playwrights and unique plays gain exposure and a shot at publication


The Geeks are joined by Amy Marsh and Casey McLain of Samuel French, Inc., in New York, to talk about the Samuel French Off Off Broadway Short Play Festival, a competitive play writing festival now in its 38th year.

Samuel French, Inc, is the largest of the theatrical publishing and licensing companies, and has been around since the early 1800s.  The company has offices in London and Los Angeles as well as in New York.

The festival staff, including Amy and Casey, who coordinate the event, whittles up to a thousand short play submissions down to 30, which are then presented as part of the week-long festival, which runs from July 23 -28 this year.  Six winning plays are ultimately selected to be published in the Off Off Broadway Plays compilation.

The Festival starts July 23, so obviously, this year's competition is closed for submissions.  Info on next year's competition and festival can be found at http://oob.samuelfrench.com/.

Join the Geeks plus Amy and Casey for a fun conversation about this long-running, prestigious New York theatrical event.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>Planning for festival competition? Here are some insights from the Geeks</title>
      <link>http://theatregeeks.com/podcast/planning-for-festival-competition-here-are-our-insights/</link>
      <guid>http://theatregeeks.com/?p=1959</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 02 Jul 2013 01:10:17 -0400</pubDate>
      <description><![CDATA[<p>The more you know what to expect in the unusual world of competitive theatre, the better off you'll be. Here are some of our insights.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/planning-for-festival-competition-here-are-our-insights/">Planning for festival competition? Here are some insights from the Geeks</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>The more you know what to expect in the unusual world of competitive theatre, the better off you'll be. Here are some of our insights.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/planning-for-festival-competition-here-are-our-insights/">Planning for festival competition? Here are some insights from the Geeks</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/hzFx6my-zpY/Episode_88_Talking_about_upcoming_festival.mp3" length="14380438" type="audio/mpeg" />
      <itunes:duration>0:23:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The more you know what to expect in the unusual world of competitive theatre, the better off you'll be.  Here are some of our insights.</itunes:subtitle>
      <itunes:summary>The more you know what to expect in the unusual world of competitive theatre, the better off you'll be.  Here are some of our insights.</itunes:summary>
    </item>
    <item>
      <title>Marcia in New York for â€œLucky Guyâ€ Opening â€” her full report</title>
      <link>http://theatregeeks.com/podcast/marcia-in-new-york-for-lucky-guy-opening-her-full-report/</link>
      <guid>http://theatregeeks.com/?p=1946</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 11 Jun 2013 23:01:59 -0400</pubDate>
      <description><![CDATA[<p>Deirdre Lovejoy&#8217;s (and Tom Hanks&#8217;) opening night and more from Marcia <p >Marcia and daughter Deirdre Lovejoy in New York in April</p> <p>Recorded before this week&#8217;s Tony Awards, this episode features Marcia telling us all about the opening of Tony-nominated &#8220;Lucky Guy&#8221; with Tom Hanks and daughter Deirdre Lovejoy, plus the revival of &#8220;Pippin&#8221; and more fun in the Big Apple. Marcia tells it so well.</p> <p>Congratulations to Deirdre on such a successful run of this play. She&#8217;s chronicled a lot of the experience on her LuckyGirlBlog.</p> <p>&#160;</p> <p>Music provided by Music Alley.</p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/marcia-in-new-york-for-lucky-guy-opening-her-full-report/">Marcia in New York for &#8220;Lucky Guy&#8221; Opening &#8212; her full report</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Deirdre Lovejoy&#8217;s (and Tom Hanks&#8217;) opening night and more from Marcia <p >Marcia and daughter Deirdre Lovejoy in New York in April</p> <p>Recorded before this week&#8217;s Tony Awards, this episode features Marcia telling us all about the opening of Tony-nominated &#8220;Lucky Guy&#8221; with Tom Hanks and daughter Deirdre Lovejoy, plus the revival of &#8220;Pippin&#8221; and more fun in the Big Apple. Marcia tells it so well.</p> <p>Congratulations to Deirdre on such a successful run of this play. She&#8217;s chronicled a lot of the experience on her LuckyGirlBlog.</p> <p>&#160;</p> <p>Music provided by Music Alley.</p>  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/marcia-in-new-york-for-lucky-guy-opening-her-full-report/">Marcia in New York for &#8220;Lucky Guy&#8221; Opening &#8212; her full report</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/oIieTuGi7LE/87_Marcia_in_NYC.mp3" length="14855881" type="audio/mpeg" />
      <itunes:duration>0:24:27</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Deirdre Lovejoy's (and Tom Hanks') opening night and more from Marcia   Recorded before this week's Tony Awards, this episode features Marcia telling us all about the opening of Tony-nominated &quot;Lucky Guy&quot; with Tom Hanks and daughter Deirdre Lovejoy,</itunes:subtitle>
      <itunes:summary>Deirdre Lovejoy's (and Tom Hanks') opening night and more from Marcia


Recorded before this week's Tony Awards, this episode features Marcia telling us all about the opening of Tony-nominated &quot;Lucky Guy&quot; with Tom Hanks and daughter Deirdre Lovejoy, plus the revival of &quot;Pippin&quot; and more fun in the Big Apple. Â Marcia tells it so well.

Congratulations to Deirdre on such a successful run of this play. Â She's chronicled a lot of the experience on herÂ LuckyGirlBlog.

Â 

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Demystifying music licensing for theatre</title>
      <link>http://theatregeeks.com/podcast/demystifying-music-licensing-for-theatre/</link>
      <guid>http://theatregeeks.com/?p=1934</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 30 May 2013 16:51:10 -0400</pubDate>
      <description><![CDATA[<p>Entertainment attorney Gordon Firemark shares insights about music licensing and more. Community theatres often use recorded music as part of pre-show or intermission, and sometimes within productions. All uses of recorded, copyrighted music require some kind of licensing -- a fact that somehow gets "forgotten" by many producers. The way in which a particular piece of music is used makes a difference as to what the licensing (and licensing costs) will be. And it can get complicated.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/demystifying-music-licensing-for-theatre/">Demystifying music licensing for theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Entertainment attorney Gordon Firemark shares insights about music licensing and more. Community theatres often use recorded music as part of pre-show or intermission, and sometimes within productions. All uses of recorded, copyrighted music require some kind of licensing -- a fact that somehow gets "forgotten" by many producers. The way in which a particular piece of music is used makes a difference as to what the licensing (and licensing costs) will be. And it can get complicated.  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/demystifying-music-licensing-for-theatre/">Demystifying music licensing for theatre</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/bnq-bEiT35M/Episode_86_Gordon_Firemark_1.MP3" length="23604916" type="audio/mpeg" />
      <itunes:duration>0:32:32</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Entertainment attorney Gordon Firemark shares insights about music licensing and more. Community theatres often use recorded music as part of pre-show or intermission, and sometimes within productions.  All uses of recorded,</itunes:subtitle>
      <itunes:summary>Entertainment attorney Gordon Firemark shares insights about music licensing and more. Community theatres often use recorded music as part of pre-show or intermission, and sometimes within productions.  All uses of recorded, copyrighted music require some kind of licensing -- a fact that somehow gets &quot;forgotten&quot; by many producers.  The way in which a particular piece of music is used makes a difference as to what the licensing (and licensing costs) will be.  And it can get complicated.</itunes:summary>
    </item>
    <item>
      <title>Chicago Comedy Film Festival</title>
      <link>http://theatregeeks.com/podcast/chicago-comedy-film-festival/</link>
      <guid>http://theatregeeks.com/?p=1915</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 29 Apr 2013 14:48:22 -0400</pubDate>
      <description><![CDATA[<p>Festival founder Jessica Hardy tells us all about this unique comedy event <p >Chicago Comedy Film Festival Logo</p> <p>Now in its third year, the Chicago Comedy Film Festival encourages and rewards independent comedy film-makers and gives them a venue in Chicago. A few years ago, filmmaker, actress, Second City alum and improv teacher Jessica Hardy and her husband Brent Kado were making comedy &#8220;mockumentaries&#8221; and discovered that there was no Chicago-based venue for them and other comedy filmmakers to show off their work. So they decided to launch their own festival. Response has been huge, and some great comedies have  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/chicago-comedy-film-festival/">Chicago Comedy Film Festival</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Festival founder Jessica Hardy tells us all about this unique comedy event <p >Chicago Comedy Film Festival Logo</p> <p>Now in its third year, the Chicago Comedy Film Festival encourages and rewards independent comedy film-makers and gives them a venue in Chicago. A few years ago, filmmaker, actress, Second City alum and improv teacher Jessica Hardy and her husband Brent Kado were making comedy &#8220;mockumentaries&#8221; and discovered that there was no Chicago-based venue for them and other comedy filmmakers to show off their work. So they decided to launch their own festival. Response has been huge, and some great comedies have  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/chicago-comedy-film-festival/">Chicago Comedy Film Festival</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/L6NKvOVtKPs/Episode_85_Chicago_Comedy_Film_Festival.mp3" length="14459865" type="audio/mpeg" />
      <itunes:duration>0:23:48</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Festival founder Jessica Hardy tells us all about this unique comedy event   Now in its third year, the Chicago Comedy Film Festival encourages and rewards independent comedy film-makers and gives them a venue in Chicago. A few years ago, filmmaker,</itunes:subtitle>
      <itunes:summary>Festival founder Jessica Hardy tells us all about this unique comedy event


Now in its third year, the Chicago Comedy Film Festival encourages and rewards independent comedy film-makers and gives them a venue in Chicago. A few years ago, filmmaker, actress, Second City alum and improv teacher Jessica Hardy and her husband Brent Kado were making comedy &quot;mockumentaries&quot; and discovered that there was no Chicago-based venue for them and other comedy filmmakers to show off their work. So they decided to launch their own festival. Response has been huge, and some great comedies have gotten a viewing as a result, not only in Chicago, but in special traveling events around the country.

Jessica, a veteran of community theatre (Dave, John Â and Marcia's home theatre,Â to be precise), talks with the Geeks about getting the festival underway, and tells us how the event has been evolving over its short history.

Interested in the festival or submitting your own film? Details are at http://www.chicagocomedyfilmfestival.com.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>Indiana Repertory Theatreâ€™s Artistic Director, Janet Allen</title>
      <link>http://theatregeeks.com/podcast/indiana-repertory-theatres-artistic-director-janet-allen/</link>
      <guid>http://theatregeeks.com/?p=1899</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 14 Apr 2013 10:14:26 -0400</pubDate>
      <description><![CDATA[<p>Turns out Indiana Repertory Theatre faces many of the same issues community theatres do, including audience building and retention, dealing with changing demands, new vs old works, play selection and more. Janet Allen of IRT joins us for a fascinating episode of Theatre Geeks  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/indiana-repertory-theatres-artistic-director-janet-allen/">Indiana Repertory Theatre&#8217;s Artistic Director, Janet Allen</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Turns out Indiana Repertory Theatre faces many of the same issues community theatres do, including audience building and retention, dealing with changing demands, new vs old works, play selection and more. Janet Allen of IRT joins us for a fascinating episode of Theatre Geeks  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/indiana-repertory-theatres-artistic-director-janet-allen/">Indiana Repertory Theatre&#8217;s Artistic Director, Janet Allen</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/ckLLcESGLYc/Episode_84_mixdown.mp3" length="18543065" type="audio/mpeg" />
      <itunes:duration>0:30:36</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Turns out Indiana Repertory Theatre faces many of the same issues community theatres do, including audience building and retention, dealing with changing demands, new vs old works, play selection and more. Janet Allen of IRT joins us for a fascinating ...</itunes:subtitle>
      <itunes:summary>Turns out Indiana Repertory Theatre faces many of the same issues community theatres do, including audience building and retention, dealing with changing demands, new vs old works, play selection and more. Janet Allen of IRT joins us for a fascinating episode of Theatre Geeks</itunes:summary>
    </item>
    <item>
      <title>Improv in community theatre and beyond</title>
      <link>http://theatregeeks.com/podcast/improv-in-community-theatre-and-beyond/</link>
      <guid>http://theatregeeks.com/?p=1882</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 08 Mar 2013 23:00:41 -0500</pubDate>
      <description><![CDATA[<p><p>Our old friend Jessica Hardy joins us to talk about the value of improv as a discipline for community theatres. Jessica trained at The Second City, and now teaches improv classes in Chicago and Indiana, and is also the co-founder of the Chicago Comedy Film Festival.</p> <p>Jessica can be contacted about improv training at jes&#115;i&#99;&#97;&#64;&#99;&#104;&#105;&#99;ag&#111;&#99;&#111;&#109;&#101;d&#121;&#102;ilmfe&#115;&#116;iv&#97;&#108;&#46;&#99;&#111;m.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p><p>Our old friend Jessica Hardy joins us to talk about the value of improv as a discipline for community theatres. Jessica trained at The Second City, and now teaches improv classes in Chicago and Indiana, and is also the co-founder of the Chicago Comedy Film Festival.</p> <p>Jessica can be contacted about improv training at jes&#115;i&#99;&#97;&#64;&#99;&#104;&#105;&#99;ag&#111;&#99;&#111;&#109;&#101;d&#121;&#102;ilmfe&#115;&#116;iv&#97;&#108;&#46;&#99;&#111;m.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/uaXdT7Brtog/Episode_83_Jessica_Hardy.mp3" length="14746271" type="audio/mpeg" />
      <itunes:duration>0:20:14</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Our old friend Jessica Hardy joins us to talk about the value of improv as a discipline for community theatres. Â Jessica trained at The Second City, and now teaches improv classes in Chicago and Indiana, and is also the co-founder of the Chicago Comed...</itunes:subtitle>
      <itunes:summary>Our old friend Jessica Hardy joins us to talk about the value of improv as a discipline for community theatres. Â Jessica trained at The Second City, and now teaches improv classes in Chicago and Indiana, and is also the co-founder of the Chicago Comedy Film Festival.

Jessica can be contacted about improv training at jessica@chicagocomedyfilmfestival.com.</itunes:summary>
    </item>
    <item>
      <title>Are actors made or born?</title>
      <link>http://theatregeeks.com/podcast/are-actors-made-or-born/</link>
      <guid>http://theatregeeks.com/?p=1865</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 17 Feb 2013 23:32:58 -0500</pubDate>
      <description><![CDATA[<p>Are community theatre actors made or born? Can anyone be an actor or does it take something special, an innate talent that only certain people have? How much can training overcome an aspirant's basic nature. Heady questions to be sure, but ones the Geeks are definitely up to answering.   . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/are-actors-made-or-born/">Are actors made or born?</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Are community theatre actors made or born? Can anyone be an actor or does it take something special, an innate talent that only certain people have? How much can training overcome an aspirant's basic nature. Heady questions to be sure, but ones the Geeks are definitely up to answering.   . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/are-actors-made-or-born/">Are actors made or born?</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/eDVE2t44Jes/Episode_82_Are_Actors_Made_or_Born.mp3" length="15453914" type="audio/mpeg" />
      <itunes:duration>0:31:48</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Are community theatre actors made or born?  Can anyone be an actor or does it take something special, an innate talent that only certain people have? How much can training overcome an aspirant's basic nature.  Heady questions to be sure,</itunes:subtitle>
      <itunes:summary>Are community theatre actors made or born?  Can anyone be an actor or does it take something special, an innate talent that only certain people have? How much can training overcome an aspirant's basic nature.  Heady questions to be sure, but ones the Geeks are definitely up to answering.</itunes:summary>
    </item>
    <item>
      <title>Build audience with special performances</title>
      <link>http://theatregeeks.com/podcast/special-performances/</link>
      <guid>http://theatregeeks.com/?p=1849</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 03 Feb 2013 21:56:35 -0500</pubDate>
      <description><![CDATA[<p>Special performances can benefit your community theatre in ways other than income <p>The Geeks discuss their experience with special performances for corporate and other supporting groups, how they can build audience and provide a different experience for your actors. There are certainly some pitfalls but in general, we think special performances are a good idea. (Notwithstanding Dave&#8217;s not-so-nice experience playing the villain in a melodrama during a special performance for a corporate group.)</p> <p >SPECIAL PERFORMANCES: Elkhart Civic Theatre (the Geeks home theatre) at a special performance of The 25th Annual Putnam County Spelling Bee.</p> <p>Other angles include:</p> How to  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/special-performances/">Build audience with special performances</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Special performances can benefit your community theatre in ways other than income <p>The Geeks discuss their experience with special performances for corporate and other supporting groups, how they can build audience and provide a different experience for your actors. There are certainly some pitfalls but in general, we think special performances are a good idea. (Notwithstanding Dave&#8217;s not-so-nice experience playing the villain in a melodrama during a special performance for a corporate group.)</p> <p >SPECIAL PERFORMANCES: Elkhart Civic Theatre (the Geeks home theatre) at a special performance of The 25th Annual Putnam County Spelling Bee.</p> <p>Other angles include:</p> How to  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/special-performances/">Build audience with special performances</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/l56knhfZ6j0/Special_Performances.mp3" length="13493605" type="audio/mpeg" />
      <itunes:duration>0:18:29</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Special performances can benefit your community theatre in ways other than income The Geeks discuss their experience with special performances for corporate and other supporting groups, how they can build audience and provide a different experience for...</itunes:subtitle>
      <itunes:summary>Special performances can benefit your community theatre in ways other than income
The Geeks discuss their experience with special performances for corporate and other supporting groups, how they can build audience and provide a different experience for your actors. Â There are certainly some pitfalls but in general, we think special performances are a good idea. (Notwithstanding Dave's not-so-nice experience playing the villain in a melodrama during a special performance for a corporate group.)



Other angles include:

	How to charge a group for a special
	Avoiding misunderstandings with your cast
	How specials can extend your run and bring new patrons into the theatre &quot;fold.&quot;
	How knowing the group requesting the special helps avoid bad experiences.
	Alcohol or no alcohol?
	Special performances as fund-raisers for other not-for profit groups
	Special performances as a way to say thanks to employees
	Special performances as a private party (it's not always that expensive, depending on the house).

Be sure to let us know what topics you would like us to cover in future episodes ofÂ Theatre Geeks. Â Also, let us know if you or someone you know would make a good guest on a future episode. Â Special projects, youth theatre, development, professional experiences, etc., are all possible topics for the panel. Â Generally, we won't want to devote shows to a particular production or a theatre's season unless there is something truly unique.

You can contact us using our contact form or e-mail dave@theatregeeks.com. Â Don't hesitate to send Dave your press releases, too.



Also be sure to check out our online store, where you'll find all kinds of cool Theatre Geek Gear, such as t-shirts, hoodies, golf shirts, etc., as well as mugs &amp; cups, teddy bears and other fun stuff. Â Click here to reach the store.Â 

Music Provided by Music Alley.

Â </itunes:summary>
    </item>
    <item>
      <title>Theatre ushers, box office and customer service</title>
      <link>http://theatregeeks.com/podcast/theatre-ushers-box-office-and-customer-service/</link>
      <guid>http://theatregeeks.com/?p=1836</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 22 Jan 2013 14:56:40 -0500</pubDate>
      <description><![CDATA[<p> Your &#8220;front of house&#8221; staff is your public face &#8212; use it well. <p>Marcia, John and Dave revisit the front-of-house.&#160; You know, the part where your audience first comes into contact with&#160; your theatre?&#160; It&#8217;s just as important as what goes on onstage, and can have a tremendous effect on your patrons&#8217; experience.</p> <p>PS: It&#8217;s our 80th episode !&#160; YAY!!!</p> <p>Music provided by Music Alley.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p> Your &#8220;front of house&#8221; staff is your public face &#8212; use it well. <p>Marcia, John and Dave revisit the front-of-house.&#160; You know, the part where your audience first comes into contact with&#160; your theatre?&#160; It&#8217;s just as important as what goes on onstage, and can have a tremendous effect on your patrons&#8217; experience.</p> <p>PS: It&#8217;s our 80th episode !&#160; YAY!!!</p> <p>Music provided by Music Alley.</p> </p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/_mAXzFeS_O8/Episode_80_mixdown.mp3" length="16489788" type="audio/mpeg" />
      <itunes:duration>0:22:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Your &quot;front of house&quot; staff is your public face -- use it well. Marcia, John and Dave revisit the front-of-house.Â  You know, the part where your audience first comes into contact withÂ  your theatre?Â  It's just as important as what goes on onstage,</itunes:subtitle>
      <itunes:summary>Your &quot;front of house&quot; staff is your public face -- use it well.
Marcia, John and Dave revisit the front-of-house.Â  You know, the part where your audience first comes into contact withÂ  your theatre?Â  It's just as important as what goes on onstage, and can have a tremendous effect on your patrons' experience.

PS: It's our 80th episode !Â  YAY!!!

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>79 Using theatre to reach at-risk youth</title>
      <link>http://theatregeeks.com/podcast/79-using-theatre-to-reach-at-risk-youth/</link>
      <guid>http://theatregeeks.com/?p=1826</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 08 Jan 2013 08:53:40 -0500</pubDate>
      <description><![CDATA[<p>Scot Purkeypile talks about his theatre program at a detention center in Northern Indiana <p></p> <p>In the third live episode, theatre teacher and actor Scot Purkeypile re-joins the Geeks to talk about a unique theatre program he developed for at-risk youth in a northern Indiana detention center. Hear Scot once again talk about the transformative power of theatre.</p> <p>And of course, listen along as we play our favorite theatre trivia game show, I Know, I Know. </p> <p>Thanks to the following folks for helping to make our live episodes a success:</p> Liz Naquin Borger and B on the River The  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/79-using-theatre-to-reach-at-risk-youth/">79 Using theatre to reach at-risk youth</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></description>
      <content:encoded><![CDATA[<p>Scot Purkeypile talks about his theatre program at a detention center in Northern Indiana <p></p> <p>In the third live episode, theatre teacher and actor Scot Purkeypile re-joins the Geeks to talk about a unique theatre program he developed for at-risk youth in a northern Indiana detention center. Hear Scot once again talk about the transformative power of theatre.</p> <p>And of course, listen along as we play our favorite theatre trivia game show, I Know, I Know. </p> <p>Thanks to the following folks for helping to make our live episodes a success:</p> Liz Naquin Borger and B on the River The  . . . &#8594; Read More: <a href="http://theatregeeks.com/podcast/79-using-theatre-to-reach-at-risk-youth/">79 Using theatre to reach at-risk youth</a></p><p><a href="http://theatregeeks.com">Theatre Geeks - community theatre and the performing arts</a></p>]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/EOzjhEozXLE/Episode_79_Scot_Purkeypile2.mp3" length="26783607" type="audio/mpeg" />
      <itunes:duration>0:22:10</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Scot Purkeypile talks about his theatre program at a detention center in Northern Indiana   In the third live episode, theatre teacher and actor Scot Purkeypile re-joins the Geeks to talk about a unique theatre program he developed for at-risk youth in...</itunes:subtitle>
      <itunes:summary>Scot Purkeypile talks about his theatre program at a detention center in Northern Indiana


In the third live episode, theatre teacher and actor Scot Purkeypile re-joins the Geeks to talk about a unique theatre program he developed for at-risk youth in a northern Indiana detention center. Hear Scot once again talk about the transformative power of theatre.

And of course, listen along as we play our favorite theatre trivia game show,Â I Know, I Know. Â 

Thanks to the following folks for helping to make our live episodes a success:

	Liz Naquin Borger andÂ B on the River
	The Elkhart Truth
	DemarÃ©e Dufour-Noneman
	Penny Myers
	Carl Wiesinger
	Kori Fortunato
	Mel Moore
	Kevin Egelsky
	Peter Baker
	Elkhart Civic Theatre

I hope I didn't miss anyone.

Music was provided byÂ Music Alley</itunes:summary>
    </item>
    <item>
      <title>78 Deirdre Lovejoy and Our Trivia Game Show LIVE</title>
      <link>http://theatregeeks.com/podcast/78-deirdre-lovejoy-and-our-trivia-game-show-live/</link>
      <guid>http://theatregeeks.com/?p=1817</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 23 Dec 2012 09:21:37 -0500</pubDate>
      <description><![CDATA["Lucky Guy" goes into rehearsals in January with Tom Hanks and Deirdre Lovejoy in the cast.


Deirdre Lovejoy joins the Geeks via Skype in front of a live audience at the Bristol Opera House, to talk about her upcoming run in "Lucky Guy" on Broadway. Â Sh]]></description>
      <content:encoded><![CDATA["Lucky Guy" goes into rehearsals in January with Tom Hanks and Deirdre Lovejoy in the cast.


Deirdre Lovejoy joins the Geeks via Skype in front of a live audience at the Bristol Opera House, to talk about her upcoming run in "Lucky Guy" on Broadway. Â Sh]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/n7FdeUNMZk0/Episode_78_Deirdre_Lovejoy_Live_Show.mp3" length="20416447" type="audio/mpeg" />
      <itunes:duration>0:27:31</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>&quot;Lucky Guy&quot; goes into rehearsals in January with Tom Hanks and Deirdre Lovejoy in the cast.   Deirdre Lovejoy joins the Geeks via Skype in front of a live audience at the Bristol Opera House, to talk about her upcoming run in &quot;Lucky Guy&quot; on Broadway. Â Sh</itunes:subtitle>
      <itunes:summary>&quot;Lucky Guy&quot; goes into rehearsals in January with Tom Hanks and Deirdre Lovejoy in the cast.


Deirdre Lovejoy joins the Geeks via Skype in front of a live audience at the Bristol Opera House, to talk about her upcoming run in &quot;Lucky Guy&quot; on Broadway. Â Sh</itunes:summary>
    </item>
    <item>
      <title>77 How theatre can help autistic youth (Live audience show!)</title>
      <link>http://theatregeeks.com/podcast/77-how-theatre-can-help-autistic-youth/</link>
      <guid>http://theatregeeks.com/?p=1758</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 10 Dec 2012 08:54:03 -0500</pubDate>
      <description><![CDATA[Theatre teacher and actor Scot Purkeypile talks about his work with autistic youth.


Scot Purkeypile joins the geeks in the first of three live episodes from the Bristol Opera House. Several years ago, alongÂ with his work at South Bend Civic Theatre, he]]></description>
      <content:encoded><![CDATA[Theatre teacher and actor Scot Purkeypile talks about his work with autistic youth.


Scot Purkeypile joins the geeks in the first of three live episodes from the Bristol Opera House. Several years ago, alongÂ with his work at South Bend Civic Theatre, he]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/5AQdWbX9Pjo/Episode_77_Scott_Purkeypile_Deirdre_Lovejoy_Live_Show_mixdown.mp3" length="20094410" type="audio/mpeg" />
      <itunes:duration>0:27:38</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre teacher and actor Scot Purkeypile talks about his work with autistic youth.   Scot Purkeypile joins the geeks in the first of three live episodes from the Bristol Opera House. Several years ago, alongÂ with his work at South Bend Civic Theatre, he</itunes:subtitle>
      <itunes:summary>Theatre teacher and actor Scot Purkeypile talks about his work with autistic youth.


Scot Purkeypile joins the geeks in the first of three live episodes from the Bristol Opera House. Several years ago, alongÂ with his work at South Bend Civic Theatre, he</itunes:summary>
    </item>
    <item>
      <title>76 Costuming the Stratford Festival</title>
      <link>http://theatregeeks.com/podcast/76-costuming-the-stratford-festival/</link>
      <guid>http://theatregeeks.com/?p=1745</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 25 Nov 2012 20:11:55 -0500</pubDate>
      <description><![CDATA[The Geeks welcome Elizabeth Copeman of the Stratford Shakespeare Festival in Stratford Ontario, who talks with us about her life in costuming and costuming management.]]></description>
      <content:encoded><![CDATA[The Geeks welcome Elizabeth Copeman of the Stratford Shakespeare Festival in Stratford Ontario, who talks with us about her life in costuming and costuming management.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/FzwFgpgV2FI/Episode_76_Elizabeth_Copeman.mp3" length="16489199" type="audio/mpeg" />
      <itunes:duration>0:22:38</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks welcome Elizabeth Copeman of the Stratford Shakespeare Festival in Stratford Ontario, who talks with us about her life in costuming and costuming management.</itunes:subtitle>
      <itunes:summary>The Geeks welcome Elizabeth Copeman of the Stratford Shakespeare Festival in Stratford Ontario, who talks with us about her life in costuming and costuming management.</itunes:summary>
    </item>
    <item>
      <title>75 â€” Amy Shojai and Kurves, The Musical</title>
      <link>http://theatregeeks.com/podcast/75-amy-shojai-and-kurves-the-musical/</link>
      <guid>http://theatregeeks.com/?p=1706</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 11 Nov 2012 13:36:28 -0500</pubDate>
      <description><![CDATA[Kurves a little likeÂ "Cheers" from the female point of view
Texas author, singer and musician (and former community theatre colleague of the Geeks), Amy Shojai, joins us to talk about her new musical, Kurves.Â  Set in a women's fitness club, Kurves explo]]></description>
      <content:encoded><![CDATA[Kurves a little likeÂ "Cheers" from the female point of view
Texas author, singer and musician (and former community theatre colleague of the Geeks), Amy Shojai, joins us to talk about her new musical, Kurves.Â  Set in a women's fitness club, Kurves explo]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/vdwYL4DKTbQ/Episode_75_mixdown.mp3" length="26312747" type="audio/mpeg" />
      <itunes:duration>0:26:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Kurves a little likeÂ &quot;Cheers&quot; from the female point of view Texas author, singer and musician (and former community theatre colleague of the Geeks), Amy Shojai, joins us to talk about her new musical, Kurves.Â  Set in a women's fitness club, Kurves explo</itunes:subtitle>
      <itunes:summary>Kurves a little likeÂ &quot;Cheers&quot; from the female point of view
Texas author, singer and musician (and former community theatre colleague of the Geeks), Amy Shojai, joins us to talk about her new musical, Kurves.Â  Set in a women's fitness club, Kurves explo</itunes:summary>
    </item>
    <item>
      <title>Podcast Awards â€” Vote for us and for Daveâ€™s favorites too!</title>
      <link>http://theatregeeks.com/podcast/podcast-awards-vote-for-us-and-for-daves-favorites-too/</link>
      <guid>http://theatregeeks.com/?p=1697</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 04 Nov 2012 11:55:11 -0500</pubDate>
      <description><![CDATA[We need your vote in the Podcast Awards.
You can vote once a day, every day until November 15, so show us your support. Â VOTE HERE. Â Â  Theatre Geeks is in the Cultural/Arts category.
EVERY VOTE COUNTS.
If you're drawing a blank in some of the other pod]]></description>
      <content:encoded><![CDATA[We need your vote in the Podcast Awards.
You can vote once a day, every day until November 15, so show us your support. Â VOTE HERE. Â Â  Theatre Geeks is in the Cultural/Arts category.
EVERY VOTE COUNTS.
If you're drawing a blank in some of the other pod]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/rxE_1rVT-G0/Episode_74B_mixdown.mp3" length="4540777" type="audio/mpeg" />
      <itunes:duration>0:07:53</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>We need your vote in the Podcast Awards. You can vote once a day, every day until November 15, so show us your support. Â VOTE HERE. Â Â  Theatre Geeks is in the Cultural/Arts category. EVERY VOTE COUNTS. If you're drawing a blank in some of the other pod</itunes:subtitle>
      <itunes:summary>We need your vote in the Podcast Awards.
You can vote once a day, every day until November 15, so show us your support. Â VOTE HERE. Â Â  Theatre Geeks is in the Cultural/Arts category.
EVERY VOTE COUNTS.
If you're drawing a blank in some of the other pod</itunes:summary>
    </item>
    <item>
      <title>74 Making your stage crew part of the action</title>
      <link>http://theatregeeks.com/podcast/74-making-your-stage-crew-part-of-the-action/</link>
      <guid>http://theatregeeks.com/?p=1691</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 29 Oct 2012 09:11:55 -0400</pubDate>
      <description><![CDATA[Costuming your crew and letting them be seen is often a way to add interest to your show
This week the Geeks discuss tech issues, and particularly the idea of using the stage crew as peripheral characters in some shows. Â It can solve some technical issue]]></description>
      <content:encoded><![CDATA[Costuming your crew and letting them be seen is often a way to add interest to your show
This week the Geeks discuss tech issues, and particularly the idea of using the stage crew as peripheral characters in some shows. Â It can solve some technical issue]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/nm_JhwyDB1E/Episode_74.mp3" length="15225782" type="audio/mpeg" />
      <itunes:duration>0:20:53</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Costuming your crew and letting them be seen is often a way to add interest to your show This week the Geeks discuss tech issues, and particularly the idea of using the stage crew as peripheral characters in some shows. Â It can solve some technical issue</itunes:subtitle>
      <itunes:summary>Costuming your crew and letting them be seen is often a way to add interest to your show
This week the Geeks discuss tech issues, and particularly the idea of using the stage crew as peripheral characters in some shows. Â It can solve some technical issue</itunes:summary>
    </item>
    <item>
      <title>73 Is your theatre ticket priced right?</title>
      <link>http://theatregeeks.com/podcast/73-is-your-theatre-ticket-priced-right/</link>
      <guid>http://theatregeeks.com/?p=1681</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 12 Oct 2012 22:01:05 -0400</pubDate>
      <description><![CDATA[Ticket prices too high, too low or just right?
The Geeks talk about ticket pricing -- how does your theatre decide? Community theatres are typically much lower priced than professionals, and often the quality of the show is top-notch, even at a lower pric]]></description>
      <content:encoded><![CDATA[Ticket prices too high, too low or just right?
The Geeks talk about ticket pricing -- how does your theatre decide? Community theatres are typically much lower priced than professionals, and often the quality of the show is top-notch, even at a lower pric]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/YNXwVjoJz3g/73_Ticket_Prices.mp3" length="13972471" type="audio/mpeg" />
      <itunes:duration>0:22:58</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Ticket prices too high, too low or just right? The Geeks talk about ticket pricing -- how does your theatre decide? Community theatres are typically much lower priced than professionals, and often the quality of the show is top-notch, even at a lower pric</itunes:subtitle>
      <itunes:summary>Ticket prices too high, too low or just right?
The Geeks talk about ticket pricing -- how does your theatre decide? Community theatres are typically much lower priced than professionals, and often the quality of the show is top-notch, even at a lower pric</itunes:summary>
    </item>
    <item>
      <title>72 Consider Staged Readings in Community Theatre</title>
      <link>http://theatregeeks.com/podcast/72-consider-staged-readings/</link>
      <guid>http://theatregeeks.com/?p=1662</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 23 Sep 2012 21:04:27 -0400</pubDate>
      <description><![CDATA[Staged readings: a great way to introduce your audiences to new genres
Most community theatres do fully staged versions of their shows each season, but many troupes also bring staged readings to their audiences. Â Should your theatre consider doing so? Th]]></description>
      <content:encoded><![CDATA[Staged readings: a great way to introduce your audiences to new genres
Most community theatres do fully staged versions of their shows each season, but many troupes also bring staged readings to their audiences. Â Should your theatre consider doing so? Th]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/M7vlPZjyb9E/Episode_72_Staged_Readings.mp3" length="13997913" type="audio/mpeg" />
      <itunes:duration>0:19:10</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Staged readings: a great way to introduce your audiences to new genres Most community theatres do fully staged versions of their shows each season, but many troupes also bring staged readings to their audiences. Â Should your theatre consider doing so? Th</itunes:subtitle>
      <itunes:summary>Staged readings: a great way to introduce your audiences to new genres
Most community theatres do fully staged versions of their shows each season, but many troupes also bring staged readings to their audiences. Â Should your theatre consider doing so? Th</itunes:summary>
    </item>
    <item>
      <title>A playwright talks about royalties and writing</title>
      <link>http://theatregeeks.com/podcast/playwright-jim-giesel-talks-about-royalties-and-more/</link>
      <guid>http://theatregeeks.com/?p=1654</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 11 Sep 2012 16:25:08 -0400</pubDate>
      <description><![CDATA[Rule #1 "Pay your royalties!"
Jim Giesel, Artistic Director of The Acting Ensemble of South Bend, Indiana and a working playwright, Â joins the Geeks for a great conversation about royalties, why they're important how to stay out of trouble, as well as hi]]></description>
      <content:encoded><![CDATA[Rule #1 "Pay your royalties!"
Jim Giesel, Artistic Director of The Acting Ensemble of South Bend, Indiana and a working playwright, Â joins the Geeks for a great conversation about royalties, why they're important how to stay out of trouble, as well as hi]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/4i7mduRY1fA/Episode_71_Jim_Geisel.mp3" length="15288965" type="audio/mpeg" />
      <itunes:duration>0:20:58</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Rule #1 &quot;Pay your royalties!&quot; Jim Giesel, Artistic Director of The Acting Ensemble of South Bend, Indiana and a working playwright, Â joins the Geeks for a great conversation about royalties, why they're important how to stay out of trouble, as well as hi</itunes:subtitle>
      <itunes:summary>Rule #1 &quot;Pay your royalties!&quot;
Jim Giesel, Artistic Director of The Acting Ensemble of South Bend, Indiana and a working playwright, Â joins the Geeks for a great conversation about royalties, why they're important how to stay out of trouble, as well as hi</itunes:summary>
    </item>
    <item>
      <title>Episode 70 How to blow an audition</title>
      <link>http://theatregeeks.com/podcast/70-how-to-blow-an-audition/</link>
      <guid>http://theatregeeks.com/?p=1645</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 09 Aug 2012 23:30:53 -0400</pubDate>
      <description><![CDATA[The Geeks discuss the many many ways an actor can blow a theatre audition.]]></description>
      <content:encoded><![CDATA[The Geeks discuss the many many ways an actor can blow a theatre audition.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/GdN4-5WMJes/Episode_70.mp3" length="18062919" type="audio/mpeg" />
      <itunes:duration>0:24:49</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks discuss the many many ways an actor can blow a theatre audition.</itunes:subtitle>
      <itunes:summary>The Geeks discuss the many many ways an actor can blow a theatre audition.</itunes:summary>
    </item>
    <item>
      <title>Theatre News for July 30, 2012 with Dave Dufour</title>
      <link>http://theatregeeks.com/podcast/theatre-geeks-news-july-30-2012/</link>
      <guid>http://theatregeeks.com/?p=1595</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 30 Jul 2012 23:26:08 -0400</pubDate>
      <description><![CDATA[Theatre Geeks news roundup Here are some snippets of theatre news Dave has gathered from around the world, plus links to the full stories.

	What sort of person is driven to become an actor?Â Â -- Pacific Standard
	Plans to excavate and restore Rose Theat]]></description>
      <content:encoded><![CDATA[Theatre Geeks news roundup Here are some snippets of theatre news Dave has gathered from around the world, plus links to the full stories.

	What sort of person is driven to become an actor?Â Â -- Pacific Standard
	Plans to excavate and restore Rose Theat]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/MZoBgeNUaaA/Episode_69_News_7_30_2012.mp3" length="19749047" type="audio/mpeg" />
      <itunes:duration>0:20:22</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre Geeks news roundup Here are some snippets of theatre news Dave has gathered from around the world, plus links to the full stories.    What sort of person is driven to become an actor?Â Â -- Pacific Standard   Plans to excavate and restore Rose Theat</itunes:subtitle>
      <itunes:summary>Theatre Geeks news roundup Here are some snippets of theatre news Dave has gathered from around the world, plus links to the full stories.

	What sort of person is driven to become an actor?Â Â -- Pacific Standard
	Plans to excavate and restore Rose Theat</itunes:summary>
    </item>
    <item>
      <title>Chris Jones, Chicago Tribune theatre critic joins the Geeks</title>
      <link>http://theatregeeks.com/podcast/chris-jones-chicago-tribune-theatre-critic/</link>
      <guid>http://theatregeeks.com/?p=1611</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 23 Jul 2012 13:33:55 -0400</pubDate>
      <description><![CDATA[Chris Jones of the Chicago Tribune talked with Theatre Geeks about what life is like as a theatre critic and how he views his responsibilities as a reviewer.]]></description>
      <content:encoded><![CDATA[Chris Jones of the Chicago Tribune talked with Theatre Geeks about what life is like as a theatre critic and how he views his responsibilities as a reviewer.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/3b_vTkpBbN4/Episode_68.mp3" length="24484789" type="audio/mpeg" />
      <itunes:duration>0:25:18</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Chris Jones of the Chicago Tribune talked with Theatre Geeks about what life is like as a theatre critic and how he views his responsibilities as a reviewer.</itunes:subtitle>
      <itunes:summary>Chris Jones of the Chicago Tribune talked with Theatre Geeks about what life is like as a theatre critic and how he views his responsibilities as a reviewer.</itunes:summary>
    </item>
    <item>
      <title>Do some shows get too MUCH applause?</title>
      <link>http://theatregeeks.com/podcast/are-theatres-getting-too-much-applause/</link>
      <guid>http://theatregeeks.com/?p=1562</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 13 Jul 2012 00:29:40 -0400</pubDate>
      <description><![CDATA[End Ovation Inflation!
Is the standing O obligatory? Â Are you sick of it? John, Dave and Marcia discuss the issue of "ovation inflation," a condition in which even shows that don't deserve ANY praise bring the audience to its feet. Â Join the Geeks while]]></description>
      <content:encoded><![CDATA[End Ovation Inflation!
Is the standing O obligatory? Â Are you sick of it? John, Dave and Marcia discuss the issue of "ovation inflation," a condition in which even shows that don't deserve ANY praise bring the audience to its feet. Â Join the Geeks while]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/aAbQXlSJyYo/67_Ovation_Inflation.mp3" length="18828934" type="audio/mpeg" />
      <itunes:duration>0:19:25</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>End Ovation Inflation! Is the standing O obligatory? Â Are you sick of it? John, Dave and Marcia discuss the issue of &quot;ovation inflation,&quot; a condition in which even shows that don't deserve ANY praise bring the audience to its feet. Â Join the Geeks while</itunes:subtitle>
      <itunes:summary>End Ovation Inflation!
Is the standing O obligatory? Â Are you sick of it? John, Dave and Marcia discuss the issue of &quot;ovation inflation,&quot; a condition in which even shows that don't deserve ANY praise bring the audience to its feet. Â Join the Geeks while</itunes:summary>
    </item>
    <item>
      <title>Online ticketing for Community Theatre</title>
      <link>http://theatregeeks.com/podcast/online-ticketing-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=1534</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 26 Jun 2012 21:50:27 -0400</pubDate>
      <description><![CDATA[Center Stage Software owners Diane and Bruce Rowe join the Geeks for a lively discussion of Wintix and Webtix automated ticketing systems for community theatres and other venues. Â Their Webtix product is an affordable option for offering online ticket pu]]></description>
      <content:encoded><![CDATA[Center Stage Software owners Diane and Bruce Rowe join the Geeks for a lively discussion of Wintix and Webtix automated ticketing systems for community theatres and other venues. Â Their Webtix product is an affordable option for offering online ticket pu]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/LgnLQzzDw9U/Episode_66_Center_Stage_Software.mp3" length="20530132" type="audio/mpeg" />
      <itunes:duration>0:28:15</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Center Stage Software owners Diane and Bruce Rowe join the Geeks for a lively discussion of Wintix and Webtix automated ticketing systems for community theatres and other venues. Â Their Webtix product is an affordable option for offering online ticket pu</itunes:subtitle>
      <itunes:summary>Center Stage Software owners Diane and Bruce Rowe join the Geeks for a lively discussion of Wintix and Webtix automated ticketing systems for community theatres and other venues. Â Their Webtix product is an affordable option for offering online ticket pu</itunes:summary>
    </item>
    <item>
      <title>ComedySportz on Theatre Geeks</title>
      <link>http://theatregeeks.com/podcast/comedy-sportz-on-theatre-geeks/</link>
      <guid>http://theatregeeks.com/?p=1511</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 11 Jun 2012 15:49:40 -0400</pubDate>
      <description><![CDATA[This week's guest is Ed Trout, Artistic Director at ComedySportz in Indianapolis, Indiana. Â ComedySportz is a national network of improv clubs with a family-friendly approach. Â ComedySportz Indy offers training classes as well. Â Ed tells us about how C]]></description>
      <content:encoded><![CDATA[This week's guest is Ed Trout, Artistic Director at ComedySportz in Indianapolis, Indiana. Â ComedySportz is a national network of improv clubs with a family-friendly approach. Â ComedySportz Indy offers training classes as well. Â Ed tells us about how C]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/tYkNNMe99kc/Episode_65_mixdown.mp3" length="19244557" type="audio/mpeg" />
      <itunes:duration>0:26:28</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>This week's guest is Ed Trout, Artistic Director at ComedySportz in Indianapolis, Indiana. Â ComedySportz is a national network of improv clubs with a family-friendly approach. Â ComedySportz Indy offers training classes as well. Â Ed tells us about how C</itunes:subtitle>
      <itunes:summary>This week's guest is Ed Trout, Artistic Director at ComedySportz in Indianapolis, Indiana. Â ComedySportz is a national network of improv clubs with a family-friendly approach. Â ComedySportz Indy offers training classes as well. Â Ed tells us about how C</itunes:summary>
    </item>
    <item>
      <title>Theatre Geeks News for June 5, 2012</title>
      <link>http://theatregeeks.com/blog/theatre-geeks-news-for-june-4-2012/</link>
      <guid>http://theatregeeks.com/?p=1488</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 08 Jun 2012 12:05:02 -0400</pubDate>
      <description><![CDATA[Knock-Knock, it's Theatre Geeks News

	Love Never Dies on PBS June 2 Â http://www.playbill.com/news/article/166595-Andrew-Lloyd-Webbers-Love-Never-Dies-Unmasked-on-PBS-June-2
	Car Talk, the Musical Â --- Finally, people are apparently so hard up for good ]]></description>
      <content:encoded><![CDATA[Knock-Knock, it's Theatre Geeks News

	Love Never Dies on PBS June 2 Â http://www.playbill.com/news/article/166595-Andrew-Lloyd-Webbers-Love-Never-Dies-Unmasked-on-PBS-June-2
	Car Talk, the Musical Â --- Finally, people are apparently so hard up for good ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/gfdHqZt2QF4/Episode_64_News.mp3" length="13044170" type="audio/mpeg" />
      <itunes:duration>0:17:51</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Knock-Knock, it's Theatre Geeks News    Love Never Dies on PBS June 2 Â http://www.playbill.com/news/article/166595-Andrew-Lloyd-Webbers-Love-Never-Dies-Unmasked-on-PBS-June-2   Car Talk, the Musical Â --- Finally, people are apparently so hard up for good </itunes:subtitle>
      <itunes:summary>Knock-Knock, it's Theatre Geeks News

	Love Never Dies on PBS June 2 Â http://www.playbill.com/news/article/166595-Andrew-Lloyd-Webbers-Love-Never-Dies-Unmasked-on-PBS-June-2
	Car Talk, the Musical Â --- Finally, people are apparently so hard up for good </itunes:summary>
    </item>
    <item>
      <title>Ticket Pricing in Community Theatre (Thatâ€™s the Ticket!)</title>
      <link>http://theatregeeks.com/podcast/ticket-pricing-in-community-theatre-thats-the-ticket/</link>
      <guid>http://theatregeeks.com/?p=1478</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 29 May 2012 11:54:32 -0400</pubDate>
      <description><![CDATA[Community theatre is still a bargain
This week the Geeks discuss pricing of theatre tickets both for community theatre and professional productions, and of course, we get off on one of our famous tangents as well. Â Good conversation on an important topic]]></description>
      <content:encoded><![CDATA[Community theatre is still a bargain
This week the Geeks discuss pricing of theatre tickets both for community theatre and professional productions, and of course, we get off on one of our famous tangents as well. Â Good conversation on an important topic]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Ikrzy62CrLc/Episode_63_Ticket_prices.mp3" length="20371829" type="audio/mpeg" />
      <itunes:duration>0:21:01</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Community theatre is still a bargain This week the Geeks discuss pricing of theatre tickets both for community theatre and professional productions, and of course, we get off on one of our famous tangents as well. Â Good conversation on an important topic</itunes:subtitle>
      <itunes:summary>Community theatre is still a bargain
This week the Geeks discuss pricing of theatre tickets both for community theatre and professional productions, and of course, we get off on one of our famous tangents as well. Â Good conversation on an important topic</itunes:summary>
    </item>
    <item>
      <title>Theatre Geeks News for May 20, 2012</title>
      <link>http://theatregeeks.com/blog/theatre-geeks-news-for-may-20-2012/</link>
      <guid>http://theatregeeks.com/?p=1467</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 21 May 2012 00:40:36 -0400</pubDate>
      <description><![CDATA[News of community and professional theatre
Dave's back with more news after kind of a hiatus, but things are hopping with the Geeks, and you'll hear more as the summer progresses.

	Ovation Inflation -- The New York TimesÂ -- this is a pet peeve of Marcia]]></description>
      <content:encoded><![CDATA[News of community and professional theatre
Dave's back with more news after kind of a hiatus, but things are hopping with the Geeks, and you'll hear more as the summer progresses.

	Ovation Inflation -- The New York TimesÂ -- this is a pet peeve of Marcia]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/vBj7Pl-0G_I/News_5_20_2012.mp3" length="14820568" type="audio/mpeg" />
      <itunes:duration>0:20:22</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>News of community and professional theatre Dave's back with more news after kind of a hiatus, but things are hopping with the Geeks, and you'll hear more as the summer progresses.    Ovation Inflation -- The New York TimesÂ -- this is a pet peeve of Marcia</itunes:subtitle>
      <itunes:summary>News of community and professional theatre
Dave's back with more news after kind of a hiatus, but things are hopping with the Geeks, and you'll hear more as the summer progresses.

	Ovation Inflation -- The New York TimesÂ -- this is a pet peeve of Marcia</itunes:summary>
    </item>
    <item>
      <title>Ethics in the theatre</title>
      <link>http://theatregeeks.com/podcast/ethics-in-the-theatre/</link>
      <guid>http://theatregeeks.com/?p=1462</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 15 May 2012 13:47:53 -0400</pubDate>
      <description><![CDATA[Theatre Workers' Code of Ethics from 1945 still applies today.  Last month, Dave reported on a code of ethics for theatre workers that was found among the effects of the late actress Kathleen Freeman.]]></description>
      <content:encoded><![CDATA[Theatre Workers' Code of Ethics from 1945 still applies today.  Last month, Dave reported on a code of ethics for theatre workers that was found among the effects of the late actress Kathleen Freeman.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/a2ty3RxC6bA/Episode_61_CodeOfEthics.mp3" length="20258083" type="audio/mpeg" />
      <itunes:duration>0:28:04</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre Workers' Code of Ethics from 1945 still applies today.  Last month, Dave reported on a code of ethics for theatre workers that was found among the effects of the late actress Kathleen Freeman.</itunes:subtitle>
      <itunes:summary>Theatre Workers' Code of Ethics from 1945 still applies today.  Last month, Dave reported on a code of ethics for theatre workers that was found among the effects of the late actress Kathleen Freeman.</itunes:summary>
    </item>
    <item>
      <title>Theatre Geeks interviews Accidental Pervert star Andrew Goffman</title>
      <link>http://theatregeeks.com/podcast/theatre-geeks-interviews-accidental-pervert-star-andrew-goffman/</link>
      <guid>http://theatregeeks.com/?p=1450</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 24 Apr 2012 22:19:36 -0400</pubDate>
      <description><![CDATA[Andrew Goffman is the author and star of the one-man show The Accidental Pervert, now playing at the 13th Street Repertory Company in New York City.]]></description>
      <content:encoded><![CDATA[Andrew Goffman is the author and star of the one-man show The Accidental Pervert, now playing at the 13th Street Repertory Company in New York City.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/8PyYalYQ5eY/Episode_60_Accidental_Pervert_mixdown.mp3" length="13205389" type="audio/mpeg" />
      <itunes:duration>0:26:17</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Andrew Goffman is the author and star of the one-man show The Accidental Pervert, now playing at the 13th Street Repertory Company in New York City.</itunes:subtitle>
      <itunes:summary>Andrew Goffman is the author and star of the one-man show The Accidental Pervert, now playing at the 13th Street Repertory Company in New York City.</itunes:summary>
    </item>
    <item>
      <title>Theatre Geeks News for April 1, 2012</title>
      <link>http://theatregeeks.com/blog/theatre-geeks-news-for-april-1-2012/</link>
      <guid>http://theatregeeks.com/?p=1422</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 01 Apr 2012 23:41:00 -0400</pubDate>
      <description><![CDATA[More Shakespeare, good-bye to Davy Jones and your theatre ethics

	Theatre Workers' Code of Ethics from 1945 -- LA Stage Times
	Michael Billington on actors -- The UK Guardian
	Canadian Arts Funding spared in this parliament -- Canadian Theatre Hub
	More ]]></description>
      <content:encoded><![CDATA[More Shakespeare, good-bye to Davy Jones and your theatre ethics

	Theatre Workers' Code of Ethics from 1945 -- LA Stage Times
	Michael Billington on actors -- The UK Guardian
	Canadian Arts Funding spared in this parliament -- Canadian Theatre Hub
	More ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/uJ538sj4Vo4/Episode_59_News_April_1_2012.mp3" length="9097946" type="audio/mpeg" />
      <itunes:duration>0:18:51</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>More Shakespeare, good-bye to Davy Jones and your theatre ethics    Theatre Workers' Code of Ethics from 1945 -- LA Stage Times   Michael Billington on actors -- The UK Guardian   Canadian Arts Funding spared in this parliament -- Canadian Theatre Hub   More </itunes:subtitle>
      <itunes:summary>More Shakespeare, good-bye to Davy Jones and your theatre ethics

	Theatre Workers' Code of Ethics from 1945 -- LA Stage Times
	Michael Billington on actors -- The UK Guardian
	Canadian Arts Funding spared in this parliament -- Canadian Theatre Hub
	More </itunes:summary>
    </item>
    <item>
      <title>Brush up your Shakespeare and Shaw at two great Canadian theatre fests.</title>
      <link>http://theatregeeks.com/podcast/brush-up-your-shakespeare-and-shaw-at-two-great-canadian-theatre-fests/</link>
      <guid>http://theatregeeks.com/?p=1415</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 25 Mar 2012 21:35:25 -0400</pubDate>
      <description><![CDATA[Our preview of the Stratford and Shaw festivals in Canada!
The Stratford Shakespeare Festival in Stratford Ontario and the Shaw Festival in Niagara On the Lake, Ontario are two great theatre events well worth attending this year. Â Dave, Marcia and guest ]]></description>
      <content:encoded><![CDATA[Our preview of the Stratford and Shaw festivals in Canada!
The Stratford Shakespeare Festival in Stratford Ontario and the Shaw Festival in Niagara On the Lake, Ontario are two great theatre events well worth attending this year. Â Dave, Marcia and guest ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/EWKuWwTjC4g/58_Summer_Festivals_2012_mixdown.mp3" length="16647959" type="audio/mpeg" />
      <itunes:duration>0:23:03</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Our preview of the Stratford and Shaw festivals in Canada! The Stratford Shakespeare Festival in Stratford Ontario and the Shaw Festival in Niagara On the Lake, Ontario are two great theatre events well worth attending this year. Â Dave, Marcia and guest </itunes:subtitle>
      <itunes:summary>Our preview of the Stratford and Shaw festivals in Canada!
The Stratford Shakespeare Festival in Stratford Ontario and the Shaw Festival in Niagara On the Lake, Ontario are two great theatre events well worth attending this year. Â Dave, Marcia and guest </itunes:summary>
    </item>
    <item>
      <title>Theatre Geeks News for March 19, 2012</title>
      <link>http://theatregeeks.com/blog/theatre-geeks-news-for-march-19-2012/</link>
      <guid>http://theatregeeks.com/?p=1336</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 20 Mar 2012 01:31:23 -0400</pubDate>
      <description><![CDATA[Tennessee Williams revived, brush up your Shakespeare accent and More!




Theatre News Notes
Watch the video version of this episode here.

	
Chris Jones' review of Death of A Salesman on BroadwayÂ in the Chicago Trib -- Good, but not great?
	Tennessee W]]></description>
      <content:encoded><![CDATA[Tennessee Williams revived, brush up your Shakespeare accent and More!




Theatre News Notes
Watch the video version of this episode here.

	
Chris Jones' review of Death of A Salesman on BroadwayÂ in the Chicago Trib -- Good, but not great?
	Tennessee W]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/D1UZrBct-Ww/57_News_3_19_2012_mixdown.mp3" length="27611682" type="audio/mpeg" />
      <itunes:duration>0:28:45</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Tennessee Williams revived, brush up your Shakespeare accent and More!     Theatre News Notes Watch the video version of this episode here.     Chris Jones' review of Death of A Salesman on BroadwayÂ in the Chicago Trib -- Good, but not great?   Tennessee W</itunes:subtitle>
      <itunes:summary>Tennessee Williams revived, brush up your Shakespeare accent and More!




Theatre News Notes
Watch the video version of this episode here.

	
Chris Jones' review of Death of A Salesman on BroadwayÂ in the Chicago Trib -- Good, but not great?
	Tennessee W</itunes:summary>
    </item>
    <item>
      <title>Does todayâ€™s theatre technology leave too little to the imagination?</title>
      <link>http://theatregeeks.com/podcast/does-todays-theatre-technology-leave-too-little-to-the-imagination/</link>
      <guid>http://theatregeeks.com/?p=1367</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 12 Mar 2012 04:00:56 -0400</pubDate>
      <description><![CDATA[PLUS: Technical traumas
Dave, Marcia and special guest geek Randy Zonker (sitting in for John Shoup) react to an article Dave reported on from the UK Guardian by Matt Trueman, Does Theatre Leave Too Little to the Imagination?Â We discuss this in context o]]></description>
      <content:encoded><![CDATA[PLUS: Technical traumas
Dave, Marcia and special guest geek Randy Zonker (sitting in for John Shoup) react to an article Dave reported on from the UK Guardian by Matt Trueman, Does Theatre Leave Too Little to the Imagination?Â We discuss this in context o]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/UD4lv_Mibrs/56_Do_we_leave_enough_to_the_imagination_mixdown.mp3" length="15800497" type="audio/mpeg" />
      <itunes:duration>0:21:08</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>PLUS: Technical traumas Dave, Marcia and special guest geek Randy Zonker (sitting in for John Shoup) react to an article Dave reported on from the UK Guardian by Matt Trueman, Does Theatre Leave Too Little to the Imagination?Â We discuss this in context o</itunes:subtitle>
      <itunes:summary>PLUS: Technical traumas
Dave, Marcia and special guest geek Randy Zonker (sitting in for John Shoup) react to an article Dave reported on from the UK Guardian by Matt Trueman, Does Theatre Leave Too Little to the Imagination?Â We discuss this in context o</itunes:summary>
    </item>
    <item>
      <title>Theatre News for March 4, 2012</title>
      <link>http://theatregeeks.com/blog/theatre-news-for-march-4-2012/</link>
      <guid>http://theatregeeks.com/?p=1274</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 04 Mar 2012 21:44:39 -0500</pubDate>
      <description><![CDATA[Bullets over Broadway will be a musical. Sondheim says there are too many musicals on Broadway as he readies his own. Death of a Salesman returning to Broadway. It's festival season again!]]></description>
      <content:encoded><![CDATA[Bullets over Broadway will be a musical. Sondheim says there are too many musicals on Broadway as he readies his own. Death of a Salesman returning to Broadway. It's festival season again!]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/hIsEbnu9KY4/55_News_3_4_2012.mp3" length="14385961" type="audio/mpeg" />
      <itunes:duration>0:19:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Bullets over Broadway will be a musical. Sondheim says there are too many musicals on Broadway as he readies his own. Death of a Salesman returning to Broadway. It's festival season again!</itunes:subtitle>
      <itunes:summary>Bullets over Broadway will be a musical. Sondheim says there are too many musicals on Broadway as he readies his own. Death of a Salesman returning to Broadway. It's festival season again!</itunes:summary>
    </item>
    <item>
      <title>AACT New York Convention preview, John Takes a Holiday and More!</title>
      <link>http://theatregeeks.com/podcast/aact-new-york-convention-preview/</link>
      <guid>http://theatregeeks.com/?p=1264</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 26 Feb 2012 20:54:31 -0500</pubDate>
      <description><![CDATA[American Association of Community TheatreÂ Executive Director Julie Crawford joins the Geeks to talk about the upcoming AACT convention in NYC.

We also talk about the status of community theatre around the country. Randy Zonker sits in for the traveling ]]></description>
      <content:encoded><![CDATA[American Association of Community TheatreÂ Executive Director Julie Crawford joins the Geeks to talk about the upcoming AACT convention in NYC.

We also talk about the status of community theatre around the country. Randy Zonker sits in for the traveling ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Cq__RS4S_sM/54_Julie_Crawford_inteview.MP3" length="45680869" type="audio/mpeg" />
      <itunes:duration>0:19:01</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>American Association of Community TheatreÂ Executive Director Julie Crawford joins the Geeks to talk about the upcoming AACT convention in NYC.  We also talk about the status of community theatre around the country. Randy Zonker sits in for the traveling </itunes:subtitle>
      <itunes:summary>American Association of Community TheatreÂ Executive Director Julie Crawford joins the Geeks to talk about the upcoming AACT convention in NYC.

We also talk about the status of community theatre around the country. Randy Zonker sits in for the traveling </itunes:summary>
    </item>
    <item>
      <title>Extra for February 19, 2012</title>
      <link>http://theatregeeks.com/blog/extra-for-february-19-2012/</link>
      <guid>http://theatregeeks.com/?p=1214</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 19 Feb 2012 22:36:22 -0500</pubDate>
      <description><![CDATA[Theatre news items of interest are culled from Alltop's theatre page at theatre.alltop.com, playbill.com and other stories gathered using Feedly and the American Association of Community Theatre. Â Here are the items for this week:

	Interesting article a]]></description>
      <content:encoded><![CDATA[Theatre news items of interest are culled from Alltop's theatre page at theatre.alltop.com, playbill.com and other stories gathered using Feedly and the American Association of Community Theatre. Â Here are the items for this week:

	Interesting article a]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/A8ssYxcf6-g/53_Extra_2_19_2012.mp3" length="15086754" type="audio/mpeg" />
      <itunes:duration>0:20:31</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre news items of interest are culled from Alltop's theatre page at theatre.alltop.com, playbill.com and other stories gathered using Feedly and the American Association of Community Theatre. Â Here are the items for this week:    Interesting article a</itunes:subtitle>
      <itunes:summary>Theatre news items of interest are culled from Alltop's theatre page at theatre.alltop.com, playbill.com and other stories gathered using Feedly and the American Association of Community Theatre. Â Here are the items for this week:

	Interesting article a</itunes:summary>
    </item>
    <item>
      <title>Theatre Ghosts, Superstitions and more!</title>
      <link>http://theatregeeks.com/podcast/theatre-ghosts-superstitions-dede-and-more/</link>
      <guid>http://theatregeeks.com/?p=1190</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 11 Feb 2012 22:51:56 -0500</pubDate>
      <description><![CDATA[Plus more of the I know! I know! gameshow
Deirdre Lovejoy (The Wire, Bones, Body of Proof), joins us once again for more fun and conversation about the theatre and its superstitions (some would say traditions).Â  John and Randy Zonker (one of our audience]]></description>
      <content:encoded><![CDATA[Plus more of the I know! I know! gameshow
Deirdre Lovejoy (The Wire, Bones, Body of Proof), joins us once again for more fun and conversation about the theatre and its superstitions (some would say traditions).Â  John and Randy Zonker (one of our audience]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/e0AhS7YF74A/52_Dede_Ghosts_Superstitions_and_More.mp3" length="25724001" type="audio/mpeg" />
      <itunes:duration>0:35:40</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Plus more of the I know! I know! gameshow Deirdre Lovejoy (The Wire, Bones, Body of Proof), joins us once again for more fun and conversation about the theatre and its superstitions (some would say traditions).Â  John and Randy Zonker (one of our audience</itunes:subtitle>
      <itunes:summary>Plus more of the I know! I know! gameshow
Deirdre Lovejoy (The Wire, Bones, Body of Proof), joins us once again for more fun and conversation about the theatre and its superstitions (some would say traditions).Â  John and Randy Zonker (one of our audience</itunes:summary>
    </item>
    <item>
      <title>Theatre trivia and bad theatre etiquette â€“ LIVE!</title>
      <link>http://theatregeeks.com/podcast/theatre-trivia-and-bad-theatre-etiquette-live/</link>
      <guid>http://theatregeeks.com/?p=1161</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 29 Jan 2012 22:00:45 -0500</pubDate>
      <description><![CDATA[Cell phones, noisy candy and latecomers top our bad theatre etiquette list


Theatre Geeks is live again at the Bristol Opera House in Bristol, Indiana with Deirdre Lovejoy, Kevin Egelsky and Rick Ellis playing our theatre trivia game, "I know! I Know!" Â]]></description>
      <content:encoded><![CDATA[Cell phones, noisy candy and latecomers top our bad theatre etiquette list


Theatre Geeks is live again at the Bristol Opera House in Bristol, Indiana with Deirdre Lovejoy, Kevin Egelsky and Rick Ellis playing our theatre trivia game, "I know! I Know!" Â]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/zQW9n4ULAiU/51_I_Know_I_Know.mp3" length="17342191" type="audio/mpeg" />
      <itunes:duration>0:24:01</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Cell phones, noisy candy and latecomers top our bad theatre etiquette list   Theatre Geeks is live again at the Bristol Opera House in Bristol, Indiana with Deirdre Lovejoy, Kevin Egelsky and Rick Ellis playing our theatre trivia game, &quot;I know! I Know!&quot; Â</itunes:subtitle>
      <itunes:summary>Cell phones, noisy candy and latecomers top our bad theatre etiquette list


Theatre Geeks is live again at the Bristol Opera House in Bristol, Indiana with Deirdre Lovejoy, Kevin Egelsky and Rick Ellis playing our theatre trivia game, &quot;I know! I Know!&quot; Â</itunes:summary>
    </item>
    <item>
      <title>50 Theatre Geeks Extra for January 25, 2012</title>
      <link>http://theatregeeks.com/blog/50-theatre-geeks-extra-for-january-25-2012/</link>
      <guid>http://theatregeeks.com/?p=1142</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 25 Jan 2012 00:50:02 -0500</pubDate>
      <description><![CDATA[Theatre Geeks' first news podcast
The first biweekly news report on theatre happenings around country and the world, hosted by Dave Dufour. Â This is an experiment, and does NOT replace our regular Dave-John-Marcia roundtable discussion. Â This news rundo]]></description>
      <content:encoded><![CDATA[Theatre Geeks' first news podcast
The first biweekly news report on theatre happenings around country and the world, hosted by Dave Dufour. Â This is an experiment, and does NOT replace our regular Dave-John-Marcia roundtable discussion. Â This news rundo]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/sMWgB1-9nZc/50_EXTRA_01_25_2012.mp3" length="28285382" type="audio/mpeg" />
      <itunes:duration>0:19:26</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre Geeks' first news podcast The first biweekly news report on theatre happenings around country and the world, hosted by Dave Dufour. Â This is an experiment, and does NOT replace our regular Dave-John-Marcia roundtable discussion. Â This news rundo</itunes:subtitle>
      <itunes:summary>Theatre Geeks' first news podcast
The first biweekly news report on theatre happenings around country and the world, hosted by Dave Dufour. Â This is an experiment, and does NOT replace our regular Dave-John-Marcia roundtable discussion. Â This news rundo</itunes:summary>
    </item>
    <item>
      <title>49 Deirdre Lovejoy and our theatre game show!</title>
      <link>http://theatregeeks.com/podcast/49-deirdre-lovejoy-plus-our-own-theatre-game-show/</link>
      <guid>http://theatregeeks.com/?p=1114</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 16 Jan 2012 15:54:35 -0500</pubDate>
      <description><![CDATA[Actress (and Marcia's daughter) Deirdre Lovejoy joins us at the Bristol Opera House, Bristol, Indiana for a special series of three podcasts in front of a live audience of fellow Theatre Geeks.]]></description>
      <content:encoded><![CDATA[Actress (and Marcia's daughter) Deirdre Lovejoy joins us at the Bristol Opera House, Bristol, Indiana for a special series of three podcasts in front of a live audience of fellow Theatre Geeks.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/oiBfFp6NJ_E/49_Live_1_Deirdre_Lovejoy.mp3" length="45121170" type="audio/mpeg" />
      <itunes:duration>0:30:56</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Actress (and Marcia's daughter) Deirdre Lovejoy joins us at the Bristol Opera House, Bristol, Indiana for a special series of three podcasts in front of a live audience of fellow Theatre Geeks.</itunes:subtitle>
      <itunes:summary>Actress (and Marcia's daughter) Deirdre Lovejoy joins us at the Bristol Opera House, Bristol, Indiana for a special series of three podcasts in front of a live audience of fellow Theatre Geeks.</itunes:summary>
    </item>
    <item>
      <title>48: Music and sound on stage</title>
      <link>http://theatregeeks.com/podcast/48-music-and-sound-on-stage/</link>
      <guid>http://theatregeeks.com/?p=1075</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 14 Dec 2011 11:14:55 -0500</pubDate>
      <description><![CDATA[Making your shows sound better
Using the correct music and sound effects can make a big difference in theatrical productions, but there are some problems and pitfalls, both esthetic and legal. The Geeks discuss some of the issues and decisions that have t]]></description>
      <content:encoded><![CDATA[Making your shows sound better
Using the correct music and sound effects can make a big difference in theatrical productions, but there are some problems and pitfalls, both esthetic and legal. The Geeks discuss some of the issues and decisions that have t]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/-b6K3QSJ2og/48_Music_and_SFX.mp3" length="18235265" type="audio/mpeg" />
      <itunes:duration>0:25:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Making your shows sound better Using the correct music and sound effects can make a big difference in theatrical productions, but there are some problems and pitfalls, both esthetic and legal. The Geeks discuss some of the issues and decisions that have t</itunes:subtitle>
      <itunes:summary>Making your shows sound better
Using the correct music and sound effects can make a big difference in theatrical productions, but there are some problems and pitfalls, both esthetic and legal. The Geeks discuss some of the issues and decisions that have t</itunes:summary>
    </item>
    <item>
      <title>47: Rehearsals: closed while under construction</title>
      <link>http://theatregeeks.com/podcast/47-rehearsals-closed-while-under-construction/</link>
      <guid>http://theatregeeks.com/?p=1003</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 17 Nov 2011 23:43:42 -0500</pubDate>
      <description><![CDATA[Are your rehearsals open?Â  Maybe they shouldn't be.
Rehearsals are the time for casts to bond with their directors and each other, and hone their performances without interference.Â  But in community theatre, family members, significant others, friends a]]></description>
      <content:encoded><![CDATA[Are your rehearsals open?Â  Maybe they shouldn't be.
Rehearsals are the time for casts to bond with their directors and each other, and hone their performances without interference.Â  But in community theatre, family members, significant others, friends a]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/8K5iiwLcslA/47_ClosedWhileUnderConstruction.mp3" length="23184298" type="audio/mpeg" />
      <itunes:duration>0:21:12</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Are your rehearsals open?Â  Maybe they shouldn't be. Rehearsals are the time for casts to bond with their directors and each other, and hone their performances without interference.Â  But in community theatre, family members, significant others, friends a</itunes:subtitle>
      <itunes:summary>Are your rehearsals open?Â  Maybe they shouldn't be.
Rehearsals are the time for casts to bond with their directors and each other, and hone their performances without interference.Â  But in community theatre, family members, significant others, friends a</itunes:summary>
    </item>
    <item>
      <title>46: What theatre have you seen lately?</title>
      <link>http://theatregeeks.com/podcast/46-what-theatre-have-you-seen-lately/</link>
      <guid>http://theatregeeks.com/?p=975</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 06 Nov 2011 16:49:06 -0500</pubDate>
      <description><![CDATA[Seeing more theatre is important to becoming a better actor, director or techie.

Sometimes in community theatre we become very wrapped up in our own projects and don't seem to find the time to see other theatrical productions, be they professional or ama]]></description>
      <content:encoded><![CDATA[Seeing more theatre is important to becoming a better actor, director or techie.

Sometimes in community theatre we become very wrapped up in our own projects and don't seem to find the time to see other theatrical productions, be they professional or ama]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/R2O7eDP1TD0/46_SeeMoreTheatre.mp3" length="21270480" type="audio/mpeg" />
      <itunes:duration>0:19:31</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Seeing more theatre is important to becoming a better actor, director or techie.  Sometimes in community theatre we become very wrapped up in our own projects and don't seem to find the time to see other theatrical productions, be they professional or ama</itunes:subtitle>
      <itunes:summary>Seeing more theatre is important to becoming a better actor, director or techie.

Sometimes in community theatre we become very wrapped up in our own projects and don't seem to find the time to see other theatrical productions, be they professional or ama</itunes:summary>
    </item>
    <item>
      <title>45: What actors shouldnâ€™t do</title>
      <link>http://theatregeeks.com/podcast/45-what-actors-shouldnt-do/</link>
      <guid>http://theatregeeks.com/?p=965</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 29 Oct 2011 09:08:49 -0400</pubDate>
      <description><![CDATA[Anyone who's worked in the theatre has had experience with the actor who's really a backstage director, the latecomer, the cast member who is disruptive and makes the rehearsal process more difficult and less fun for the rest of us.]]></description>
      <content:encoded><![CDATA[Anyone who's worked in the theatre has had experience with the actor who's really a backstage director, the latecomer, the cast member who is disruptive and makes the rehearsal process more difficult and less fun for the rest of us.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/bJzioMQxA7E/45_Actors_Donts.mp3" length="26817491" type="audio/mpeg" />
      <itunes:duration>0:24:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Anyone who's worked in the theatre has had experience with the actor who's really a backstage director, the latecomer, the cast member who is disruptive and makes the rehearsal process more difficult and less fun for the rest of us.</itunes:subtitle>
      <itunes:summary>Anyone who's worked in the theatre has had experience with the actor who's really a backstage director, the latecomer, the cast member who is disruptive and makes the rehearsal process more difficult and less fun for the rest of us.</itunes:summary>
    </item>
    <item>
      <title>44: Stanislavskiâ€™s got nothing on us!</title>
      <link>http://theatregeeks.com/podcast/stanislavskis-got-nothing-on-us/</link>
      <guid>http://theatregeeks.com/?p=946</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 01 Oct 2011 23:57:25 -0400</pubDate>
      <description><![CDATA[Tips for Actors
Doug Lunn and Annette Kaczanowski join us for a third (out of four) sessions to talk about acting, creating a character, and making the play better as an actor no matter how big your part is.

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[Tips for Actors
Doug Lunn and Annette Kaczanowski join us for a third (out of four) sessions to talk about acting, creating a character, and making the play better as an actor no matter how big your part is.

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/5sg6In_9yYA/44_Doug_Lunn_Annette_Kaczanowski_Acting_with_Pre-roll.mp3" length="26357909" type="audio/mpeg" />
      <itunes:duration>0:23:42</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Tips for Actors Doug Lunn and Annette Kaczanowski join us for a third (out of four) sessions to talk about acting, creating a character, and making the play better as an actor no matter how big your part is.  Music provided by Music Alley.</itunes:subtitle>
      <itunes:summary>Tips for Actors
Doug Lunn and Annette Kaczanowski join us for a third (out of four) sessions to talk about acting, creating a character, and making the play better as an actor no matter how big your part is.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>43: The mind of the music director: auditions</title>
      <link>http://theatregeeks.com/podcast/43-the-mind-of-the-musicvocal-director-auditions/</link>
      <guid>http://theatregeeks.com/?p=914</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 19 Sep 2011 09:26:38 -0400</pubDate>
      <description><![CDATA[We continue with Doug Lunn and Annette Kaczanowski, discussing how a music or vocal director deals with different audition situations, rehearsal confrontations, and more.

Music provided by Music Alley]]></description>
      <content:encoded><![CDATA[We continue with Doug Lunn and Annette Kaczanowski, discussing how a music or vocal director deals with different audition situations, rehearsal confrontations, and more.

Music provided by Music Alley]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/9G0hu_kOMhk/43_Doug_Lunn_Annette_Kaczanowski_Vocal_Direction_2.mp3" length="22941395" type="audio/mpeg" />
      <itunes:duration>0:21:14</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>We continue with Doug Lunn and Annette Kaczanowski, discussing how a music or vocal director deals with different audition situations, rehearsal confrontations, and more.  Music provided by Music Alley</itunes:subtitle>
      <itunes:summary>We continue with Doug Lunn and Annette Kaczanowski, discussing how a music or vocal director deals with different audition situations, rehearsal confrontations, and more.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>42: Vocal Director Challenges</title>
      <link>http://theatregeeks.com/podcast/42-vocal-director-challenges/</link>
      <guid>http://theatregeeks.com/?p=870</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 11 Sep 2011 12:20:24 -0400</pubDate>
      <description><![CDATA[In the first of four episodes with guests Doug Lunn and Annette Kaczanowski, the Geeks discuss the process and challenges facing vocal directors of musical comedies.

Music provided by Music Alley]]></description>
      <content:encoded><![CDATA[In the first of four episodes with guests Doug Lunn and Annette Kaczanowski, the Geeks discuss the process and challenges facing vocal directors of musical comedies.

Music provided by Music Alley]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/HIIhmT7Wjyo/42_Vocal_Director.mp3" length="25072956" type="audio/mpeg" />
      <itunes:duration>0:22:31</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In the first of four episodes with guests Doug Lunn and Annette Kaczanowski, the Geeks discuss the process and challenges facing vocal directors of musical comedies.  Music provided by Music Alley</itunes:subtitle>
      <itunes:summary>In the first of four episodes with guests Doug Lunn and Annette Kaczanowski, the Geeks discuss the process and challenges facing vocal directors of musical comedies.

Music provided by Music Alley</itunes:summary>
    </item>
    <item>
      <title>41 Miss America pageant system and performing arts (Miss Indiana, part 2)</title>
      <link>http://theatregeeks.com/podcast/41-miss-america-pageant-system-and-performing-arts-miss-indiana-part-2/</link>
      <guid>http://theatregeeks.com/?p=817</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 26 Aug 2011 09:00:28 -0400</pubDate>
      <description><![CDATA[Miss Indiana Jackie Jerlecki joins us for a second episode to talk about how her experience in the Miss America Pageant system dovetails with her performing arts and theatre aspirations. Â Do young women learn about performance as participants in pageants]]></description>
      <content:encoded><![CDATA[Miss Indiana Jackie Jerlecki joins us for a second episode to talk about how her experience in the Miss America Pageant system dovetails with her performing arts and theatre aspirations. Â Do young women learn about performance as participants in pageants]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/1_FDNZ9bAUo/41_Jackie_Jerlecki_Miss_Indiana_PART_2.MP3" length="20074576" type="audio/mpeg" />
      <itunes:duration>0:20:52</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Miss Indiana Jackie Jerlecki joins us for a second episode to talk about how her experience in the Miss America Pageant system dovetails with her performing arts and theatre aspirations. Â Do young women learn about performance as participants in pageants</itunes:subtitle>
      <itunes:summary>Miss Indiana Jackie Jerlecki joins us for a second episode to talk about how her experience in the Miss America Pageant system dovetails with her performing arts and theatre aspirations. Â Do young women learn about performance as participants in pageants</itunes:summary>
    </item>
    <item>
      <title>41B Bonus episode â€” planning AACT Fest 2013 in Carmel, Indiana</title>
      <link>http://theatregeeks.com/podcast/41b-bonus-episode-planning-aact-fest-2013-in-carmel-indiana/</link>
      <guid>http://theatregeeks.com/?p=823</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 19 Aug 2011 09:00:43 -0400</pubDate>
      <description><![CDATA[Back in April at the Indiana Community Theatre League festival in Kokomo, we interviewed Larry Creviston, Chairman of the AACT National Festival, which will be in Carmel, Indiana (just North of Indianapolis) in June of 2013. Finally, here is that conversa]]></description>
      <content:encoded><![CDATA[Back in April at the Indiana Community Theatre League festival in Kokomo, we interviewed Larry Creviston, Chairman of the AACT National Festival, which will be in Carmel, Indiana (just North of Indianapolis) in June of 2013. Finally, here is that conversa]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Yf62hPm4CWQ/41B_Larry_Craviston_Bonus_Episode.mp3" length="18246012" type="audio/mpeg" />
      <itunes:duration>0:18:57</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Back in April at the Indiana Community Theatre League festival in Kokomo, we interviewed Larry Creviston, Chairman of the AACT National Festival, which will be in Carmel, Indiana (just North of Indianapolis) in June of 2013. Finally, here is that conversa</itunes:subtitle>
      <itunes:summary>Back in April at the Indiana Community Theatre League festival in Kokomo, we interviewed Larry Creviston, Chairman of the AACT National Festival, which will be in Carmel, Indiana (just North of Indianapolis) in June of 2013. Finally, here is that conversa</itunes:summary>
    </item>
    <item>
      <title>40 Miss Indianaâ€™s Youth Theatre Dreams</title>
      <link>http://theatregeeks.com/podcast/miss-indianas-youth-theatre-dreams/</link>
      <guid>http://theatregeeks.com/?p=810</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 12 Aug 2011 23:18:15 -0400</pubDate>
      <description><![CDATA[Miss Indiana, Jackie Jerlecki, joined the Geeks to discuss her public service platform, which, incidentally, involves theatre! Â This is the first of two episodes with Jackie, who is also choreographing Elkhart Civic Theatre's production of Joseph and the]]></description>
      <content:encoded><![CDATA[Miss Indiana, Jackie Jerlecki, joined the Geeks to discuss her public service platform, which, incidentally, involves theatre! Â This is the first of two episodes with Jackie, who is also choreographing Elkhart Civic Theatre's production of Joseph and the]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/LwyT9grR1RA/40_Miss_Indiana_and_her_platform.mp3" length="18263587" type="audio/mpeg" />
      <itunes:duration>0:19:01</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Miss Indiana, Jackie Jerlecki, joined the Geeks to discuss her public service platform, which, incidentally, involves theatre! Â This is the first of two episodes with Jackie, who is also choreographing Elkhart Civic Theatre's production of Joseph and the</itunes:subtitle>
      <itunes:summary>Miss Indiana, Jackie Jerlecki, joined the Geeks to discuss her public service platform, which, incidentally, involves theatre! Â This is the first of two episodes with Jackie, who is also choreographing Elkhart Civic Theatre's production of Joseph and the</itunes:summary>
    </item>
    <item>
      <title>39 Do you update a dated play?</title>
      <link>http://theatregeeks.com/podcast/39-do-you-update-a-dated-play/</link>
      <guid>http://theatregeeks.com/?p=800</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 01 Aug 2011 23:18:57 -0400</pubDate>
      <description><![CDATA[Discussion of if, when and how to update older material. Can you? Should you? It depends. John, Dave and Marcia put their collective brains to the problem. Send us YOUR thoughts.

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[Discussion of if, when and how to update older material. Can you? Should you? It depends. John, Dave and Marcia put their collective brains to the problem. Send us YOUR thoughts.

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/s2lnmDoEZOI/39_Do_you_update_a_dated_show.mp3" length="15367038" type="audio/mpeg" />
      <itunes:duration>0:15:46</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Discussion of if, when and how to update older material. Can you? Should you? It depends. John, Dave and Marcia put their collective brains to the problem. Send us YOUR thoughts.  Music provided by Music Alley.</itunes:subtitle>
      <itunes:summary>Discussion of if, when and how to update older material. Can you? Should you? It depends. John, Dave and Marcia put their collective brains to the problem. Send us YOUR thoughts.

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>38: Laugh or Cry: Our personal favorite theatrical blunders (humorous and horrible).</title>
      <link>http://theatregeeks.com/podcast/38-laugh-or-cry-our-personal-favorite-theatrical-blunders-humorous-and-horrible/</link>
      <guid>http://theatregeeks.com/?p=788</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 06 Jul 2011 11:55:36 -0400</pubDate>
      <description><![CDATA[The geeks share some of their favorite personal stories of on-stage bloopers that are sometimes funny, sometimes not. We all have them. Why not share some of yours with us for an upcoming episode?

Music provided by Music Alley.]]></description>
      <content:encoded><![CDATA[The geeks share some of their favorite personal stories of on-stage bloopers that are sometimes funny, sometimes not. We all have them. Why not share some of yours with us for an upcoming episode?

Music provided by Music Alley.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/wOBi5pjxy98/38_Laugh_or_Cry.mp3" length="19638673" type="audio/mpeg" />
      <itunes:duration>0:20:27</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The geeks share some of their favorite personal stories of on-stage bloopers that are sometimes funny, sometimes not. We all have them. Why not share some of yours with us for an upcoming episode?  Music provided by Music Alley.</itunes:subtitle>
      <itunes:summary>The geeks share some of their favorite personal stories of on-stage bloopers that are sometimes funny, sometimes not. We all have them. Why not share some of yours with us for an upcoming episode?

Music provided by Music Alley.</itunes:summary>
    </item>
    <item>
      <title>37: Flying Blind: Staging a play when the scriptâ€™s no help</title>
      <link>http://theatregeeks.com/podcast/37-flying-blind-staging-a-play-when-the-scripts-no-help/</link>
      <guid>http://theatregeeks.com/?p=747</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 19 Jun 2011 00:25:59 -0400</pubDate>
      <description><![CDATA[Many scripts are surprising lacking in information about staging, set design, and other details. Â This challenges the director and cast to do their research and even re-invent the play to fit a particular theatre and troupe. Â The Geeks (John, Marcia and]]></description>
      <content:encoded><![CDATA[Many scripts are surprising lacking in information about staging, set design, and other details. Â This challenges the director and cast to do their research and even re-invent the play to fit a particular theatre and troupe. Â The Geeks (John, Marcia and]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/C-g4nXjGHDA/37_Flying_Blind.mp3" length="20320323" type="audio/mpeg" />
      <itunes:duration>0:20:56</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Many scripts are surprising lacking in information about staging, set design, and other details. Â This challenges the director and cast to do their research and even re-invent the play to fit a particular theatre and troupe. Â The Geeks (John, Marcia and</itunes:subtitle>
      <itunes:summary>Many scripts are surprising lacking in information about staging, set design, and other details. Â This challenges the director and cast to do their research and even re-invent the play to fit a particular theatre and troupe. Â The Geeks (John, Marcia and</itunes:summary>
    </item>
    <item>
      <title>36: Sixty-eight years in community theatre</title>
      <link>http://theatregeeks.com/podcast/36-sixty-eight-years-in-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=666</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 23 Apr 2011 20:01:38 -0400</pubDate>
      <description><![CDATA[Mary Olendorf, a 68-year veteran of community theatre, from New Buffalo, Michigan, talks about her years in theatre, the festival system, and the value of community theatre.

This is an interview Dave did during the Indiana Community Theatre League Festiv]]></description>
      <content:encoded><![CDATA[Mary Olendorf, a 68-year veteran of community theatre, from New Buffalo, Michigan, talks about her years in theatre, the festival system, and the value of community theatre.

This is an interview Dave did during the Indiana Community Theatre League Festiv]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Ca8zIuCXfuo/36_Mary_Olendorf.mp3" length="13928077" type="audio/mpeg" />
      <itunes:duration>0:10:04</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Mary Olendorf, a 68-year veteran of community theatre, from New Buffalo, Michigan, talks about her years in theatre, the festival system, and the value of community theatre.  This is an interview Dave did during the Indiana Community Theatre League Festiv</itunes:subtitle>
      <itunes:summary>Mary Olendorf, a 68-year veteran of community theatre, from New Buffalo, Michigan, talks about her years in theatre, the festival system, and the value of community theatre.

This is an interview Dave did during the Indiana Community Theatre League Festiv</itunes:summary>
    </item>
    <item>
      <title>35: Theatre competitions arenâ€™t about the awards â€¦ or are they?</title>
      <link>http://theatregeeks.com/podcast/35-theatre-competitions-arent-about-the-awards-or-are-they/</link>
      <guid>http://theatregeeks.com/?p=643</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 16 Apr 2011 14:32:04 -0400</pubDate>
      <description><![CDATA[Theatre Festivals allow for some collegial competition between community theatre groups.  In this show, recorded before the Indiana Community Theatre League competition, John, Dave and Marcia talk about the pros and cons of such festivals, along with some]]></description>
      <content:encoded><![CDATA[Theatre Festivals allow for some collegial competition between community theatre groups.  In this show, recorded before the Indiana Community Theatre League competition, John, Dave and Marcia talk about the pros and cons of such festivals, along with some]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/h-lMomDfLKo/35_Festivals_Its_not_about_the_awards.mp3" length="21499427" type="audio/mpeg" />
      <itunes:duration>0:22:24</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre Festivals allow for some collegial competition between community theatre groups.  In this show, recorded before the Indiana Community Theatre League competition, John, Dave and Marcia talk about the pros and cons of such festivals, along with some</itunes:subtitle>
      <itunes:summary>Theatre Festivals allow for some collegial competition between community theatre groups.  In this show, recorded before the Indiana Community Theatre League competition, John, Dave and Marcia talk about the pros and cons of such festivals, along with some</itunes:summary>
    </item>
    <item>
      <title>34: Interview with cast of New World Artsâ€™ â€œThe Pillow Manâ€</title>
      <link>http://theatregeeks.com/podcast/34-interview-with-cast-of-new-world-arts-the-pillow-man/</link>
      <guid>http://theatregeeks.com/?p=633</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 14 Apr 2011 22:16:25 -0400</pubDate>
      <description><![CDATA[Dave interviews the cast of one of two productions of Martin McDonagh's The Pillow Man at the Indiana Community Theatre League Festival]]></description>
      <content:encoded><![CDATA[Dave interviews the cast of one of two productions of Martin McDonagh's The Pillow Man at the Indiana Community Theatre League Festival]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/WKewM4MXUSo/34_Pillow_Man_New_World_Arts_cast.mp3" length="19834696" type="audio/mpeg" />
      <itunes:duration>0:20:40</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Dave interviews the cast of one of two productions of Martin McDonagh's The Pillow Man at the Indiana Community Theatre League Festival</itunes:subtitle>
      <itunes:summary>Dave interviews the cast of one of two productions of Martin McDonagh's The Pillow Man at the Indiana Community Theatre League Festival</itunes:summary>
    </item>
    <item>
      <title>33: Community Theatre Festivals and Competition</title>
      <link>http://theatregeeks.com/podcast/32-community-theatre-festivals-and-competition/</link>
      <guid>http://theatregeeks.com/?p=597</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 10 Apr 2011 00:11:34 -0400</pubDate>
      <description><![CDATA[The Geeks interview Ross Rowland, Past President of the Indiana Community Theatre League, and active festival adjudicator in the USA and internationally.]]></description>
      <content:encoded><![CDATA[The Geeks interview Ross Rowland, Past President of the Indiana Community Theatre League, and active festival adjudicator in the USA and internationally.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/zR8SzqoYecU/33_Ross_Rowland_at_ICTL_Interview.mp3" length="10031892" type="audio/mpeg" />
      <itunes:duration>0:24:02</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks interview Ross Rowland, Past President of the Indiana Community Theatre League, and active festival adjudicator in the USA and internationally.</itunes:subtitle>
      <itunes:summary>The Geeks interview Ross Rowland, Past President of the Indiana Community Theatre League, and active festival adjudicator in the USA and internationally.</itunes:summary>
    </item>
    <item>
      <title>32: A peek inside the mind(s) of theatre festival judges</title>
      <link>http://theatregeeks.com/podcast/32-a-peek-inside-the-minds-of-theatre-festival-judges/</link>
      <guid>http://theatregeeks.com/?p=519</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 30 Mar 2011 00:01:39 -0400</pubDate>
      <description><![CDATA[When the adjudicators (judges) at a theatre festival evaluate the competition, how do they make their evaluations?]]></description>
      <content:encoded><![CDATA[When the adjudicators (judges) at a theatre festival evaluate the competition, how do they make their evaluations?]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/k2EmlrteHHw/32_ICTL_Adjudicators_Forum.mp3" length="18272162" type="audio/mpeg" />
      <itunes:duration>0:38:46</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>When the adjudicators (judges) at a theatre festival evaluate the competition, how do they make their evaluations?</itunes:subtitle>
      <itunes:summary>When the adjudicators (judges) at a theatre festival evaluate the competition, how do they make their evaluations?</itunes:summary>
    </item>
    <item>
      <title>31: Dealing with a Diva in the Theatre</title>
      <link>http://theatregeeks.com/podcast/31-dealing-with-a-diva-in-the-theatre/</link>
      <guid>http://theatregeeks.com/?p=498</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 13 Mar 2011 03:18:48 -0400</pubDate>
      <description><![CDATA[Sometimes talented actors can become difficult to deal with, for director, crew and fellow cast members. The diva, or prima donna, can be a special challenge.]]></description>
      <content:encoded><![CDATA[Sometimes talented actors can become difficult to deal with, for director, crew and fellow cast members. The diva, or prima donna, can be a special challenge.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/KlA2sgS9sXU/31_Dealing_With_Divas.mp3" length="17337703" type="audio/mpeg" />
      <itunes:duration>0:24:05</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Sometimes talented actors can become difficult to deal with, for director, crew and fellow cast members. The diva, or prima donna, can be a special challenge.</itunes:subtitle>
      <itunes:summary>Sometimes talented actors can become difficult to deal with, for director, crew and fellow cast members. The diva, or prima donna, can be a special challenge.</itunes:summary>
    </item>
    <item>
      <title>30: What the #@&amp;! â€” dealing with profanity and explicit language in community theatre</title>
      <link>http://theatregeeks.com/podcast/30-what-the-dealing-with-profanity-and-explicit-language-in-community-theatre/</link>
      <guid>http://theatregeeks.com/?p=473</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 26 Feb 2011 13:45:20 -0500</pubDate>
      <description><![CDATA[What to do about those pesky cusswords? Â Many modern plays have explicit language, unlike most of the classics we grew up with. Â With changing artistic standards, community theatres often have to make the choice to produce or not produce a particular pl]]></description>
      <content:encoded><![CDATA[What to do about those pesky cusswords? Â Many modern plays have explicit language, unlike most of the classics we grew up with. Â With changing artistic standards, community theatres often have to make the choice to produce or not produce a particular pl]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/IWtMZ5KGiYE/30_profanity_in_community_theatre.mp3" length="19821321" type="audio/mpeg" />
      <itunes:duration>0:20:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What to do about those pesky cusswords? Â Many modern plays have explicit language, unlike most of the classics we grew up with. Â With changing artistic standards, community theatres often have to make the choice to produce or not produce a particular pl</itunes:subtitle>
      <itunes:summary>What to do about those pesky cusswords? Â Many modern plays have explicit language, unlike most of the classics we grew up with. Â With changing artistic standards, community theatres often have to make the choice to produce or not produce a particular pl</itunes:summary>
    </item>
    <item>
      <title>29: Theatre FOR children vs theatre WITH children</title>
      <link>http://theatregeeks.com/podcast/29-theatre-for-children-vs-theatre-with-childrenkevin-reese-part-ii/</link>
      <guid>http://theatregeeks.com/?p=458</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 13 Feb 2011 20:00:00 -0500</pubDate>
      <description><![CDATA[In this episode of Theatre Geeks, we have more with children's playwright Kevin M. Reese and the Geeks: Dave Dufour, John Shoup and Marcia Fulmer. Â The gang talks about the differences between children's theatre (theatre performed for children by adults)]]></description>
      <content:encoded><![CDATA[In this episode of Theatre Geeks, we have more with children's playwright Kevin M. Reese and the Geeks: Dave Dufour, John Shoup and Marcia Fulmer. Â The gang talks about the differences between children's theatre (theatre performed for children by adults)]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/H9kbmq6f6mc/29_Childrens_Theatre_2.mp3" length="31802790" type="audio/mpeg" />
      <itunes:duration>0:22:05</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In this episode of Theatre Geeks, we have more with children's playwright Kevin M. Reese and the Geeks: Dave Dufour, John Shoup and Marcia Fulmer. Â The gang talks about the differences between children's theatre (theatre performed for children by adults)</itunes:subtitle>
      <itunes:summary>In this episode of Theatre Geeks, we have more with children's playwright Kevin M. Reese and the Geeks: Dave Dufour, John Shoup and Marcia Fulmer. Â The gang talks about the differences between children's theatre (theatre performed for children by adults)</itunes:summary>
    </item>
    <item>
      <title>28: Writing for childrenâ€™s theatre</title>
      <link>http://theatregeeks.com/podcast/28-writing-for-childrens-theatre/</link>
      <guid>http://theatregeeks.com/?p=451</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 30 Jan 2011 14:12:38 -0500</pubDate>
      <description><![CDATA[A visit with playwright Kevin M. Reese
Children's playwright Kevin M. Reese joins the Geeks for a lively conversation about the art, craft and business of writing, selling and producing plays for kids. Â Kevin is the owner of KMR Scripts in the Wichita, K]]></description>
      <content:encoded><![CDATA[A visit with playwright Kevin M. Reese
Children's playwright Kevin M. Reese joins the Geeks for a lively conversation about the art, craft and business of writing, selling and producing plays for kids. Â Kevin is the owner of KMR Scripts in the Wichita, K]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/qNpFmF_tX5A/28_Writing_plays_for_children.mp3" length="42416195" type="audio/mpeg" />
      <itunes:duration>0:29:27</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>A visit with playwright Kevin M. Reese Children's playwright Kevin M. Reese joins the Geeks for a lively conversation about the art, craft and business of writing, selling and producing plays for kids. Â Kevin is the owner of KMR Scripts in the Wichita, K</itunes:subtitle>
      <itunes:summary>A visit with playwright Kevin M. Reese
Children's playwright Kevin M. Reese joins the Geeks for a lively conversation about the art, craft and business of writing, selling and producing plays for kids. Â Kevin is the owner of KMR Scripts in the Wichita, K</itunes:summary>
    </item>
    <item>
      <title>27: Developing and caring for donors</title>
      <link>http://theatregeeks.com/podcast/27-developing-and-caring-for-donors/</link>
      <guid>http://theatregeeks.com/?p=438</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 24 Dec 2010 01:07:43 -0500</pubDate>
      <description><![CDATA[Donors are the lifeblood of many not-for-profit organizations and community theatres are no exception. Â Join the Geeks, plus Rick Ellis and fund-raising/not-for-profit expert Kristin Schwerha-Scott as we discuss the development, care and feeding of your ]]></description>
      <content:encoded><![CDATA[Donors are the lifeblood of many not-for-profit organizations and community theatres are no exception. Â Join the Geeks, plus Rick Ellis and fund-raising/not-for-profit expert Kristin Schwerha-Scott as we discuss the development, care and feeding of your ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/lwCtutCIOTg/27_Care_and_Feeding_of_Donors.mp3" length="36608234" type="audio/mpeg" />
      <itunes:duration>0:25:25</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Donors are the lifeblood of many not-for-profit organizations and community theatres are no exception. Â Join the Geeks, plus Rick Ellis and fund-raising/not-for-profit expert Kristin Schwerha-Scott as we discuss the development, care and feeding of your </itunes:subtitle>
      <itunes:summary>Donors are the lifeblood of many not-for-profit organizations and community theatres are no exception. Â Join the Geeks, plus Rick Ellis and fund-raising/not-for-profit expert Kristin Schwerha-Scott as we discuss the development, care and feeding of your </itunes:summary>
    </item>
    <item>
      <title>26: Youth and Childrenâ€™s Theatre</title>
      <link>http://theatregeeks.com/podcast/26-youth-and-childrens-theatre/</link>
      <guid>http://theatregeeks.com/?p=431</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 10 Dec 2010 00:30:39 -0500</pubDate>
      <description><![CDATA[Youth theatre and children's theatre represent great opportunities for community theatres to grow their audiences and train the next generation of players at the same time. Â This week, in the second of three episodes from Elkhart's Daily Grind, the Geeks]]></description>
      <content:encoded><![CDATA[Youth theatre and children's theatre represent great opportunities for community theatres to grow their audiences and train the next generation of players at the same time. Â This week, in the second of three episodes from Elkhart's Daily Grind, the Geeks]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/GOYr3yV6rDg/26_Youth_and_Childrens_Theatre.mp3" length="57390627" type="audio/mpeg" />
      <itunes:duration>0:39:51</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Youth theatre and children's theatre represent great opportunities for community theatres to grow their audiences and train the next generation of players at the same time. Â This week, in the second of three episodes from Elkhart's Daily Grind, the Geeks</itunes:subtitle>
      <itunes:summary>Youth theatre and children's theatre represent great opportunities for community theatres to grow their audiences and train the next generation of players at the same time. Â This week, in the second of three episodes from Elkhart's Daily Grind, the Geeks</itunes:summary>
    </item>
    <item>
      <title>25: Plays every community theatre should produce</title>
      <link>http://theatregeeks.com/podcast/25-plays-every-community-theatre-should-produce/</link>
      <guid>http://www.theatregeeks.com/?p=406</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 10 Nov 2010 23:26:59 -0500</pubDate>
      <description><![CDATA[The Geeks present their picks for community theatre "must do" plays and musicals. Â Classics, contemporary shows, comedies, tragedies, reviews; Â they're all candidates, but which will be blessed by the Geeks? Â Guest Geek Rick Ellis joins us in this epis]]></description>
      <content:encoded><![CDATA[The Geeks present their picks for community theatre "must do" plays and musicals. Â Classics, contemporary shows, comedies, tragedies, reviews; Â they're all candidates, but which will be blessed by the Geeks? Â Guest Geek Rick Ellis joins us in this epis]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/SKDiVA0ZBGo/25_PlaysYouShouldProduce.mp3" length="46798909" type="audio/mpeg" />
      <itunes:duration>0:32:28</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks present their picks for community theatre &quot;must do&quot; plays and musicals. Â Classics, contemporary shows, comedies, tragedies, reviews; Â they're all candidates, but which will be blessed by the Geeks? Â Guest Geek Rick Ellis joins us in this epis</itunes:subtitle>
      <itunes:summary>The Geeks present their picks for community theatre &quot;must do&quot; plays and musicals. Â Classics, contemporary shows, comedies, tragedies, reviews; Â they're all candidates, but which will be blessed by the Geeks? Â Guest Geek Rick Ellis joins us in this epis</itunes:summary>
    </item>
    <item>
      <title>24: Audience Smack-down 101 (Theyâ€™re Misbehavinâ€™)</title>
      <link>http://theatregeeks.com/podcast/24-audience-smack-down-101-theyre-misbehavin/</link>
      <guid>http://www.theatregeeks.com/?p=395</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 31 Oct 2010 18:56:41 -0400</pubDate>
      <description><![CDATA[Audience etiquette takes center stage as John Shoup, Dave Dufour, Marcia Fulmer and guest Geek Randy Zonker vent about the things some theatre patrons do to make things less enjoyable for other patrons.]]></description>
      <content:encoded><![CDATA[Audience etiquette takes center stage as John Shoup, Dave Dufour, Marcia Fulmer and guest Geek Randy Zonker vent about the things some theatre patrons do to make things less enjoyable for other patrons.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/95J_vr-WSms/24_Theyre_Misbehavin.mp3" length="35510250" type="audio/mpeg" />
      <itunes:duration>0:24:38</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Audience etiquette takes center stage as John Shoup, Dave Dufour, Marcia Fulmer and guest Geek Randy Zonker vent about the things some theatre patrons do to make things less enjoyable for other patrons.</itunes:subtitle>
      <itunes:summary>Audience etiquette takes center stage as John Shoup, Dave Dufour, Marcia Fulmer and guest Geek Randy Zonker vent about the things some theatre patrons do to make things less enjoyable for other patrons.</itunes:summary>
    </item>
    <item>
      <title>23: House Rules: Managing your theatreâ€™s public face</title>
      <link>http://theatregeeks.com/podcast/house-rules-managing-your-theatres-public-face/</link>
      <guid>http://www.theatregeeks.com/?p=387</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Thu, 28 Oct 2010 00:26:52 -0400</pubDate>
      <description><![CDATA[What's the first thing your patrons judge Â your theatre by? Â It's not the quality of the play. Â More likely, it's the cleanliness of Â your restrooms, the competence of your box office staff, and the friendliness of your ushers. Â These are all part of]]></description>
      <content:encoded><![CDATA[What's the first thing your patrons judge Â your theatre by? Â It's not the quality of the play. Â More likely, it's the cleanliness of Â your restrooms, the competence of your box office staff, and the friendliness of your ushers. Â These are all part of]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/feedproxy.google.com/~r/TheatreGeeks/~5/Z8U9HC3dluw/23_House_Rules.mp3" length="31932992" type="audio/mpeg" />
      <itunes:duration>0:22:09</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>What's the first thing your patrons judge Â your theatre by? Â It's not the quality of the play. Â More likely, it's the cleanliness of Â your restrooms, the competence of your box office staff, and the friendliness of your ushers. Â These are all part of</itunes:subtitle>
      <itunes:summary>What's the first thing your patrons judge Â your theatre by? Â It's not the quality of the play. Â More likely, it's the cleanliness of Â your restrooms, the competence of your box office staff, and the friendliness of your ushers. Â These are all part of</itunes:summary>
    </item>
    <item>
      <title>22: Let there be light</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/eLitsntf438/</link>
      <guid>http://www.theatregeeks.com/?p=379</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 06 Oct 2010 00:08:37 -0400</pubDate>
      <description><![CDATA[In community theatre, lighting is often considered something of a (no pun intended) dark art. Â Many theatres consider lighting last, when Â it's an integral part of creating moods, adding texture and content, and moving the play's action forward (besides]]></description>
      <content:encoded><![CDATA[In community theatre, lighting is often considered something of a (no pun intended) dark art. Â Many theatres consider lighting last, when Â it's an integral part of creating moods, adding texture and content, and moving the play's action forward (besides]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/22_Let_there_be_light.mp3" length="31694869" type="audio/mpeg" />
      <itunes:duration>0:21:59</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In community theatre, lighting is often considered something of a (no pun intended) dark art. Â Many theatres consider lighting last, when Â it's an integral part of creating moods, adding texture and content, and moving the play's action forward (besides</itunes:subtitle>
      <itunes:summary>In community theatre, lighting is often considered something of a (no pun intended) dark art. Â Many theatres consider lighting last, when Â it's an integral part of creating moods, adding texture and content, and moving the play's action forward (besides</itunes:summary>
    </item>
    <item>
      <title>21: You can't always get what you want</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/30Py_BzYk68/</link>
      <guid>http://www.theatregeeks.com/?p=285</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 13 Sep 2010 01:31:48 -0400</pubDate>
      <description><![CDATA[The Geeks discuss what directors can and should do when the auditions don't bring in enough or the right kind of actors for a particular production.]]></description>
      <content:encoded><![CDATA[The Geeks discuss what directors can and should do when the auditions don't bring in enough or the right kind of actors for a particular production.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/21_You_cant_always_get_what_you_want.mp3" length="39509526" type="audio/mpeg" />
      <itunes:duration>0:27:21</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks discuss what directors can and should do when the auditions don't bring in enough or the right kind of actors for a particular production.</itunes:subtitle>
      <itunes:summary>The Geeks discuss what directors can and should do when the auditions don't bring in enough or the right kind of actors for a particular production.</itunes:summary>
    </item>
    <item>
      <title>20: Experimental Theatre (Huh?)</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/CDSvXiJKDUM/</link>
      <guid>http://www.theatregeeks.com/?p=278</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 30 Aug 2010 20:39:49 -0400</pubDate>
      <description><![CDATA[Guest Geek Rick Ellis joins John, Marcia and Dave to discuss the concept of experimental theatre, what it is, how it started, why theatres should undertake experimental productions and more.

Theme music comes from Al Phlipp and the Woo Team via Music All]]></description>
      <content:encoded><![CDATA[Guest Geek Rick Ellis joins John, Marcia and Dave to discuss the concept of experimental theatre, what it is, how it started, why theatres should undertake experimental productions and more.

Theme music comes from Al Phlipp and the Woo Team via Music All]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/20_Experimental_Theatre_Who_What_Why.mp3" length="33590026" type="audio/mpeg" />
      <itunes:duration>0:23:17</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Guest Geek Rick Ellis joins John, Marcia and Dave to discuss the concept of experimental theatre, what it is, how it started, why theatres should undertake experimental productions and more.  Theme music comes from Al Phlipp and the Woo Team via Music All</itunes:subtitle>
      <itunes:summary>Guest Geek Rick Ellis joins John, Marcia and Dave to discuss the concept of experimental theatre, what it is, how it started, why theatres should undertake experimental productions and more.

Theme music comes from Al Phlipp and the Woo Team via Music All</itunes:summary>
    </item>
    <item>
      <title>19: Death takes a holiday</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/oOg219tdfsE/</link>
      <guid>http://www.theatregeeks.com/?p=259</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 18 Aug 2010 22:13:12 -0400</pubDate>
      <description><![CDATA[Holiday shows are a staple of many community theatres' seasons, and they come in all levels of complexity and cost. Â But why do them at all? Â Don't we get enough holiday spirit from every other corner without feeling like we absolutely have to mount a h]]></description>
      <content:encoded><![CDATA[Holiday shows are a staple of many community theatres' seasons, and they come in all levels of complexity and cost. Â But why do them at all? Â Don't we get enough holiday spirit from every other corner without feeling like we absolutely have to mount a h]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/19_death_takes_a_holiday.mp3" length="37699561" type="audio/mpeg" />
      <itunes:duration>0:26:09</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Holiday shows are a staple of many community theatres' seasons, and they come in all levels of complexity and cost. Â But why do them at all? Â Don't we get enough holiday spirit from every other corner without feeling like we absolutely have to mount a h</itunes:subtitle>
      <itunes:summary>Holiday shows are a staple of many community theatres' seasons, and they come in all levels of complexity and cost. Â But why do them at all? Â Don't we get enough holiday spirit from every other corner without feeling like we absolutely have to mount a h</itunes:summary>
    </item>
    <item>
      <title>18: Theatre Tech, Tac, Toe</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/g-oFAK8Qahg/</link>
      <guid>http://www.theatregeeks.com/?p=248</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 04 Aug 2010 21:26:39 -0400</pubDate>
      <description><![CDATA[Theatre techies are often given a snub by the actors onstage. In community theatre the tech crew are may be thought of as those folks who come into the production late in the game and just slow down a couple rehearsals for the "real stars" of the show. Â ]]></description>
      <content:encoded><![CDATA[Theatre techies are often given a snub by the actors onstage. In community theatre the tech crew are may be thought of as those folks who come into the production late in the game and just slow down a couple rehearsals for the "real stars" of the show. Â ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/18_Tech_Tac_Toe.mp3" length="31426585" type="audio/mpeg" />
      <itunes:duration>0:21:48</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Theatre techies are often given a snub by the actors onstage. In community theatre the tech crew are may be thought of as those folks who come into the production late in the game and just slow down a couple rehearsals for the &quot;real stars&quot; of the show. Â </itunes:subtitle>
      <itunes:summary>Theatre techies are often given a snub by the actors onstage. In community theatre the tech crew are may be thought of as those folks who come into the production late in the game and just slow down a couple rehearsals for the &quot;real stars&quot; of the show. Â </itunes:summary>
    </item>
    <item>
      <title>17: Fear of Commitment</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/vm8kfYq0-Pg/</link>
      <guid>http://www.theatregeeks.com/?p=235</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 21 Jul 2010 23:12:23 -0400</pubDate>
      <description><![CDATA[Joining the cast or crew of a play production is a lot like a marriage. Â You have to commit to the enterprise, and fulfill your commitment. Â Community theatres can't usually fire you or flunk you, so they depend on everyone who volunteers to come throug]]></description>
      <content:encoded><![CDATA[Joining the cast or crew of a play production is a lot like a marriage. Â You have to commit to the enterprise, and fulfill your commitment. Â Community theatres can't usually fire you or flunk you, so they depend on everyone who volunteers to come throug]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/17_Fear_of_Commitment.mp3" length="24913154" type="audio/mpeg" />
      <itunes:duration>0:17:16</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Joining the cast or crew of a play production is a lot like a marriage. Â You have to commit to the enterprise, and fulfill your commitment. Â Community theatres can't usually fire you or flunk you, so they depend on everyone who volunteers to come throug</itunes:subtitle>
      <itunes:summary>Joining the cast or crew of a play production is a lot like a marriage. Â You have to commit to the enterprise, and fulfill your commitment. Â Community theatres can't usually fire you or flunk you, so they depend on everyone who volunteers to come throug</itunes:summary>
    </item>
    <item>
      <title>16: Moving from high school to community theatre</title>
      <link>http://feedproxy.google.com/~r/TheatreGeeks/~3/oXgbcT0g3II/</link>
      <guid>http://www.theatregeeks.com/?p=219</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 06 Jul 2010 23:19:27 -0400</pubDate>
      <description><![CDATA[

One of our listeners, Ashton, asked the geeks to talk about the differences between high school, community and college theatre. Â A lot of theatre geeks were originally bitten by the "bug" in high school and decided to stay with it, even if they may nev]]></description>
      <content:encoded><![CDATA[

One of our listeners, Ashton, asked the geeks to talk about the differences between high school, community and college theatre. Â A lot of theatre geeks were originally bitten by the "bug" in high school and decided to stay with it, even if they may nev]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/16_From_High_school_to_college_and_community_theatre.mp3" length="36910204" type="audio/mpeg" />
      <itunes:duration>0:25:36</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>  One of our listeners, Ashton, asked the geeks to talk about the differences between high school, community and college theatre. Â A lot of theatre geeks were originally bitten by the &quot;bug&quot; in high school and decided to stay with it, even if they may nev</itunes:subtitle>
      <itunes:summary>

One of our listeners, Ashton, asked the geeks to talk about the differences between high school, community and college theatre. Â A lot of theatre geeks were originally bitten by the &quot;bug&quot; in high school and decided to stay with it, even if they may nev</itunes:summary>
    </item>
    <item>
      <title>15: There are no small parts . . .</title>
      <link>http://www.theatregeeks.com/2010/06/15-there-are-no-small-parts/</link>
      <guid>http://www.theatregeeks.com/?p=202</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 19 Jun 2010 00:36:26 -0400</pubDate>
      <description><![CDATA[How can you make the most of that small role? Â And what should you do when you have lots of time before your next entrance? Â These and other vital questions are addressed by the Geeks.

Also: We announce the winner of the cap contest!

Music provided by]]></description>
      <content:encoded><![CDATA[How can you make the most of that small role? Â And what should you do when you have lots of time before your next entrance? Â These and other vital questions are addressed by the Geeks.

Also: We announce the winner of the cap contest!

Music provided by]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/15_There_Are_No_Small_Parts.mp3" length="31735122" type="audio/mpeg" />
      <itunes:duration>0:22:01</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>How can you make the most of that small role? Â And what should you do when you have lots of time before your next entrance? Â These and other vital questions are addressed by the Geeks.  Also: We announce the winner of the cap contest!  Music provided by</itunes:subtitle>
      <itunes:summary>How can you make the most of that small role? Â And what should you do when you have lots of time before your next entrance? Â These and other vital questions are addressed by the Geeks.

Also: We announce the winner of the cap contest!

Music provided by</itunes:summary>
    </item>
    <item>
      <title>14: Be kind to your stage manager</title>
      <link>http://www.theatregeeks.com/2010/06/14-be-kind-to-your-stage-manager/</link>
      <guid>http://www.theatregeeks.com/?p=191</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 05 Jun 2010 23:44:03 -0400</pubDate>
      <description><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2010/06/1169978_73864232-300x225.jpg)Stage managers and their crews are some of the most under-appreciated, yet indispensable personnel on any show.Â  In addition to giving the anonymous backstage workers a ]]></description>
      <content:encoded><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2010/06/1169978_73864232-300x225.jpg)Stage managers and their crews are some of the most under-appreciated, yet indispensable personnel on any show.Â  In addition to giving the anonymous backstage workers a ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/14_Be_kind_to_your_stage_manager.mp3" length="28799760" type="audio/mpeg" />
      <itunes:duration>0:19:58</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>(http://www.theatregeeks.com/wp-content/uploads/2010/06/1169978_73864232-300x225.jpg)Stage managers and their crews are some of the most under-appreciated, yet indispensable personnel on any show.Â  In addition to giving the anonymous backstage workers a </itunes:subtitle>
      <itunes:summary>(http://www.theatregeeks.com/wp-content/uploads/2010/06/1169978_73864232-300x225.jpg)Stage managers and their crews are some of the most under-appreciated, yet indispensable personnel on any show.Â  In addition to giving the anonymous backstage workers a </itunes:summary>
    </item>
    <item>
      <title>13: Stage Fright</title>
      <link>http://www.theatregeeks.com/2010/05/13-stage-fright/</link>
      <guid>http://www.theatregeeks.com/?p=172</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 21 May 2010 23:50:21 -0400</pubDate>
      <description><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2010/05/iStock_000009828417XSmall-300x199.jpg)Every actor gets stage fright at one time or another.Â  The important thing is dealing with it.Â  In this episode, the Geeks discuss why we have stage fright, in]]></description>
      <content:encoded><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2010/05/iStock_000009828417XSmall-300x199.jpg)Every actor gets stage fright at one time or another.Â  The important thing is dealing with it.Â  In this episode, the Geeks discuss why we have stage fright, in]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/13_Stage_Fright.mp3" length="31224917" type="audio/mpeg" />
      <itunes:duration>0:21:39</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>(http://www.theatregeeks.com/wp-content/uploads/2010/05/iStock_000009828417XSmall-300x199.jpg)Every actor gets stage fright at one time or another.Â  The important thing is dealing with it.Â  In this episode, the Geeks discuss why we have stage fright, in</itunes:subtitle>
      <itunes:summary>(http://www.theatregeeks.com/wp-content/uploads/2010/05/iStock_000009828417XSmall-300x199.jpg)Every actor gets stage fright at one time or another.Â  The important thing is dealing with it.Â  In this episode, the Geeks discuss why we have stage fright, in</itunes:summary>
    </item>
    <item>
      <title>12: Casting is Relative</title>
      <link>http://www.theatregeeks.com/2010/05/12-casting-is-relative/</link>
      <guid>http://www.theatregeeks.com/?p=161</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 14 May 2010 13:17:02 -0400</pubDate>
      <description><![CDATA[Perils of casting when friends and relatives are auditioning
All community theatre directors (and even some pros) have been there.Â  One of the auditioners is a good friend or relative.Â  What happens if you cast him or her? What happens if you don't? Eit]]></description>
      <content:encoded><![CDATA[Perils of casting when friends and relatives are auditioning
All community theatre directors (and even some pros) have been there.Â  One of the auditioners is a good friend or relative.Â  What happens if you cast him or her? What happens if you don't? Eit]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/12_Casting_is_Relative_20100514.mp3" length="21280980" type="audio/mpeg" />
      <itunes:duration>0:14:45</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Perils of casting when friends and relatives are auditioning All community theatre directors (and even some pros) have been there.Â  One of the auditioners is a good friend or relative.Â  What happens if you cast him or her? What happens if you don't? Eit</itunes:subtitle>
      <itunes:summary>Perils of casting when friends and relatives are auditioning
All community theatre directors (and even some pros) have been there.Â  One of the auditioners is a good friend or relative.Â  What happens if you cast him or her? What happens if you don't? Eit</itunes:summary>
    </item>
    <item>
      <title>11: When you get a part, but itâ€™s not the part you want</title>
      <link>http://www.theatregeeks.com/2010/04/11-when-you-get-a-part-but-its-not-the-part-you-want/</link>
      <guid>http://www.theatregeeks.com/?p=155</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 30 Apr 2010 00:39:34 -0400</pubDate>
      <description><![CDATA[You've gone through auditions and finally the director calls and offers you NOT the part you really wanted, but something else. A chorus part.Â  A small supporting role.Â  A (gasp) non-speaking role.Â  Hey, it's happened to everyone in community theatre.Â]]></description>
      <content:encoded><![CDATA[You've gone through auditions and finally the director calls and offers you NOT the part you really wanted, but something else. A chorus part.Â  A small supporting role.Â  A (gasp) non-speaking role.Â  Hey, it's happened to everyone in community theatre.Â]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/11_Not_the_part_you_want.mp3" length="24526304" type="audio/mpeg" />
      <itunes:duration>0:17:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>You've gone through auditions and finally the director calls and offers you NOT the part you really wanted, but something else. A chorus part.Â  A small supporting role.Â  A (gasp) non-speaking role.Â  Hey, it's happened to everyone in community theatre.Â</itunes:subtitle>
      <itunes:summary>You've gone through auditions and finally the director calls and offers you NOT the part you really wanted, but something else. A chorus part.Â  A small supporting role.Â  A (gasp) non-speaking role.Â  Hey, it's happened to everyone in community theatre.Â</itunes:summary>
    </item>
    <item>
      <title>10.5: A brief contest announcement</title>
      <link>http://www.theatregeeks.com/2010/04/10-5-a-brief-contest-announcement/</link>
      <guid>http://www.theatregeeks.com/?p=151</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 23 Apr 2010 00:26:02 -0400</pubDate>
      <description><![CDATA[Episode 10.5?Â  Sure. Dave decided to shoot out a quick little reminder to enter our fill-in-the-blank theatre quote contest and try to win a free Theatre Geeks cap.

No biggie, but look for Episode 11 this weekend!]]></description>
      <content:encoded><![CDATA[Episode 10.5?Â  Sure. Dave decided to shoot out a quick little reminder to enter our fill-in-the-blank theatre quote contest and try to win a free Theatre Geeks cap.

No biggie, but look for Episode 11 this weekend!]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/10_5_contest_announcement.mp3" length="2922814" type="audio/mpeg" />
      <itunes:duration>0:02:02</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Episode 10.5?Â  Sure. Dave decided to shoot out a quick little reminder to enter our fill-in-the-blank theatre quote contest and try to win a free Theatre Geeks cap.  No biggie, but look for Episode 11 this weekend!</itunes:subtitle>
      <itunes:summary>Episode 10.5?Â  Sure. Dave decided to shoot out a quick little reminder to enter our fill-in-the-blank theatre quote contest and try to win a free Theatre Geeks cap.

No biggie, but look for Episode 11 this weekend!</itunes:summary>
    </item>
    <item>
      <title>10: Directorsâ€™ Pet Peeves (Volume 2)</title>
      <link>http://www.theatregeeks.com/2010/04/10-directors-pet-peeves-volume-2/</link>
      <guid>http://www.theatregeeks.com/?p=132</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 12 Apr 2010 22:48:55 -0400</pubDate>
      <description><![CDATA[ 

 Dave, John and Marcia cover a few more pet peeves of community theatre directors including:

	* Backstage "directing"
	* Lack of preparation and focus
	* Late to rehearsals
	* The perils of paraphrasing.

 



PLUS an update on Dede the honorary geek ]]></description>
      <content:encoded><![CDATA[ 

 Dave, John and Marcia cover a few more pet peeves of community theatre directors including:

	* Backstage "directing"
	* Lack of preparation and focus
	* Late to rehearsals
	* The perils of paraphrasing.

 



PLUS an update on Dede the honorary geek ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/10_Directors_Pet_Peeves_2.mp3" length="32865615" type="audio/mpeg" />
      <itunes:duration>0:22:46</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>    Dave, John and Marcia cover a few more pet peeves of community theatre directors including:    * Backstage &quot;directing&quot;   * Lack of preparation and focus   * Late to rehearsals   * The perils of paraphrasing.       PLUS an update on Dede the honorary geek </itunes:subtitle>
      <itunes:summary> 

 Dave, John and Marcia cover a few more pet peeves of community theatre directors including:

	* Backstage &quot;directing&quot;
	* Lack of preparation and focus
	* Late to rehearsals
	* The perils of paraphrasing.

 



PLUS an update on Dede the honorary geek </itunes:summary>
    </item>
    <item>
      <title>9: God, I hope I get it, or Auditions: the first step</title>
      <link>http://www.theatregeeks.com/2010/03/9-god-i-hope-i-get-it-or-auditions-the-first-step/</link>
      <guid>http://www.theatregeeks.com/?p=127</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sat, 27 Mar 2010 18:20:16 -0400</pubDate>
      <description><![CDATA[John, Dave and Marcia,Â  plus Dede the Honorary Geek, discuss dos and don'ts of theatrical auditions, what to expect and how to make the most out of your next try-0ut.]]></description>
      <content:encoded><![CDATA[John, Dave and Marcia,Â  plus Dede the Honorary Geek, discuss dos and don'ts of theatrical auditions, what to expect and how to make the most out of your next try-0ut.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/9_God_I_hope_I_get_it.mp3" length="23469949" type="audio/mpeg" />
      <itunes:duration>0:24:21</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>John, Dave and Marcia,Â  plus Dede the Honorary Geek, discuss dos and don'ts of theatrical auditions, what to expect and how to make the most out of your next try-0ut.</itunes:subtitle>
      <itunes:summary>John, Dave and Marcia,Â  plus Dede the Honorary Geek, discuss dos and don'ts of theatrical auditions, what to expect and how to make the most out of your next try-0ut.</itunes:summary>
    </item>
    <item>
      <title>8: Heâ€™s such a character (we hope)</title>
      <link>http://www.theatregeeks.com/2010/03/8-hes-such-a-character-we-hope/</link>
      <guid>http://www.theatregeeks.com/?p=118</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 14 Mar 2010 03:36:59 -0400</pubDate>
      <description><![CDATA[The Geeks plus honorary Geek Deirdre Lovejoy discuss character development for community theatre players as well as professionals.Â  And Dede wants a damn HAT! (http://www.theatregeeks.com/hat)

Music provided by Music Alley (http://www.musicalley.com)]]></description>
      <content:encoded><![CDATA[The Geeks plus honorary Geek Deirdre Lovejoy discuss character development for community theatre players as well as professionals.Â  And Dede wants a damn HAT! (http://www.theatregeeks.com/hat)

Music provided by Music Alley (http://www.musicalley.com)]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/8_Hes_Such_A_Character.mp3" length="27097361" type="audio/mpeg" />
      <itunes:duration>0:11:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks plus honorary Geek Deirdre Lovejoy discuss character development for community theatre players as well as professionals.Â  And Dede wants a damn HAT! (http://www.theatregeeks.com/hat)  Music provided by Music Alley (http://www.musicalley.com)</itunes:subtitle>
      <itunes:summary>The Geeks plus honorary Geek Deirdre Lovejoy discuss character development for community theatre players as well as professionals.Â  And Dede wants a damn HAT! (http://www.theatregeeks.com/hat)

Music provided by Music Alley (http://www.musicalley.com)</itunes:summary>
    </item>
    <item>
      <title>7: Donâ€™t Tempt Fate (Theatre Superstitions)</title>
      <link>http://www.theatregeeks.com/2010/02/7-dont-tempt-fate-theatre-superstitions/</link>
      <guid>http://www.theatregeeks.com/?p=111</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 28 Feb 2010 00:20:06 -0500</pubDate>
      <description><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2009/11/1155518_45592859-300x135.jpg)

The geeks discuss well-known superstitions related to the theatre, including those surrounding "the Scottish Play", whistling backstage, and many lesser known beliefs. ]]></description>
      <content:encoded><![CDATA[(http://www.theatregeeks.com/wp-content/uploads/2009/11/1155518_45592859-300x135.jpg)

The geeks discuss well-known superstitions related to the theatre, including those surrounding "the Scottish Play", whistling backstage, and many lesser known beliefs. ]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/7_Dont_tempt_fate_THEATRE_GEEKS.mp3" length="26054809" type="audio/mpeg" />
      <itunes:duration>0:06:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>(http://www.theatregeeks.com/wp-content/uploads/2009/11/1155518_45592859-300x135.jpg)  The geeks discuss well-known superstitions related to the theatre, including those surrounding &quot;the Scottish Play&quot;, whistling backstage, and many lesser known beliefs. </itunes:subtitle>
      <itunes:summary>(http://www.theatregeeks.com/wp-content/uploads/2009/11/1155518_45592859-300x135.jpg)

The geeks discuss well-known superstitions related to the theatre, including those surrounding &quot;the Scottish Play&quot;, whistling backstage, and many lesser known beliefs. </itunes:summary>
    </item>
    <item>
      <title>6: Actors wanna know: What do I do with my hands?</title>
      <link>http://www.theatregeeks.com/2010/02/6-actors-wanna-know-what-do-i-do-with-my-hands/</link>
      <guid>http://www.theatregeeks.com/?p=105</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 15 Feb 2010 01:38:24 -0500</pubDate>
      <description><![CDATA[Hands: Everybody's got 'em. Â What do you do with 'em? Â Dave, John and Marcia tackle this problem that plagues beginners and experienced actors alike.

Music provided by Music Alley (http://www.musicalley.com)]]></description>
      <content:encoded><![CDATA[Hands: Everybody's got 'em. Â What do you do with 'em? Â Dave, John and Marcia tackle this problem that plagues beginners and experienced actors alike.

Music provided by Music Alley (http://www.musicalley.com)]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/6_What_do_I_do_with_my_hands.mp3" length="17818072" type="audio/mpeg" />
      <itunes:duration>0:31:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Hands: Everybody's got 'em. Â What do you do with 'em? Â Dave, John and Marcia tackle this problem that plagues beginners and experienced actors alike.  Music provided by Music Alley (http://www.musicalley.com)</itunes:subtitle>
      <itunes:summary>Hands: Everybody's got 'em. Â What do you do with 'em? Â Dave, John and Marcia tackle this problem that plagues beginners and experienced actors alike.

Music provided by Music Alley (http://www.musicalley.com)</itunes:summary>
    </item>
    <item>
      <title>5: How much rope do you give your actors?</title>
      <link>http://www.theatregeeks.com/2010/01/5-how-much-rope-do-you-give-your-actors/</link>
      <guid>http://www.theatregeeks.com/?p=101</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Fri, 29 Jan 2010 23:15:42 -0500</pubDate>
      <description><![CDATA[The Geeks explore how much leeway a director should give actors in terms of improvisation, character development, experimentation and risk during the rehearsal period and the performance itself.Â  Do we have more leeway with comedies than we do with serio]]></description>
      <content:encoded><![CDATA[The Geeks explore how much leeway a director should give actors in terms of improvisation, character development, experimentation and risk during the rehearsal period and the performance itself.Â  Do we have more leeway with comedies than we do with serio]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/5_Giving_Actors_Enough_Rope.mp3" length="20793939" type="audio/mpeg" />
      <itunes:duration>0:34:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Geeks explore how much leeway a director should give actors in terms of improvisation, character development, experimentation and risk during the rehearsal period and the performance itself.Â  Do we have more leeway with comedies than we do with serio</itunes:subtitle>
      <itunes:summary>The Geeks explore how much leeway a director should give actors in terms of improvisation, character development, experimentation and risk during the rehearsal period and the performance itself.Â  Do we have more leeway with comedies than we do with serio</itunes:summary>
    </item>
    <item>
      <title>4: You Canâ€™t Get Enough Shakespeare</title>
      <link>http://www.theatregeeks.com/2010/01/3-you-cant-get-enough-shakespeare/</link>
      <guid>http://www.theatregeeks.com/?p=93</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 20 Jan 2010 01:18:10 -0500</pubDate>
      <description><![CDATA[
Or Can You???
Concord High School (Elkhart, IN) English teacher Chris Judson spent summer 2009 traveling the country seeing all of Shakespeare's plays, and today he shares some of his experiences and observations of this once-in-a-lifetime theatrical adv]]></description>
      <content:encoded><![CDATA[
Or Can You???
Concord High School (Elkhart, IN) English teacher Chris Judson spent summer 2009 traveling the country seeing all of Shakespeare's plays, and today he shares some of his experiences and observations of this once-in-a-lifetime theatrical adv]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/4_Cant_get_enough_Shakespeare.mp3" length="31431593" type="audio/mpeg" />
      <itunes:duration>0:39:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle> Or Can You??? Concord High School (Elkhart, IN) English teacher Chris Judson spent summer 2009 traveling the country seeing all of Shakespeare's plays, and today he shares some of his experiences and observations of this once-in-a-lifetime theatrical adv</itunes:subtitle>
      <itunes:summary>
Or Can You???
Concord High School (Elkhart, IN) English teacher Chris Judson spent summer 2009 traveling the country seeing all of Shakespeare's plays, and today he shares some of his experiences and observations of this once-in-a-lifetime theatrical adv</itunes:summary>
    </item>
    <item>
      <title>3: Itâ€™s NOT all about you</title>
      <link>http://www.theatregeeks.com/2009/12/3-its-not-all-about-you/</link>
      <guid>http://www.theatregeeks.com/?p=82</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Wed, 16 Dec 2009 00:05:34 -0500</pubDate>
      <description><![CDATA[In Episode 3 John, Dave and Marcia talk about the problem of the actors and actresses who believe they are the most important people on the stage. Â How does the director deal with the prima donna and encourage a spirit of "ensemble" in the cast? Â We hav]]></description>
      <content:encoded><![CDATA[In Episode 3 John, Dave and Marcia talk about the problem of the actors and actresses who believe they are the most important people on the stage. Â How does the director deal with the prima donna and encourage a spirit of "ensemble" in the cast? Â We hav]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/3_Its_not_all_about_you.mp3" length="15707702" type="audio/mpeg" />
      <itunes:duration>0:16:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>In Episode 3 John, Dave and Marcia talk about the problem of the actors and actresses who believe they are the most important people on the stage. Â How does the director deal with the prima donna and encourage a spirit of &quot;ensemble&quot; in the cast? Â We hav</itunes:subtitle>
      <itunes:summary>In Episode 3 John, Dave and Marcia talk about the problem of the actors and actresses who believe they are the most important people on the stage. Â How does the director deal with the prima donna and encourage a spirit of &quot;ensemble&quot; in the cast? Â We hav</itunes:summary>
    </item>
    <item>
      <title>2: The Unknown Play Problem</title>
      <link>http://www.theatregeeks.com/2009/11/the-unknown-play-problem-episode-2/</link>
      <guid>http://www.theatregeeks.com/?p=62</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Mon, 30 Nov 2009 23:56:53 -0500</pubDate>
      <description><![CDATA[The Theatre Geeks Â (John, Dave and Marcia) discuss the problem of getting audiences to come to lesser known or even unknown works.  Many people like familiar shows and are hesitant to attend something they haven't heard of or seen before.  What's a commu]]></description>
      <content:encoded><![CDATA[The Theatre Geeks Â (John, Dave and Marcia) discuss the problem of getting audiences to come to lesser known or even unknown works.  Many people like familiar shows and are hesitant to attend something they haven't heard of or seen before.  What's a commu]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/2_Unknown_Play_Problem.mp3" length="15148766" type="audio/mpeg" />
      <itunes:duration>0:41:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>The Theatre Geeks Â (John, Dave and Marcia) discuss the problem of getting audiences to come to lesser known or even unknown works.  Many people like familiar shows and are hesitant to attend something they haven't heard of or seen before.  What's a commu</itunes:subtitle>
      <itunes:summary>The Theatre Geeks Â (John, Dave and Marcia) discuss the problem of getting audiences to come to lesser known or even unknown works.  Many people like familiar shows and are hesitant to attend something they haven't heard of or seen before.  What's a commu</itunes:summary>
    </item>
    <item>
      <title>1: Mistakes Directors Make</title>
      <link>http://www.theatregeeks.com/2009/11/episode-1-mistakes-directors-make/</link>
      <guid>http://www.theatregeeks.com/?p=54</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Tue, 17 Nov 2009 00:44:59 -0500</pubDate>
      <description><![CDATA[Episode 1 of Theatre Geeks is finally here and we are excited!  In our inaugural episode, John, Dave and Marcia talk about some of the mistakes directors make.  Thanks for listening!

Music provided by Musicalley.com.

 My Podcast Alley feed! (http://www.]]></description>
      <content:encoded><![CDATA[Episode 1 of Theatre Geeks is finally here and we are excited!  In our inaugural episode, John, Dave and Marcia talk about some of the mistakes directors make.  Thanks for listening!

Music provided by Musicalley.com.

 My Podcast Alley feed! (http://www.]]></content:encoded>
      <enclosure url="https://media.blubrry.com/theatregeeks/content.blubrry.com/theatregeeks/1_Mistakes_Directors_Make.mp3" length="16566534" type="audio/mpeg" />
      <itunes:duration>0:10:00</itunes:duration>
      <itunes:explicit>false</itunes:explicit>
      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Episode 1 of Theatre Geeks is finally here and we are excited!  In our inaugural episode, John, Dave and Marcia talk about some of the mistakes directors make.  Thanks for listening!  Music provided by Musicalley.com.   My Podcast Alley feed! (http://www.</itunes:subtitle>
      <itunes:summary>Episode 1 of Theatre Geeks is finally here and we are excited!  In our inaugural episode, John, Dave and Marcia talk about some of the mistakes directors make.  Thanks for listening!

Music provided by Musicalley.com.

 My Podcast Alley feed! (http://www.</itunes:summary>
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      <title>A message from the host of Theatre Geeks</title>
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      <guid>http://www.theatregeeks.com/?p=24</guid>
      <dc:creator>Theatre Geeks</dc:creator>
      <pubDate>Sun, 08 Nov 2009 10:55:18 -0500</pubDate>
      <description><![CDATA[Dave Dufour with info on the upcoming launch of the Theatre Geeks podcast.  It's coming soon, folks!  Lively conversation about community theatre and theatre in general with three folks who have been there.  ]]></description>
      <content:encoded><![CDATA[Dave Dufour with info on the upcoming launch of the Theatre Geeks podcast.  It's coming soon, folks!  Lively conversation about community theatre and theatre in general with three folks who have been there.  ]]></content:encoded>
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      <itunes:author>Theatre Geeks</itunes:author>
      <itunes:subtitle>Dave Dufour with info on the upcoming launch of the Theatre Geeks podcast.  It's coming soon, folks!  Lively conversation about community theatre and theatre in general with three folks who have been there.  </itunes:subtitle>
      <itunes:summary>Dave Dufour with info on the upcoming launch of the Theatre Geeks podcast.  It's coming soon, folks!  Lively conversation about community theatre and theatre in general with three folks who have been there.  </itunes:summary>
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